The History of Islamic Political Thought offers a full description and an interpretation of political philosophy from early Islam to the current age of Fundamentalism (622 AD to 2000 AD). Antony Black takes the same approach as scholars usually do for the history of Western political thought, examining the mentality, cultural milieu, and political background of thinkers and statesmen. He covers the relationship of politics to religion, law, ethics, philosophy, and statecraft, as expressed through treatises, occasional writings, official rhetoric, popular slogans, and other evidence of how people thought about authority and order.

A historical look at the roots of management theory reveals its flaws and offers important lessons for today's leaders For four thousand years, kings and queens ruled the known world, while management experts—in the guises of sages, clerics, and courtiers of all kinds—told them how to do it. These proto-experts in leadership, ethics, and strategy wrote books describing the perfect prince. In such books, rulers could seek and polish their own reflection, as in a looking glass. These books were called mirrors for princes. Mirrors for Princes documents the clichés of this genre of literature. Typical mirrors taught the same formula, over and over: that people behave badly because of their pursuit of self-interest, which needs to be harnessed to a common goal by the ruler or leader. Eighteenth-century revolutions spelled the demise of princes and led to books that sought instruct them. Today, the clichés of mirrors for princes live on in modern mirrors for managers. The rhetoric of common goals and transformational leadership has a pleasing resonance for top managers, affirming their authority, just as it did for kings and queens in mirrors for princes. Keeley's goal is to sensitize readers to these clichés and to provide today's business leaders with the tools to think more critically when reading business books. Mirrors for Princes concludes with advice for writers of management literature, suggesting how organizational theorists and business ethicists might avoid replicating the clichés of mirrors for princes by adopting a social-contract model of organizations.

Mamluks and Crusaders: Men of the Sword and Men of the Pen brings together a series of studies, based mainly on medieval Arabic sources, of Middle Eastern history and society in the late Middle Ages. Several of these studies deal with the confrontation between the Mamluks and the Crusaders. Others deal with aspects of Mamluk society and culture in Egypt and Syria from the 13th to the early 16th centuries. There are articles on such matters as Crusader feudalism and Mamluk iqta', Crusader and Mamluk currency, the last years of the Crusader states, Mamluk faction fighting, the size of the Mamluk army, the image of the Crusaders and other Europeans in Arabic popular literature, a neglected source on the sex life of the Mamluks, the ritual consumption of horse meat by Mamluks and Mongols, the table talk of the Mamluk Sultan Qansuh al-Ghawri, the deployment of gunpowder and firearms in the Middle East, gangsterism in Cairo and the shared interest of Ibn Khaldun and al-Maqrizi in the occult. Finally, several studies deal with questions of historiography, in both Crusader and Mamluk studies.

Presenting numerous interconnected insights into life in Greater Syria in the twelfth century, this book covers a wide range of themes relating to Crusader-Muslim relations. Some chapters deal with various literary sources, including little-known Crusader chronicles, a jihad treatise, a lost Muslim history of the Franks, biographies, letters and poems. Other chapters look at material culture, from coins to urban development, internal relations between Sunni and Shi'ite Muslims and between Crusader and Oriental Christians, and the role of the Turkmen. New insights into the career of Saladin are revealed, for example through the work of a little-known propagandist at his court, and Saladin's use of gift-giving for political purposes, as well as neglected aspects of the rule of his family dynasty, the Ayyubids, which succeeded him. Special attention is paid to the Christians residing in the Middle East, from Italians to Melkites and Armenians.

Al-Tha’labi was a renowned Qur’anic scholar of the fifth/eleventh century, and his ‘Ara’is al-majalis is arguably the finest and most widely consulted example of the Islamic qisas al-anbiya’ genre. Drawing on primary Arabic sources, Klar applies modern critical methods in order to explore the nature of al-Tha’labi’s ‘Ara'is al-majalis within its historical and literary context, and thereby produces a compelling examination of the stories of Noah, Job, Saul and David as portrayed in the key historiographical and folkloric texts of the medieval Islamic period. Via a close analysis of the relevant narratives, the book considers a number of universal aspects of the human condition as they are displayed in these tales, from first a religious, then a familial, and finally a social perspective. Touching upon the benefits and limitations of the application of biblical studies and literary motifs to Islamic materials, the book investigates the possibilities of interpretation raised by a primarily psychoanalytical reading of the tales of the four individuals in question. As such, this text will be of great interest to scholars of the biblical prophets, Qur’anic studies, Islamic historiography, folklore and literary criticism.

In the thirteenth century, the Mongols created a vast transcontinental empire that functioned as a cultural 'clearing house' for the Old World. Under Mongol auspices various commodities, ideologies and technologies were disseminated across Eurasia. The focus of this path-breaking study is the extensive exchanges between Iran and China. The Mongol rulers of these two ancient civilizations 'shared' the cultural resources of their realms with one another. The result was a lively traffic in specialist personnel and scholarly literature between East and West. These exchanges ranged from cartography to printing, from agriculture to astronomy. The book concludes by asking why the Mongols made such heavy use of sedentary scholars and specialists in the elaboration of their court culture and why they initiated so many exchanges across Eurasia. This is a work of great erudition which crosses new scholarly boundaries in its analysis of communication and culture in the Mongol empire.

In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.

I.B.Tauris in association with the Iran Heritage Foundation Iran's rich cultural heritage has been shaped over many centuries by its rich and eventful history. This impressive book, which assembles contributions by some of the world's most eminent historians, art historians and other scholars of the Iranian world, explores the history of the country through the prism of Persian literature, art and culture. The result is a seminal work which illuminates important, yet largely neglected, aspects of Medieval and Early Modern Iran and the Middle East. Its scope, from the era of Ferdowsi, Iran's national epic poet and the author of the Shahnameh to the period of the Mongols, Timurids, Safavids, Zands and Qajars, examines the interaction between mythology, history, historiography, poetry, painting and craftwork in the long narrative of the Persianate experience. As such, Ferdowsi, the Mongols and the History of Iran is essential reading and a reference point for students and scholars of Iranian history, Persian literature and the arts of the Islamic World.