This work is valuable as history, containing as it does contemporary information on the period after 278 A.D. It was used widely during the Middle Ages, and the existence today of nearly 200 manuscript copies is evidence of its past popularity.

Examines the role of geography in the historical writings of the early medieval period.

The Old English History of the World, produced around the year 900, is an anonymous translation and adaptation of Paulus Orosius's immensely popular Latin history known as the Seven Books of History against the Pagans. This volume offers a new edition and modern translation of an Anglo-Saxon perspective on the ancient world.

"An analysis of how religious bias shaped U.S. federal Indian law."--

Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed.The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome will overturn many long-held assumptions about pagan and Christian culture in the late antique West.

In twelth-century Jerusalem, orphaned sixteen-year-old Pagan is assigned to work for Lord Roland, a Templar knight, as Saladin's armies close in on the Holy City.

Shows how Orosius situates himself in the classical tradition and draws on a variety of rhetorical tools to shape his historical narrative, The histories against the pagans, written in 415/7, and position the Church at the heart of his view of Roman history.

Britain's pagan past, with its mysterious monuments, atmospheric sites, enigmatic artifacts, bloodthirsty legends, and cryptic inscriptions, is both enthralling and perplexing to a resident of the twenty-first century. In this ambitious and thoroughly up-to-date book, Ronald Hutton reveals the long development, rapid suppression, and enduring cultural significance of paganism, from the Paleolithic Era to the coming of Christianity. He draws on an array of recently discovered evidence and shows how new findings have radically transformed understandings of belief and ritual in Britain before the arrival of organized religion. Setting forth a chronological narrative, Hutton along the way makes side visits to explore specific locations of ancient pagan activity. He includes the well-known sacred sites—Stonehenge, Avebury, Seahenge, Maiden Castle, Anglesey—as well as more obscure locations across the mainland and coastal islands. In tireless pursuit of the elusive “why” of pagan behavior, Hutton astonishes with the breadth of his understanding of Britain’s deep past and inspires with the originality of his insights.

Although Christianity is still a major religious force, there are growing numbers of people in other faiths, including the various Pagan traditions. Some Christians have responded to this trend with fear and derision, while some Pagans have reacted to that fear with anger and mistrust. Much of the problem is due to misunderstandings and lack of communication. This can change with Gus diZerega's Pagans & Christians. Here you will find a penetrating and illuminating comparison, showing that neither path has the single correct approach to the Divine. Rather, either or both can be authentic and legitimate expressions of the appreciation of the Ultimate Source of All. Pagans & Christians is an ideal way to help bridge what at time seems a wide chasm between Christian and Pagan beliefs. By sharing core ideas of both paths, this book provides a way to give deeper mutual understanding and unity among the religions of the world. Although Pagans & Christians accepts both paths as valid, the book provides a more in-depth explanation of Paganism ó the minority religion because in some ways, Paganism demands a greater defense and explanation of its beliefs and ideas to dispel misunderstandings. The author is a Third Degree Gardenerian Elder and in Pagans & Christians has presented nothing less than a brilliant defense of Paganism, clearly showing how it should stand beside all of the major religions of the world as an equal. As part of this defense, diZerega gives a listing of biblical contradictions and Christian philosophical difficulties which can help any Pagan responding to a negative attack, and will help any Christian to view his or her religion as a way, not the way. Winner of the 2001 Coalition of Visionary Resources (COVR) Award for Best Non-fiction Book

A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal) Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation. “As a slant of sunlight illuminates jewels long buried, Kate Horsley's novel brings words to an ancient silence and a living, vivid presence to people who lived in that time of great changes and estrangements we call the Dark Ages.” —Ursula K. Le Guin