The Shadow of a Figure of Light: the Archetype of the Alcoholic and the Journey to Enlightenment delves into the nature of modern psychospiritual transformation by examining the human thirst for wholeness through the lens of alcoholism and addiction. Establishing an unknown historical thread that ties renowned psychiatrist C.G. Jung and Alcoholics Anonymous co-founder Bill Wilson, Cody Peterson shows how their methodologies each stemmed from an ancient shamanistic source constellated through what he has coined the archetype of the Alcoholic. Painting the Twelve Steps as a modern myth, the author presents the Alcoholic as a paradoxical image leading us towards enlightenment amid a deepening, culture-wide spiritual crisis.

This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, most-often illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and herein first described in print). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. Geometry and the Nature of Light focuses on the physics of light and the optics of lenses, but also includes extended discussions of topics less commonly covered in a beginning text, including symmetry in art and physics, different physical processes of the scattering of light, photograms (photographic shadow prints) and the nature of shadows, elements of 2-dimensional design, pinhole photography and the view camera. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.

Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.

Whether trying a new technique, getting in some practice time, or working on a finished piece, this figure study enables artists to create their choice of model, pose, and view whenever and wherever they'd like. The latest addition to the series will help artists become proficient in incorporating chiaroscuro or light and dark lighting?a technique used by the great masters to produce drama and depth in their paintings?to define the human form. Additional expressions and body details highlighting challenging areas such as the face, hands, and feet in even greater detail augment the disc. Varieties of body types?ranging from thin to plus-size?and ethnicities are included. Poses have been carefully chosen to illustrate important effects such as foreshortening and perspective changes. With this guide, artists can achieve longer drawing sessions than they could when drawing from a model directly. While viewing from many angles and at their own pace is often impossible for artists in a studio session, it becomes as easy as putting in the disc and opening any photo. A judicious amount of photo retouching is done?not to make the models more glamorous or plastic but to remove distractions that detract from the models' essence. The PC/Mac-compatible DVD-ROM features more than 2,500 high-resolution JPEG photos providing a number of viewing options?on a computer screen, printed out, projected for a group, or via a high-definition television. Each angle of every pose may also be enlarged, enabling artists to zoom in on specific body parts to achieve a higher level of detail.

Playing with light is a magical experience for children and adults alike. Making the most of Light and Mirrors has been specially written to celebrate the wonderful ideas and theories that babies and young children demonstrate on a daily basis, as they play and explore the world around them. Each of the scenarios in this book, accompanied by stunning full colour photographs, shows how the use of reclaimed and natural materials can support play and active learning, exploration and investigation and creativity and critical thinking across the six areas of learning of the Early Years Foundation Stage. Through easily understood text and colour photographs, this book provides both photographic and written support for early years professionals wishing to develop their understanding of: - the role of the creative practitioner - a creative learning environment - child-initiated and adult- led experiences - the value of open- ended resources - the use of photographs in observational assessment

Those interested in the history of myth and religion may be interested in this examination of the roots of the modern patriarchal religions. It claims they often lie in the older myths of multi-faceted pagan gods.

Shadow is everything in us we can't see--everything we are not conscious of. Our Shadow self monitors hundreds of thousands of inputs from the world and our body/mind systems, processes the information, and constantly sends constructive and destructive messages into our conscious awareness in the forms of sensations, feelings, impulses, stories, and thoughts. This Shadow material is generated in less than a tenth of a second, and our conscious selves become more or less aware of it after one or two seconds, leaving our conscious awareness always one step behind the non-conscious flood of Shadow material. Personal development is largely growth of our Shadow selves--our adaptive unconscious in which resides our deepest senses of self, morality, intimacy, vulnerability, and spirituality. Shadow Light offers a wealth of research, ideas, and practices to help us grow our Shadow selves and accelerate personal evolution.

I just saved the boy I’m falling for from a gruesome death by a demon. And what does he have to say? I’m the key to opening the gates of Hell. I mean, a thank-you would’ve been nice. Or another scorching-hot, forbidden kiss. Either way, destiny will have to find someone else to torment, because I’m so done. Or I was, until my little sister starts cackling exorcist-style and stares at me with eyes that aren’t hers. They’re Marid’s, the Greater Demon I just kicked back to the dark realm he came from. Possessing Ray whenever he wants is his ultimate revenge. The only way to break the tether between them includes a road trip through Hell, aka the Ather. I quickly discover nothing is as it seems in this place. Yeah, there are realms of terror, greed, and desire, but there’s also peace, and a beauty I never knew existed...and it’s eerily familiar. With each obstacle we encounter, I slip a little further into the chaotic energy of my growing dark powers. And when an unexpected betrayal hits me square in the chest, I freefall into them. Fate painted me as the monster of nightmares, and after this? Destiny is about to learn just how monstrous I can be. The Ember of Night series is best enjoyed in order. Reading Order: Book #1 Ember of Night Book #2 Shadow of Light Book #3 Spark of Ash

Employing survey archaeology, excavation, ethnographic study, and multinational archival work, the Shala Valley Project uncovered the many powerful, creative ways whereby the men and women of Shala shaped their world: through dynamic, world-systemic relationships with the powers that surrounded but never fully conquered them. The Shala Valley Project presents the highlanders, the malesore, in the full complexity of their lives, while also unveiling a new, deeper history for the region--a history that reaches back to an unexpected fortified Iron Age site. Light and Shadow tells many stories. Archaeologists, historians, and students of tribes, of empires, of imperial-indigenous relations, of blood feud, of kinship, of the built landscape, of world-systems theory and sustainability science, and more, will find much here to digest. The people of Shala, to which Light and Shadow is dedicated, may serve as an example in our modern age, one in which persistent, tribal peoples still fight for their survival, and seek to preserve some degree of independence from capitalist economies bent on their incorporation.

What exactly is a shadow? Is it light tracing an object or the shape a body throws when it comes between a light source and a surface? Is it a metaphor for the intimate, darker side of a person's nature-as Carl Jung postulated-and the unconscious side of one's self, where daemons and secrets are kept hidden or repressed? Is it an allegorical place between darkness and light, death and living? Or is it a state of illusion, like Plato's cave? Is it a verb that means to follow or accompany, or even to spy on? Shadows, a new collaborative series by Alexandra Grant and Keanu Reeves, explores the real and symbolic nature of the shadow as image and figure of speech. Grant's photographs capture Reeves's shadow at times as a silhouette and at others as traces of light as he and the camera move together. In transforming the images into color and reversing light for dark, Grant has made the shadows themselves the source of light. Reeves's texts, written in tandem with the creation of the images, give voice to the multiple manifestations of the shadow: as a projected figure, a place of concealed emotion and an invocation to shadow play.