A young woman, publicly scorned for bearing an illegitimate child, refuses to be vanquished by the seventeenth-century Boston community.

Here in one volume are all five of Nathaniel Hawthorne's world-famous novels. "The House of the Seven Gables" moves across 150 years from an ancestral crime condoned by the Puritan theocracy to a new beginning in the bustling and democratic Jacksonian era. Hawthorne's masterpiece, "The Scarlet Letter," is a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. "The Blithedale Romance" explores the perils, which Hawthorne knew at first hand, of living in a utopian community, and the inextricability of political, personal, and sexual desires. "Fanshawe" is an engrossing apprentice work which Hawthorne published anonymously and later sought to suppress. "The Marble Faun," his last finished novel, involves mystery, murder, and romance among American artists in Rome.

An abridged version of the misfortunes that plague a prominent New England family because of greed and a two-hundred-year-old curse.

When two men are gravely injured during the Battle of Pequawket in 1725, one makes a choice that will haunt him for the remainder of his days. Although Reuben and Roger take shelter against a tombstone-shaped rock together, Reuben survives only by leaving his friend to die. Years later, Reuben takes his grown son hunting and is forced to confront his guilt about not keeping his promise to a dying man. “Roger Malvin’s Burial” was adapted into a short radio program in 1949, and was also republished in the collection Mosses from an Old Manse in 1846. It remains one of Nathaniel Hawthorne’s most moving but least-known short stories. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

"It was not love, although her rich beauty was a madness to him; nor horror, even while he fancied her spirit to be imbued with the same baneful essence that seemed to pervade her physical frame; but a wild offspring of both love and horror that had each parent in it, and burned like one and shivered like the other. Giovanni knew not what to dread; still less did be know what to hope; yet hope and dread kept a continual warfare in his breast, alternately vanquishing one another and starting up afresh to renew the content. Blessed are ail simple emotions, be they dark or bright! It is the lurid intermixture of the two that produces the illuminating blaze of the infernal regions." These four spellbinding stories are variations on the struggle between good and evil; prefigurations, one might say, of The Scarlet Letter. Nathaniel Hawthorne was born in the historically rich and guilt-ridden city of Salem; one of his ancestors did indeed persecute the Salem witches. After a first novel in 1828, be devoted himself to increasingly successful short stories. In 1850, The Scarlet Letter brought him fame at last.

Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.

Offering innovative, psychoanalytic readings of Nathaniel Hawthorne’s mature novels, this volume expertly applies Freudian theory to present new insights into the psychology of Hawthorne’s characters and their fates. By critically examining scenes in which protagonists confront past traumas, Diamond underscores the transformative potential which Hawthorne attributes to confrontations with the unconscious. Psychoanalytic narrative technique is used to illuminate psychological crises of the protagonists in The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun, showing the transformations they undergo to be central to our understanding of the trajectory and resolution of Hawthorne’s romances. The text will benefit researchers, academics, and educators with an interest in applied psychoanalysis, psychoanalytic technique, and Freud in particular. Since its conclusions challenge many currently held critical views, this volume is especially relevant to those interested in interdisciplinary literary studies, Hawthorne studies, 19th century literature and romanticism.

The common lament was Broadway will never be the same! when My Fair Lady finally ended its stellar run the night of Sunday, September 30, 1962. Millions of people had seen the show over six years and had helped break box-office records, even though Rex Harrison, Julie Andrews, Stanley Holloway, and Robert Coote did not stay with the cast throughout the six-year run. MyFair Lady used the substance and wit of George Bernard Shaw to add a new dimension to the Broadway libretto.

Features a biographical chapter that relates Hawthorne's life to his work, a chapter on his career and contributions to American literature, and chapters that analyze his most important short stories and novels in turn.