First published in 1943, “The Sceptred Flute Songs of India” contains the complete poetical works of Indian poet and activist Sarojini Naidu (1879–1949). Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Contents include: “The Golden Threshold”, “Folk Songs”, “Songs for Music”, “Poems”, “The Bird of Time”, “Songs of Love and Death”, “Songs of the Springtime”, “Indian Folk-songs to Indian Tunes”, “Songs of Life”, etc. A fantastic collection not to be missed by fans of Naidu's seminal work. Other notable works by this author include: “Songs of Nature” and “Muhammad Jinnah: An Ambassador of Unity” (1919). This classic work is being republished now in a new edition complete with an introductory chapter from 'Studies of Contemporary Poets' by Mary C. Sturgeon.

This book of English by Krishna Sharma is a reference book that helps students prepare for competitive exams in English like Trained Graduate Teacher (TGT), Post Graduate Teacher (PGT), Lecturer Exams in various states. This book contains the syllabus of major states on the basis of previous examinations conducted by these states. Following the recently modified format of these exams that now comprise only objective multiple-choice type questions, this book also contains a series of multiple-choice questions just after each chapter. Each chapter has descriptive material and objective questions at the end of the chapter. There are previous year question papers at the end of the book which helps students to enhance their knowledge.

This Is The First Comprehensive Anthology Of English Verse Written By Indians, Compiled And Edited By One Who Himself Was A Poet And A Critic Of Distinction. Such A Volume Is Of Considerable Historical Value And Contemporary Interest, For English Has Been For More Than 150 Years, And Continues To Be, A Vehicle Of Creative Expression For Many Of Our Poets And Writers. The Anthology Includes Selections From 108 Poets From Derozio And Toru Dutt Of The Last Century To A.K. Ramanujan And Kamala Das Of The Recent Times.

The status and position of Indian women have undergone many changes since the high status they enjoyed in the Vedic era yielded to forced suicide during the dark ages, female infanticide, purdah, child marriages and the denial of property and political rights. This book, first published in 1985, provides a comprehensive annotated bibliography to hose years, and the years that followed of the relentless liberation struggle by women on the socio-political and legal fronts.

Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.

The pieces collected here were written over a ten year period crucial to the development of Sangharakshita's thought and expression. From visionary early writings to the later articles leavened by deep reflection, there emerges the unmistakeable voice of the writer of A Survey of Buddhism. There is a wide range of subject matter from explorations of the entire field of Buddhism to the encounter of Buddhism with western culture and modern life and brilliant expositions of the implications for humanity of the Buddha's teaching of selflessness.

The complete collection of Sangharakshita’s early essays (1944 - 1964). This volume contains the previously published collections Crossing the Stream and Early Writings, plus other articles long since out of print. All the essays are fully annotated, and those previously published in Early Writings come with a detailed commentary and extensive introduction by Kalyanaprabha. A foreword by Nagabodhi introduces the collection. The insights and ideas expressed in these brief passages are as illuminating, as stimulating and as indispensable as anything Sangharakshita was ever to produce.