With mounting pressure, Mooney, a New York police lieutenant, is given one last chance to solve the vicious Shadow Dance murders.

With the disappearance of a young man and his old friend Vicky Holden accused of murder, Father John O'Malley must prove his hunch that both events are connected to a dangerous sect leader known as Orlando-who has resurrected the old Shadow Dance religion.

'A remarkable first novel...Bradby handles the tension with skill to produce a gripping tale' The Times ________ Colette McVeigh: Mother. Widow. Terrorist. For all of her twenty-nine years she has lived the Republican cause. Her husband was killed by the Brits. Her brothers have dedicated their lives to fighting them. Until she is arrested in an aborted bombing raid in London when she has to make a choice: inform and see your children again; or stay silent and watch them grow up from the inside of a prison cell. Her MI5 handler, David Ryan, has never questioned where his loyalties lie. But as he watches Colette put herself in increasing danger to fulfil her side of the bargain, he realises that his certainty and integrity have been fatally and irrevocably compromised...

With the disappearance of a young man and his old friend Vicky Holden accused of murder, Father John O'Malley must prove his hunch that both events are connected to a dangerous sect leader known as Orlando-who has resurrected the old Shadow Dance religion.

Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.

Sheila is a dental assistant with an average life, until one of her friends, Josy, goes missing and the police face a mystery. Josy disappeared in a naturist resort and there is no trace of her, only her bag that's left standing next to a tree. Sheila, who discovers a special ability within herself and also discovers an incredible friend, decides to find Josy on her own, but for that she will have to go into the naturist resort. Will she need to shed her clothes? Will she find her friend, and if she does, can she bring her home?

What Lurks in the Dark Shadows of the Heart? Most men who see Amanda Charles dance worship her from afar. But one "admirer" is getting too close to the glamorous showgirl...perilously close. The looks, style, and grace that make Amanda sparkle on stage have now made her something else: the target of a serial killer. Detective Tristan MacLaughlin has drawn the case that is pulling him deep into a world of pageantry and dazzle -- and closer to the stunning, violet-eyed beauty who keeps her secrets and emotions locked tightly inside. Tristan never thought he'd be bewitched by Amanda's charms, never though he'd care. And he never imagined that by wanting her, by trying to protect her, he'd place her in the gravest danger of all.

“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.

"Dance is a means to tell stories across cultures and in The Cambodian Dancer: Sophany's Gift of Hope, we discover how it can also be used as a way to overcome immense pain and loss. Daryn Reicherter's moving story and Christy Hale's beautiful illustrations introduce us to Sophany Bay and show us how central dance was to her life. When she was forced to leave Cambodia, dance became the means for her to heal and help others connect with the culture. This is an important book that reminds us all that no matter what happens, we need to live. We need to dance. --award-winning author, John Coy"