Nonna Bannister carried a secret almost to her Tennessee grave: the diaries she had kept as a young girl experiencing the horrors of the Holocaust. This book reveals that story. Nonna’s childhood writings, revisited in her late adulthood, tell the remarkable tale of how a Russian girl from a family that had known wealth and privilege, then exposed to German labor camps, learned the value of human life and the importance of forgiveness. This story of loss, of love, and of forgiveness is one you will not forget.

The author documents her experiences during World War II through a secret diary she kept during her time in a concentration camp and the years following the war.

An anthology of twenty-three diaries written during the Holocaust by children, some of whom were later murdered by the Nazis.

Winner of the National Jewish Book Award: viewing the Holocaust through the eyes of youth “Zapruder . . . has done a great service to history and the future. Her book deserves to become a standard in Holocaust studies classes. . . . These writings will certainly impress themselves on the memories of all readers.”—Publishers Weekly “These extraordinary diaries will resonate in the reader’s broken heart for many days and many nights.”—Elie Wiesel This stirring collection of diaries written by young people, aged twelve to twenty-two years, during the Holocaust has been fully revised and updated. Some of the writers were refugees, others were in hiding or passing as non-Jews, some were imprisoned in ghettos, and nearly all perished before liberation. This seminal National Jewish Book Award winner preserves the impressions, emotions, and eyewitness reportage of young people whose accounts of daily events and often unexpected thoughts, ideas, and feelings serve to deepen and complicate our understanding of life during the Holocaust. The second paperback edition includes a new preface by Alexandra Zapruder examining the book’s history and impact. Simultaneously, a multimedia edition incorporates a wealth of new content in a variety of media, including photographs of the writers and their families, images of the original diaries, artwork made by the writers, historical documents, glossary terms, maps, survivor testimony (some available for the first time), and video of the author teaching key passages. In addition, an in-depth, interdisciplinary curriculum in history, literature, and writing developed by the author and a team of teachers, working in cooperation with the educational organization Facing History and Ourselves, is now available to support use of the book in middle- and high-school classrooms.

Based on interviews and oral histories, this collection of 89 stories is the first anthology of Hasidic stories about the Holocaust, and the first ever in which women play a large role.

"In these tales the reader can observe Anne's writing prowess grow from that of a young girl's into the observations of a perceptive, edgy, witty and compassionate woman"--Jacket flaps.

In the Netherlands, the myth that resistance to Nazi occupation was high among all sectors of the population has retained a strong hold, and yet many Dutch Jews fell victim to deportation and annihilation in the camps of Eastern Europe. How could a country that prided itself on its tolerance, adherence to legal norms, and democratic government have been the site of such an enormous tragedy? Even while Nazi arrests of Jews were taking place, Arnold Douwes, a gardener and restless adventurer, headed a clandestine network of resistance and rescue. Douwes had spent time in the United States and France and was arrested several times by the police after his return to the Netherlands in 1940. Keenly aware that he was doing something important, he started a diary in the summer of 1943. He hid some 35 small notebooks in jam jars at safe houses in the vicinity of his base in Nieuwlande (Drenthe). After the war, he dug the notebooks up and transcribed them, adding several postwar sections with scrupulous notations. Bob Moore has translated Douwes's diary into English for the first time, and he and co-editor Johannes Houwink ten Cate have added a historical and contextual introduction, annotations, and a glossary for readers who may not be familiar with Dutch technical terms or places. Organized chronologically, and remaining largely as Douwes originally wrote it, the diary sheds light on the successes—and failures—of this important Dutch rescue network.

Contains the Polish original and an English translation of several diary entries written in 1943-44 by Morris Breitbart (born in 1921 in Szczerców), while he was in hiding after escaping from a transport train on the way to Treblinka. He was hidden, and his life was thus saved, by a Polish peasant woman, Genia Bejenkow. The entries provide hardly any historical information, but are striking laments of a homeless orphan, who asks where was humanity and where was justice when the Nazis killed innocent Jews, including members of his family, and the world was indifferent.

“The most comprehensive to date treatment of these precious artifacts of the Holocaust’s Jewish efforts to maintain religious observations and identity.” —Choice Calendars map time, shaping and delineating our experience of it. While the challenges to tracking Jewish conceptions of time during the Holocaust were substantial, Alan Rosen reveals that many took great risks to mark time within that vast upheaval. Rosen inventories and organizes Jewish calendars according to the wartime settings in which they were produced—from Jewish communities to ghettos and concentration camps. The calendars he considers reorient views of Jewish circumstances during the war and show how Jews were committed to fashioning traditional guides to daily life, even in the most extreme conditions. In a separate chapter, moreover, he elucidates how Holocaust-era diaries sometimes served as surrogate Jewish calendars. All in all, Rosen presents a revised idea of time, continuity, the sacred and the mundane, the ordinary and the extraordinary even when death and destruction were the order of the day. Rosen’s focus on the Jewish calendar—the ultimate symbol of continuity, as weekday follows weekday and Sabbath follows Sabbath—sheds new light on how Jews maintained connections to their way of conceiving time even within the cauldron of the Holocaust. “Rosen demonstrates the relationship between time and meaning, between meaning and holiness, between holy days and the divine presence―all of which came under assault in the Nazis’ effort to kill Jewish souls before destroying Jewish bodies.” —David Patterson, author of Along the Edge of Annihilation: The Collapse and Recovery of Life in the Holocaust Diary