'Satanic-Paradigm' is a watershed of Satanic conveyance, a must for any black magic practitioner. If you are looking for power of the black-magic kind, which will elevate you from the doldrums of sheeple reality, look no further!

What distinguishes evils from ordinary wrongs? Is hatred a necessarily evil? Are some evils unforgivable? Are there evils we should tolerate? What can make evils hard to recognize? Are evils inevitable? How can we best respond to and live with evils? Claudia Card offers a secular theory of evil that responds to these questions and more. Evils, according to her theory, have two fundamental components. One component is reasonably foreseeable intolerable harm -- harm that makes a life indecent and impossible or that makes a death indecent. The other component is culpable wrongdoing. Atrocities, such as genocides, slavery, war rape, torture, and severe child abuse, are Cards paradigms because in them these key elements are writ large. Atrocities deserve more attention than secular philosophers have so far paid them. They are distinguished from ordinary wrongs not by the psychological states of evildoers but by the seriousness of the harm that is done. Evildoers need not be sadistic:they may simply be negligent or unscrupulous in pursuing their goals. Cards theory represents a compromise between classic utilitarian and stoic alternatives (including Kants theory of radical evil). Utilitarians tend to reduce evils to their harms; Stoics tend to reduce evils to the wickedness of perpetrators: Card accepts neither reduction. She also responds to Nietzsches challenges about the worth of the concept of evil, and she uses her theory to argue that evils are more important than merely unjust inequalities. She applies the theory in explorations of war rape and violence against intimates. She also takes up what Primo Levi called the gray zone, where victims become complicit in perpetrating on others evils that threaten to engulf themselves. While most past accounts of evil have focused on perpetrators, Card begins instead from the position of the victims, but then considers more generally how to respond to -- and live with -- evils, as victims, as perpetrators, and as those who have become both.

'Satanic Paradigm' is a cutting edge doctrine of Black Magic and Satanic Black Rites. If you are looking for power of the Luciferian kind, look no further.

The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.

For centuries the figure of Satan has incarnated absolute evil. Existing alongside more intellectualist interpretations of evil, Satan has figured largely in Christian practices, devotions, popular notions of the afterlife, and fears of retribution in the beyond. Satan remains an influential reality today in many Christian traditions and in popular culture. But how should Satan be understood today? "The Quest for the Historical Satan excavates cultural, historical, religious, and morally constructed productions of evil within Christianity, from myth and legend to the complex ways people conjure the embodiment of evil and harm. De La Torre and Hernßndez are engaging sleuths as they carefully examine Satan's conception and his presence in modernity and through the ages. The wrestle with the spiritual notions of Good and Evil and justice and injustice.-Cheryl A. Kirk-Duggan Professor of Theology and Women's Studies Shaw University Divinity School

This study provides a comprehensive critique - forensic, historical, and theoretical - of the moral panic paradigm, using empirically grounded ethnographic research to argue that the panic paradigm suffers from fundamental flaws that make it a myth rather than a viable academic perspective.

“Kotsko goes beyond the biography of an icon to a provocative investigation of the devil’s many lives and effects in cultural and political ideologies.” —Laurel C. Schneider, author of Beyond Monotheism The most enduring challenge to traditional monotheism is the problem of evil, which attempts to reconcile three incompatible propositions: God is all-good, God is all-powerful, and evil happens. The Prince of This World traces the story of one of the most influential attempts to square this circle: the offloading of responsibility for evil onto one of God’s rebellious creatures. In this striking reexamination, the devil’s story is bitterly ironic, full of tragic reversals. He emerges as a theological symbol who helps oppressed communities cope with the trauma of unjust persecution, torture, and death at the hands of political authorities and eventually becomes a vehicle to justify oppression at the hands of Christian rulers. And he evolves alongside the biblical God, who at first presents himself as the liberator of the oppressed but ends up a cruel ruler who delights in the infliction of suffering on his friends and enemies alike. In other words, this is the story of how God becomes the devil—a devil who remains with us in our ostensibly secular age. “This diabolically gripping genealogy offers a stunning parable of western politics religious and secular. It tracks as has never been done before the dramatic shifts of the relation between God and the Devil—conflict, rivalry, game of mirrors, fusion. With the ironic wisdom of a postmodern Beatrice, Kotsko guides us through the sequence of hells that leads to our own.” —Catherine Keller, author of On the Mystery: Discerning Divinity in Process

'Les Treatise De Magica Noir' - Translated from French to literally mean, 'The Book of Black Magic, is a work that lives up to its name. The book stays within the framework of the arcane arts and nothing else. It contains unique spells, that are revolutionary in their time. Foreward by Kenneth Anger.