Creation is the origin and architectural blue-print of the mind. Explorers has search for the common denominator for something beyond themselves. You shall understand the creator and his creations. Christ is the origin of God that's why he was with him in the beginning because he is God. The keys of creation are revealed in this 1st edition.

Physicist Richard Carlson and biblical scholar Tremper Longman address the long-standing problem of how to relate scientific description of the beginnings of the universe with the biblical creation passages found in Genesis. Experts in their respective fields, these two authors provide a way to resolve seeming conflicting descriptions.

The author advances the theory that all creative activities have a basic pattern in common, which he attempts to define.

This 2ND Volume will give you insight about the Almighty who is the Supreme, Divine, Ruler of the Universe. We shall look into the Ancient of Days, His Origin and much more. God existed before time. He is time. You will know and understand the mystery of God and the universal question of why?

The Bible gives us insight into realities we could never know except that God has spoken. It tells us about God Himself, the creation of the universe, all creatures, mankind, angels and demons, the reality of evil, and the struggle between invisible kingdoms. More so, the Holy Spirit illumines the mind of God’s elect and ties all knowledge together in a comprehensive way. This book is designed to broaden the believer’s understanding of God and His creation so that he/she can make sense of what is and know there is a future and hope for those who belong to Him. Some of the articles include: a biblical worldview, love your enemies, a Christian view of death, suffering and depression, wrestling with God, and is self-defense biblical?

Specifics concerning creation are officially relegated into the realm of things indifferent to salvation or the life of the church. Various perspectives serve as popular alternatives to the six-day creation within circles that still concern themselves with the question of biblical inerrancy.

This work provides an overview of attempts to assess the current condition of the concept of creation order within reformational philosophy compared to other perspectives. Focusing on the natural and life sciences, and theology, this first volume of two examines the arguments for and against the beauty, coherence and order shown in the natural world being related to the will or nature of a Creator. It examines the decay of a Deist universe, and the idea of the pre-givenness of norms, laws and structures as challenged by evolutionary theory and social philosophy. It describes the different responses to the collapse of order: that given by Christian philosophy scholars who still argue for the idea of a pre-given world order, and that of other scholars who see this idea of stable creation order and/or natural law as redundant and in need of a thorough rethinking. It studies the particular role that reformational philosophy has played in the discussion. It shows how, ever since its inception, almost a century ago, the concepts of order and law (principle, structure) have been at the heart of this philosophy, and that one way to characterise this tradition is as a philosophy of creation order. Reformational philosophers have maintained the notion of law as ‘holding’ for reality. This book discusses the questions that have arisen about the nature of such law: is it a religious or philosophical concept; does law just mean ‘orderliness’? How does it relate to laws of nature? Have they always existed or do they ‘emerge’ during the process of evolution?

An introduction to the theology of art and the art of theology.

With an interdisciplinary approach, Edwards utilizes literature, aesthetics, world religions, and continental philosophy as avenues into the theology of natural beauty. This is an epistemological look at our aesthetically charged knowing of God through nature. Emphasizing our embodied experience of the world, Edwards examines the phenomenon of perceptual beauty, while questioning traditional notions of God's metaphysical "beauty." Drawing upon Michael Polanyi's philosophy of science, Edwards explores the human aesthetic and religious interface with the natural world. This philosophical approach is then linked to the poetic: Polanyi's "tacit knowledge" and Jean-Luc Marion's "saturated phenomena" give support to Wordsworth's "pregnant vision" of the natural world. This approach culminates in a re-envisaging of John Ruskin's typology of natural beauty: Ruskin's vision of the world can be adapted toward an understanding of natural revelation. Edwards brings this Romantic theology back across the Atlantic in dialogue with American nature writers and the uniquely American experience of wilderness and "frontier."