In fifteenth- and sixteenth-century Italy, many leading citizens constructed and furnished distinctive studies for themselves. The study was an individually designed room for private and social use - as an office, library, a family archive or treasury, as the nucleus of an art collection, or as a space for contemplation. This book is an account of the Renaissance Italian study and its contents. Illustrated with depictions of studies and the precious and unusual objects they contained, the book examines the significance of the study to its owner and visitors, its structure and location, and the prized possessions that might fill such a special room.

In this groundbreaking book, Aldon D. Morris’s ambition is truly monumental: to help rewrite the history of sociology and to acknowledge the primacy of W. E. B. Du Bois’s work in the founding of the discipline. Calling into question the prevailing narrative of how sociology developed, Morris, a major scholar of social movements, probes the way in which the history of the discipline has traditionally given credit to Robert E. Park at the University of Chicago, who worked with the conservative black leader Booker T. Washington to render Du Bois invisible. Morris uncovers the seminal theoretical work of Du Bois in developing a “scientific” sociology through a variety of methodologies and examines how the leading scholars of the day disparaged and ignored Du Bois’s work. The Scholar Denied is based on extensive, rigorous primary source research; the book is the result of a decade of research, writing, and revision. In exposing the economic and political factors that marginalized the contributions of Du Bois and enabled Park and his colleagues to be recognized as the “fathers” of the discipline, Morris delivers a wholly new narrative of American intellectual and social history that places one of America’s key intellectuals, W. E. B. Du Bois, at its center. The Scholar Denied is a must-read for anyone interested in American history, racial inequality, and the academy. In challenging our understanding of the past, the book promises to engender debate and discussion.

"Rembrandt was the most original printmaker of all time. In no fewer than 300 images he covered the full range of styles and subjects for which he is celebrated, including self-portraits, scenes from the Bible, vignettes of everyday life and character studies. The well-known 'Hundred Guilder print', the 'Three Trees' and the 'Three Crosses' are among his most extraordinary creations. He was also famously experimental, often reworking and scratching at his copper plates to improve and extend their expressive power. The results can look startlingly modern, and continue to inspire artists today. This catalogue, compiled by three leading authorities on Rembrandt and printmaking, aims to illustrate a representative selection of his finest prints. Exciting new areas of research have opened up in recent years, making it possible not only to follow the progress of Rembrandt's work on each plate, but also revealing details of his practice of revising the images at various times during his life. The different papers he used will be studied and all the watermarks reproduced. The role played by Rembrandt's preparatory drawings is also now better understood, and all these new insights are presented to a wider public for the first time in this lavishly illustrated volume"--Provided by publisher.

Publisher Description

Society and democracy are ever threatened by the fall of fact. Rigorous analysis of facts, the hard boundary between truth and opinion, and fidelity to reputable sources of factual information are all in alarming decline. A 2018 report published by the RAND Corporation labeled this problem "truth decay" and Andrew J. Hoffman lays the challenge of fixing it at the door of the academy. But, as he points out, academia is prevented from carrying this out due to its own existential crisis—a crisis of relevance. Scholarship rarely moves very far beyond the walls of the academy and is certainly not accessing the primarily civic spaces it needs to reach in order to mitigate truth corruption. In this brief but compelling book, Hoffman draws upon existing literature and personal experience to bring attention to the problem of academic insularity—where it comes from and where, if left to grow unchecked, it will go—and argues for the emergence of a more publicly and politically engaged scholar. This book is a call to make that path toward public engagement more acceptable and legitimate for those who do it; to enlarge the tent to be inclusive of multiple ways that one enacts the role of academic scholar in today's world.

Proceedings of a conference held December 6, 2013 in Antwerp, marking the 50th anniversary of the Rubenianum.

Ruth Calderon has recently electrified the Jewish world with her teachings of talmudic texts. In this volume, her first to appear in English, she offers a fascinating window into some of the liveliest and most colorful stories in the Talmud. Calderon rewrites talmudic tales as richly imagined fictions, drawing us into the lives of such characters as the woman who risks her life for a sister suspected of adultery; a humble schoolteacher who rescues his village from drought; and a wife who dresses as a prostitute to seduce her pious husband in their garden. Breathing new life into an ancient text, A Bride for One Night offers a surprising and provocative read, both for anyone already intimate with the Talmud and for anyone interested in one of the most influential works of Jewish literature.

The final installment in Shandril’s Saga sees the fledgling spellfire-mage get one more chance to escape those who wish to claim her power All Shandril Shessair ever wanted was a taste of adventure—but she received much more than a mere taste. Now the wielder of a rare magic that could destroy the world, Shandril has enemies watching her every move, devising ways they can steal her power. Chased across the Realms by wizards, warriors, and priests more evil than she can imagine, Shandril’s last hope is to find refuge in the city of Silverymoon. The Gem of the North is known far and wide for its magic—and for being a sanctuary for those who use their power for good. If Shandril can just make it to the city's gates, will she finally be saved?

This new novel begins an all-new story arc in Modesitt's popular Imager Portfolio.