When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.

A monster of a fantasy with a twist in the tale! Joanne Ross saw the chance of a summer cruise on the Caledonian Canal in Scotland as a great 'get away from it all' after a demanding year on a teaching exchange in England, so why does she find herself inviting Loz Garet along with her? Has she learned nothing from sharing a house with him for the last year? On Loch Ness, night falls and tension rises. Odd events seem to multiply around her, and Joanne finds herself with two more people on her boat: the obsessed Jim, searching for answers in the cold, dark water, and the teasing, buoyant young Cora, who has an answer for everything. As she observes the complex web of shallow interactions between her guests with some distaste, Joanne finds herself ever more drawn to the deeply beautiful loch. It’s not long before she’s forced into contemplating who the real monster is here. Is it really in the water, or is it right there on the boat with her?

The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. All Bound Up Together explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the "woman question" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman's right to control her body to her right to vote. Through a far-ranging look at politics, church, and social life, Jones demonstrates how women have helped shape the course of black public culture.

The use of school life as a closed narrative environment is well documented, and modern examples such as Malory Towers and Harry Potter show the genre's continued appeal. While there have been several histories of the school story, especially in children's literature, almost all of them take as their starting point Tom Brown's Schooldays. Although occasionally acknowledged in passing, there has never been a complete study of earlier school stories, or of other fictional portrayals of school life before the middle of the eighteenth century. In Before Tom Brown, Robert Kirkpatrick traces the roots of the school story back to 2500BC, when school life was a feature of Sumerian, Egyptian and Graeco-Roman texts written as teaching aids for children. From Chaucer's Canterbury Tales to Shakesperean comedies, he explores for the first time the use of school dialogues in the classroom, in print and on stage, and presents new evidence that the first school novel appeared in 1607. Finally, he examines the role of the school story in the broader development of the novel as the genre became established through the eighteenth century. Readers will be rewarded with a whole new perspective on the history of children's literature.

Read the first three installments in New York Times bestselling author Sabrina Jeffries School for Heiresses series. These passionate tales feature young women who learn that there’s nothing textbook about love… NEVER SEDUCE A SCOUNDREL The ballrooms of Mayfair have become much more appealing to Lady Amelia Plume since the arrival of Major Lucas Winter, an American with a dark past and a dangerous air. Lucas is brash, arrogant--and scandalously tempting. Yet Amelia suspects that Lucas has a hidden motive in wooing her. And she intends to discover it, by any means necessary. ONLY A DUKE WILL DO Louisa North likes her independence very much. So when Simon Tremaine, the dashing Duke of Foxwood, whom she once loved, returns bent on marrying her, she's skeptical. The fire between them burns as hot as ever, but when Simon's ulterior motive for marriage is exposed, along with the deeply buried secrets of her past, Louisa vows to make him pay...and the price will be his heart. BEWARE A SCOT'S REVENGE When Lady Venetia Campbell is kidnapped at pistol point by her father's sworn enemy, Sir Lachlan Ross, she discovers the wickedly sexy Scot is even more intoxicating than she remembers...and much more dangerous. Lachlan plans to use her as a weapon against her father, but Venetia is determined that his lust for revenge will be trumped by an even more powerful desire.

A brave British widow goes to Siam and—by dint of her principled and indomitable character—inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon’s best-selling book Anna and the King of Siam and Rodgers and Hammerstein’s musical The King and I. But who was Leonowens and why did her story take hold? Although it has been known for some time that she was of Anglo-Indian parentage and that her tales about the Siamese court are unreliable, not until now, with the publication of Masked, has there been a deeply researched account of her extraordinary life. Alfred Habegger, an award-winning biographer, draws on the archives of five continents and recent Thai-language scholarship to disclose the complex person behind the mask and the troubling facts behind the myth. He also ponders the curious fit between Leonowens’s compelling fabrications and the New World’s innocent dreams—in particular the dream that democracy can be spread through quick and easy interventions. Exploring the full historic complexity of what it once meant to pass as white, Masked pays close attention to Leonowens’s midlevel origins in British India, her education at a Bombay charity school for Eurasian children, her material and social milieu in Australia and Singapore, the stresses she endured in Bangkok as a working widow, the latent melancholy that often afflicted her, the problematic aspects of her self-invention, and the welcome she found in America, where a circle of elite New England abolitionists who knew nothing about Southeast Asia gave her their uncritical support. Her embellished story would again capture America’s imagination as World War II ended and a newly interventionist United States looked toward Asia. Best Books for General Audiences, selected by the American Association of School Librarians Best Regional Special Interest Boosk, selected by the Public Library Reviewers

With a reputation for making misfits into marriageable maidens, Morton House has become one of the premier seminaries in London. Daniel, Viscount Corvin, believes that the school is his sister's only hope until he can find a suitable wife and remove Emmeline from their father's uncaring custody. But when Daniel meets a mysterious early morning rider in Hyde Park, he finds himself distracted from his review of Marriage Mart eligibles. Determined to unravel her identity, Daniel discovers that the woman he knows as "Elaine" resolutely resists his blandishments. Society would be aghast to learn that Morton schoolmistress Guinivere Courtney is hiding from a disreputable past. When the Viscount Corvin's sister becomes a pupil at the school, Guin is drawn into Emmeline's brewing batch of scandal broth. She knows that it is only a matter of time before Daniel discovers that she and the elusive Elaine are one and the same, and the bond of passion between them ruins her and the school.