Annotation The synagogue was one of the most central and revolutionary institutions of ancient Judaism leaving an indelible mark on Christianity and Islam as well. This commanding book provides an in-depth and comprehensive history of the synagogue from the Hellenistic period to the end of late antiquity. Drawing exhaustively on archeological evidence and on such literary sources as rabbinic material, the New Testament, Jewish writings of the Second Temple period, and Christian and pagan works, Lee Levine traces the development of the synagogue from what was essentially a communal institution to one which came to embody a distinctively religious profile. Exploring its history in the Greco-Roman and Byzantine periods in both Palestine and the Diaspora, he describes the synagogue's basic features: its physical remains; its role in the community; its leadership; the roles of rabbis, Patriarchs, women, and priests in its operation; its liturgy; and its art. What emerges is a fascinating mosaic of a dynamic institution that succeeded in integrating patterns of social and religious behavior from the contemporary non-Jewish society while maintaining a distinctively Jewish character.

The first full treatment of Jewish childhood in the Roman world. Explores the lives of minors both inside and outside the home.

The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.

This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.

Galilee - the centre of Jewish life in Palestine after the destruction of Jerusalem in 70 AD, as well as a region of prime importance in early Christian history - is studied here by a wide spectrum of experts: historians and archaeologists, scholars of New Testament and Rabbinic literature, and students of social and cultural life in late antiquity, which reached from the first to the seventh centuries.

This volume presents the papers given at the Second International Conference on Galilee in Antiquity held at Duke University and the North Carolina Museum of Art in 1997. The goal of the conference was to examine the significance of Galilee and its rich and diverse culture through an extended period of time. Several of the papers have been revised since the conference and in light of continuing discussion. Furthermore, three new papers have been added to the collection, for a total of 25 contributions.

This provocative new history of Palestinian Jewish society in antiquity marks the first comprehensive effort to gauge the effects of imperial domination on this people. Probing more than eight centuries of Persian, Greek, and Roman rule, Seth Schwartz reaches some startling conclusions--foremost among them that the Christianization of the Roman Empire generated the most fundamental features of medieval and modern Jewish life. Schwartz begins by arguing that the distinctiveness of Judaism in the Persian, Hellenistic, and early Roman periods was the product of generally prevailing imperial tolerance. From around 70 C.E. to the mid-fourth century, with failed revolts and the alluring cultural norms of the High Roman Empire, Judaism all but disintegrated. However, late in the Roman Empire, the Christianized state played a decisive role in ''re-Judaizing'' the Jews. The state gradually excluded them from society while supporting their leaders and recognizing their local communities. It was thus in Late Antiquity that the synagogue-centered community became prevalent among the Jews, that there re-emerged a distinctively Jewish art and literature--laying the foundations for Judaism as we know it today. Through masterful scholarship set in rich detail, this book challenges traditional views rooted in romantic notions about Jewish fortitude. Integrating material relics and literature while setting the Jews in their eastern Mediterranean context, it addresses the complex and varied consequences of imperialism on this vast period of Jewish history more ambitiously than ever before. Imperialism in Jewish Society will be widely read and much debated.

This book brings together leading experts in the field of ancient synagogue studies to discuss the current issues and emerging trends in the study of synagogues in ancient Palestine. Divided into four thematic units, the different contributions apply archaeological, textual, historical and art historical methodologies to questions related to ancient synagogues. Part One addresses issues related to the origins and early development of synagogues up to 200 CE. The contributions provide different explanations to the alleged lack of evidence for synagogues built in the second and third centuries CE and ask how much continuity or change there is between the late Second Temple and late Roman/early Byzantine synagogues. Part Two deals with architecture and dating of ancient synagogues. It gives an overview of all synagogues found so far, approaches the dating of Galilean synagogues in the light of the recently-exposed synagogue at Huqoq, and provides a stylistic re-evaluation of the Capernaum synagogue decoration. Part three examines leadership, power and daily life in late antique synagogue contexts, illustrating non-monumental inscriptions, amulets and dining in synagogue contexts as well as the role of individual benefactors. Section four contextualizes synagogue art. An overview of synagogue mosaics in late antique Palestine is complemented with reinterpretations of the mosaics two synagogues. The section also offers a discussion of the appearance of the menorah.