The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)

Containing the dating, kinship data and titles for each tomb owner of 54 tombs located in the southern area of the Theban cemetery of Dra Abu el-Naga during the New Kingdom, this book will prove of great assistance as a handbook or catalogue for research on New Kingdom Dra Abu el-Naga or the study of prosopography and kinship relationships.

"This catalogue is published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--T.p. verso.

This beautiful book presents a selection of the finest and most historically important works in the Myers Museum at Eton College, which possesses one of the world's finest collections of ancient Egyptian decorative arts. The core of the collection was brought together by Major W. J. Myers, an old Etonian who was posted to Cairo in the 1880s. Myers's hope was that the works would be an inspiration for future generations of Eton students; with the publication of this book the objects will have an impact on a much wider audience. The volume -- which discusses more than one hundred works of art, all reproduced in full color -- will be not only a useful reference but a source of pleasure for students and professionals alike. Copyright © Libri GmbH. All rights reserved.

This book examines the dynamics around the introduction and spread of helmets and body armour throughout Egypt during the 18th, 19th and 20th Dynasties. It argues that the word 'introduction' is the best term to define this phenomenon because these types of military equipment were not in fact Egyptian technological innovations, but initially appeared at the end of the Bronze Age following the Hurrian expansion in the Middle East before being dispersed throughout the surrounding territories. The analysis focuses particularly on a survey of iconographic, archaeological and lexicographic attestations from a wide range of surviving material evidence and literary sources. On the basis of the collated data, it provides as accurate a perspective as possible on how the helmet and the cuirass were introduced and propagated, their impact on warfare and their possible role in ideology across the chronological span of the New Kingdom. Pollastrini also draws productive comparisons between the Egyptian data and contemporary attestations from the Middle East and the Aegean region in order to underpin the 'international' dynamics at play. In doing so it both encourages a broader ancient-historical perspective that sets New Kingdom Egypt within its contemporary context, and sheds new light on developments in the military history and warfare of the period.

Diseases and injuries were major concerns for ancient Egyptians. This book, featuring some sixty-four objects from the Metropolitan Museum, discusses how both practical and magical medicine informed Egyptian art and for the first time reproduces and translates treatments described in the spectacular Edwin Smith Papyrus.