Saint Catherine of Siena (1347–1380) has become a defining figure in the history of medieval religion and one of the main exemplars of the "feminine turn" in late medieval religious culture. Despite a hagiographical tradition and historiography that has placed Catherine at a mystic remove from the politics of her day, Catherine's public authority was shaped by politics, both locally in Siena and broadly within late-fourteenth-century contests between the papacy and the Republic of Florence for hegemony in central Italy. In The Saintly Politics of Catherine of Siena, F. Thomas Luongo combines literary-critical readings of Catherine's letters—she was the author of one of the largest collections of medieval letters—with political and social analysis. Drawing on a wide range of archival sources, Luongo investigates how Catherine's spiritual authority and sanctity were linked with contemporary political and cultural developments. He shows how the political situation of the church in Italy and a culture that privileged female spirituality and prophetic speech facilitated Catherine's emergence into a public role. The Catherine who emerges from Luongo's well-written pages is a splendid example of what can result when a historian asks fresh questions about a familiar figure's life and brings new materials and methods to bear in formulating answers. The Saintly Politics of Catherine of Siena offers a woman more complex and interesting than the figure portrayed in most contemporary scholarship.

This volume, written by experts on Catherine of Siena, considers her as a church reformer, peacemaker, preacher, author, holy woman, stigmatic, saint and politically astute person. The manuscript tradition of works by and about her are also studied.

One of only two patron saints of Italy, the other being St. Francis of Assisi, St. Catherine was ahead of her time. As a political powerhouse in late 14th century Europe, a time of war, social unrest and one of the worst natural disasters of all time--the plague, she worked for peace between Christians while campaigning for a holy crusade against Muslims. She was illiterate but grew into a great writer by dictating to assistants. She was frail and punished herself mercilessly, often starving herself, while offering moral guidance and inspiration to kings, queens and popes. It's easy to see why feminists through the years have sought to claim the patronage of St. Catherine. From her refusal to marry to her assertion that her physical appearance was of no importance, the famous Saint is ripe for modern interpretation. She was a peacemaker during Siena's revolution of 1368, sometimes addressing thousands of people in squares and streets; she convinced Pope Gregory XI to return the papacy to Rome at a time when the Catholic Church was unraveling. How did this girl, the second-youngest of 25 children of a middle-class dyer, grow to become one of the most beloved spiritual figures of all time, a theological giant to rank alongside the likes of Thomas Aquinas? In Setting the World on Fire, Emling gives an intimate portrayal of this fascinating and revolutionary woman.

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Set Aside Every Fear is a simple, thirty-day devotional based on the classic spirituality of St. Catherine of Siena, who was declared a Doctor of the Church in 1970. In only a few minutes each day, this book offers you a glimpse of St. Catherine’s passion for living steeped in the intimate connection between love of God and service to others, which has inspired people of faith for more than six centuries. Originally published in 1997 and now back in print, Set Aside Every Fear is the perfect prayer companion for busy people who want to root their spiritual practice in the solid ground of St. Catherine of Siena’s timeless—and timely—teachings on divine and human relationships. Catherine brought together two frequently unconnected charisms—mysticism and active ministry—and embodied both throughout her life. Her intimacy with God through prayer enabled her to minister to the poor and sick more deeply and to boldly speak truth to Church authorities. When the papacy fled Rome for Avignon because of political conflict, Catherine tirelessly encouraged the popes to return to Rome, and was ultimately successful. Set Aside Every Fear offers prayers in the voice of God and responses in the voice of humanity based on Catherine’s own words, which encourage you in your own practice of dialogue with God. As you reflect on the mystery of divine love, Catherine shares her own relationship with God in a way that challenges you to place your trust in God and abandon your worries as you follow him. All the titles in the 30 Days with a Great Spiritual Teacher series contain a brief morning meditation, a simple mantra to use throughout the day, and a night prayer to focus your thoughts as the day ends. John Kirvan is the series editor.

The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration... This book surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.

Focusing on the critical case of Catherine of Siena, the essays in this volume consider the role of texts, translations and images in various media in constructing and disseminating the cult of a saint in the late Middle Ages. How does one construct a saint and promote a cult beyond the immediate community in which he or she lived? Italian mendicants had accumulated a good deal of experience in dealing with this politically explosive question. The posthumous description of the life of Francis of Assisi written by the Master General of the order, Bonaventura, could be regarded as paradigmatic in this regard. A similarly massive intervention in the production and diffusion of a cult can be observed in the case of the Dominican tertiary, Catherine of Siena, who in many respects 'competed' with Francis of Assisi. Raymund of Capua, the Master General of the order, established the foundation for the dissemination of the cult by writing the authoritative life, but, but it was only the following generation that succeeded in establishing the cult.

Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.

Catherine of Siena (1347-1380), mystic and Doctor of the Church, wrote The Dialogue, her crowning spiritual work, for "the instruction and encouragement of all those whose spiritual welfare was her concern."

In From She-Wolf to Martyr, Elizabeth Casteen examines Johanna I of Naples's evolving, problematic reputation and uses it as a lens through which to analyze often-contradictory late-medieval conceptions of rulership, authority, and femininity.