This masterly character study of human transformation, written by Joseph Conrad (1857–1924) during the First World War, chronicles a youth’s passage into manhood upon becoming the commander of his first ship.

"[...]ship. He had to employ white men in the shipping part of his business, and many of those he so employed had never set eyes on him from the first to the last day. I myself saw him but once, quite accidentally on a wharf—an old, dark little man blind in one eye, in a snowy robe and yellow slippers. He was having his hand severely kissed by a crowd of Malay pilgrims to whom he had done some favour, in the way of food and money. His alms-giving, I have heard, was most extensive, covering almost the whole Archipelago. For isn't it said that "The charitable man is the friend of Allah"? Excellent (and picturesque) Arab owner, about whom one needed not to trouble one's head, a most excellent Scottish ship—for she was that from the keep up—excellent [...]".

Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions", in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial in New York's Metropolitan Magazine (September-October) in the English Review (September 1916-March 1917) and published in book form in 1917 in the UK (March) and America (April). The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development.The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist.

The Shadow Line — a short novel based at sea — was first published in 1916. It depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's «factotum» Ransome used to emphasise strengths and weaknesses of the protagonist.

The Shadow Line A 1917 Novella by Joseph Conrad A young man has taken a captaincy in the Orient in this book, a metaphor for World War I. The book has a supernatural influence, including the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate.

James Patterson returns to the genre that made him famous with a #1 New York Times bestselling teen detective novel about the mysterious Angel family . . . and the dark secrets they're keeping from one another. On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone-maybe not even herself. As Tandy sets out to clear the family name, she begins to recall flashes of experiences long buried in her vulnerable psyche. These memories shed light on her family's dark secrets, and digging deeper into her powerful parents' affairs proves to be a disturbing and dangerous game. Who knows what any of the Angels are truly capable of?

A unique edition: beautifully formatted with large, easy-to-read fonts; annotated, with additional content. Written in 1915, The Shadow-Line: A Confession is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.This is indeed a work full of "sudden passions," in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line: A Confession investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface. Please note: our edition is properly formatted and a joy to hold in your hand. Buy it with confidence.

The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial in New York's Metropolitan Magazine (September-October) in the English Review (September 1916-March 1917) and published in book form in 1917 in the UK (March) and America (April). The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development.The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist.