New deluxe hardcover editions of the Alcatraz Versus the Evil Librarians middle-grade series from #1 New York Times bestselling author Brandon Sanderson

Thirteen-year-old Alcatraz Smedry and his companions seek Al's father and grandfather in the Great Library of Alexandria, where they face undead, soul-stealing wraiths called the Curators of Alexandria, and one of the Scrivener's Bones, a part-human, part-machine mercenary.

On his thirteenth birthday, foster child Alcatraz Smedry receives a bag of sand which is immediately stolen by the evil Librarians who are trying to take over the world, and Alcatraz is introduced to his grandfather and his own special talent, and told that he must use it to save civilization.

Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?

The death of a scholar, the birth of a detective... Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of William Farringdon floating in the River Cherwell, all the signs point to suicide. Soon, however, Nicholas discovers evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his close friend Jordain try to unravel what lies behind William’s death, they learn that he was innocently caught up in a criminal plot. When their investigations begin to involve town, university, and abbey, Nicholas takes a risky gamble – and puts his family in terrible danger in order to uncover the truth. A thrilling historical mystery full of twists and intrigue, perfect for fans of Ellis Peters, Paul Doherty and E. M. Powell.

This discounted ebundle includes: Alcatraz vs. The Evil Librarians, The Scrivener's Bones, The Knights of Crystallia, The Shattered Lens, The Dark Talent An action-packed fantasy adventure series by the #1 New York Times bestselling author Brandon Sanderson. Alcatraz Smedry and his family and friends must battle a cult of evil Librarians bent on taking over the world through misinformation and suppressing the truth. Alcatraz vs. the Evil Librarians — On his thirteenth birthday, foster child Alcatraz Smedry gets a bag of sand in the mail-his only inheritance from his father and mother. It is quickly stolen by the cult of Evil Librarians. Alcatraz must stop them, using the only weapon he has: an incredible talent for breaking things. The Scriveners Bones — In his second skirmish against the Evil Librarians who rule the world, Alcatraz and his ragtag crew of freedom fighters track Grandpa Smedry to the ancient and mysterious Library of Alexandria. Can Alcatraz and his friends rescue Grandpa Smedry and make it out of there alive? The Knights of Crystallia — Alcatraz Smedry has made it to the Free Kingdoms at last. Unfortunately, so have the Evil Librarians—including his mother! Now Alcatraz has to find a traitor among the Knights of Crystallia, make up with his estranged father, and save one of the last bastions of the Free Kingdoms from the Evil Librarians. The Shattered Lens — Alcatraz Smedry is up against a whole army of Evil Librarians with only his friend Bastille, a few pairs of glasses, and an unlimited supply of exploding teddy bears to help him. This time, even Alcatraz's extraordinary talent for breaking things may not be enough to defeat the army of Evil Librarians and their giant librarian robots. The Dark Talent — Alcatraz Smedry has successfully defeated the army of Evil Librarians and saved the kingdom of Mokia. Too bad he managed to break the Smedry Talents in the process. Even worse, his father is trying to enact a scheme that could ruin the world, and his friend, Bastille, is in a coma. Without his Talent to draw upon, can Alcatraz figure out a way to save Bastille and defeat the Evil Librarians once and for all? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Now a USA TODAY Bestseller! From #1 New York Times bestselling author Brandon Sanderson and Janci Patterson comes Bastille vs. the Evil Librarians, the thrilling conclusion to the Alcatraz vs. the Evil Librarians saga. As a Knight of Crystallia, I, Bastille, swore to protect the Smedry clan from the Evil Librarians. (And believe me, screwups like them constantly need protecting.) But when Alcatraz Smedry got strapped to an altar of outdated encyclopedias to be sacrificed to the dark gods, I arrived too late—and instead his father took his place. Now Alcatraz is a blubbering mess, so it’s up to me lead the charge against his father’s killer: Biblioden, founder of the Evil Librarians—I was sure he died centuries ago!—who’s back to complete his goal of world domination. Now he’s going to use the dark powers he gained from that sacrifice against everyone not under Evil Librarian control. Being burned up from the inside is not how I plan to die, so I’d better figure out some way to stop him or we’re toast! I know Alcatraz is wrong when he swears he’s no hero. But when a hero falls short, that’s the time for everyone else to step up and do what needs to be done. Other Tor books by Brandon Sanderson The Cosmere The Stormlight Archive The Way of Kings Words of Radiance Edgedancer (Novella) Oathbringer Dawnshard (Novella) Rhythm of War The Mistborn trilogy Mistborn: The Final Empire The Well of Ascension The Hero of Ages Mistborn: The Wax and Wayne series Alloy of Law Shadows of Self Bands of Mourning The Lost Metal Collection Arcanum Unbounded Other Cosmere novels Elantris Warbreaker The Alcatraz vs. the Evil Librarians series Alcatraz vs. the Evil Librarians The Scrivener's Bones The Knights of Crystallia The Shattered Lens The Dark Talent The Rithmatist series The Rithmatist Other books by Brandon Sanderson The Reckoners Steelheart Firefight Calamity

Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb, brings his inimitable vision, exhaustive research, and mesmerizing prose to this timely book that dissects violence and offers new solutions to the age old problem of why people kill. Lonnie Athens was raised by a brutally domineering father. Defying all odds, Athens became a groundbreaking criminologist who turned his scholar's eye to the problem of why people become violent. After a decade of interviewing several hundred violent convicts--men and women of varied background and ethnicity, he discovered "violentization," the four-stage process by which almost any human being can evolve into someone who will assault, rape, or murder another human being. Why They Kill is a riveting biography of Athens and a judicious critique of his seminal work, as well as an unflinching investigation into the history of violence.

“The exciting beginning of a promising new epic fantasy series. Prepare for ancient mysteries, innovative magic, and heart-pounding heists.”—Brandon Sanderson “Complex characters, magic that is tech and vice versa, a world bound by warring trade dynasties: Bennett will leave you in awe once you remember to breathe!”—Tamora Pierce In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself—the first in a dazzling new series from City of Stairs author Robert Jackson Bennett. Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle. But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic—the art of using coded commands to imbue everyday objects with sentience—have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims. Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them. To have a chance at surviving—and at stopping the deadly transformation that’s under way—Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.

"Walter Abish has dovetailed his novel within a Procrustean scheme that has the terrifying and irrefutable logic of the alphabet. Alphabetical Africa is in the line of writers such as Raymond Roussel, Raymond Queneau, Georges Perec and Harry Mathews, who have used constrictive forms to penetrate the space on the other side of poetry." -- John Ashbery