A 2022 MARY HIGGINS CLARK AWARD NOMINEE In Jane Austen’s revered Pride and Prejudice, Mary, the middle sister, is often passed over. Until now… Upon the death of her father, Mary Bennet’s life is thrown into turmoil. With no fortune or marriage prospects, Mary must rely on the kindness of her relatives. When a mysterious late-night visit by an unknown relative—a Lady Trafford from Castle Durrington—leads to an extended stay and the chance for an education, Mary gratefully accepts the opportunity. But even as she arrives at the castle, she’s faced with one mystery after another. Who is Lady Trafford really and what is she hiding? Do her secrets and manipulations place the small seaside community at risk of an invasion by Napoleon Bonaparte? Always curious, Mary sets out to discover the truth. But when she discovers the dead body of a would-be thief she outed prior to her father’s funeral, Mary jeopardizes her position at the castle and her family’s good name in her quest for the truth. Never underestimate the observation skills of a woman who hides in the background.

What is a spy willing to do when both her heart and her country are at risk? Life changes once again for British spy Miss Mary Bennet when Napoleon Bonaparte escapes from the Isle of Elba. Mary quickly departs England for Brussels, the city where the Allied forces prepare for war against the French. But shortly after her arrival, one of the Duke of Wellington’s best officers is murdered, an event which threatens to break the delicate alliance between the Allies. Investigating the murder forces Mary into precarious levels of espionage, role-playing, and deception with her new partner, Mr. Withrow—the nephew and heir of her prominent sponsor, and the spy with whom she’s often at odds. Together, they court danger and discovery as they play dual roles gathering intelligence for the British. But soon Mary realizes that her growing feelings towards Mr. Withrow put her heart in as much danger as her life. And then there’s another murder. Mary will need to unmask the murderer before more people are killed, but can she do so and remain hidden in the background?

No one said being a spy for the British government would be easy. When Miss Mary Bennet is assigned to London for the Season, extravagant balls and eligible men are the least of her worries. A government messenger has been murdered and suspicion falls on the Radicals, who may be destabilizing the government in order to compel England down the bloody path of the French Revolution. Working with her fellow spies, Mr. William Stanley and Miss Fanny Cramer, Mary must investigate without raising the suspicions of her family, rescue her friend Miss Georgiana Darcy from a suitor scandal, and solve the mystery before anyone else is harmed—all without being discovered, lest she be exiled back to the countryside. This is the perfect job for a woman who exists in the background. Can Mary prove herself, or will this assignment be her last?

"This work explores how, through shifts in narrative tone and pacing at the conclusions of her novels, Jane Austen gives her readers the happy ending they crave, but leaves its price tag attached"--

Everyone knows the story of Elizabeth and Jane Bennet in Pride and Prejudice. But what about their sister Mary? At the conclusion of Jane Austen's classic novel, Mary, bookish, awkward, and by all accounts, unmarriageable, is sentenced to a dull, provincial existence in the backwaters of Britain. Now, master storyteller Colleen McCullough rescues Mary from her dreary fate with The Independence of Miss Mary Bennet, a page-turning sequel set twenty years after Austen's novel closes. The story begins as the neglected Bennet sister is released from the stultifying duty of caring for her insufferable mother. Though many would call a woman of Mary's age a spinster, she has blossomed into a beauty to rival that of her famed sisters. Her violet eyes and perfect figure bewitch the eligible men in the neighborhood, but though her family urges her to marry, romance and frippery hold no attraction. Instead, she is determined to set off on an adventure of her own. Fired with zeal by the newspaper letters of the mysterious Argus, she resolves to publish a book about the plight of England's poor. Plunging from one predicament into another, Mary finds herself stumbling closer to long-buried secrets, unanticipated dangers, and unlooked-for romance. Meanwhile, the other dearly loved characters of Pride and Prejudice fret about the missing Mary while they contend with difficulties of their own. Darcy's political ambitions consume his ardor, and he bothers with Elizabeth only when the impropriety of her family seems to threaten his career. Lydia, wild and charming as ever, drinks and philanders her way into dire straits; Kitty, a young widow of means, occupies herself with gossip and shopping; and Jane, naïve and trusting as ever, spends her days ministering to her crop of boys and her adoring, if not entirely faithful, husband. Yet, with the shadowy and mysterious figure of DarcyÕs right-hand man, Ned Skinner, lurking at every corner, it is clear that all is not what it seems at idyllic Pemberley. As the many threads of McCulloughÕs masterful plot come together, shocking truths are revealed, love, both old and new, is tested, and all learn the value of true independence in a novel for every woman who has wanted to leave her mark on the world.

Although Mrs. Haywood was evidently not responsible for the inclusion of her tale in "The Female Dunciad," and although the piece itself was entirely innocuous, her daring to raise her head even by accident brought down upon her another scurrilous rebuke, not this time from the poet himself, but from her former admirer, Richard Savage.

Austen's Pride and Prejudice has been adapted, transformed and translated into numerous languages. Thus the classic today constitutes an international, transcultural, transmedial and iconic phenomenon of pop culture that transcends genre boundaries as easily as centuries. The vitality of the book at the crossroads of the literary canon and pop culture is analysed by contributions focusing on its translations, Bollywood adaptations, iconic TV versions or vlog adaptations, on erotic rewritings or generic transformations into Chick-Lit, crime fiction or the Gothic mode, on teaching contexts or on a diachronic analysis of its illustrations. Complemented by a compilation of student essays, this volume affirms and celebrates Pride and Prejudice being perhaps more alive than ever before.