“A moving evocation of the Italian-American experience, told with grace, compassion, and uncompromising honesty” from the author of A Kiss from Maddalena (Tom Perrotta, New York Times–bestselling author of The Leftovers). It’s 1953 in the tight-knit Italian neighborhood in Wilmington, Delaware. Maddalena Grasso has lost her country, her family, and the man she loved by coming to America; her mercurial husband, Antonio, has lost his opportunity to realize the American Dream; their new friend, Giulio Fabbri, a shy accordion player, has lost his beloved parents. In the shadow of St. Anthony’s Church, named for the patron saint of lost things, the prayers of these troubled but determined people are heard, and fate and circumstances conspire to answer them in unforeseeable ways. With great authenticity and immediacy, The Saint of Lost Things evokes a bittersweet time in which the world seemed more intimate and knowable, and the American Dream was simpler, nobler, and within reach. “Beautifully, and movingly, Castellani shows an uncanny empathy for the American immigrant experience.” —Julia Glass, National Book Award–winning author of Three Junes “A lovely novel filled with characters so fully realized that they . . . leave the fog of their breath on the page.” —Julia Alvarez, author of In the Time of Butterflies “Those who appreciate clear-eyed, unsentimental fiction will find its realism fresh and moving.” —Kirkus Reviews

'One of the most arresting voices of her generation' OBSERVERFROM THE WINNER OF THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 2022'Reading The Saint of Lost Things was one of those perfect reading experiences that come along very occasionally; it's moving, funny, tragic, triumphant, totally gripping, a pure gift of a novel' DONAL RYAN'Superb' FINANCIAL.

In a 1953 Italian neighborhood in Delaware, Maddalena Grasso, her husband Antonio, and Guilio Fabbri live in the shadows of St. Anthony's Church, where their prayers are heard and fate and circumstances intervene to answer them in unforeseeable ways.

A magical mystery tour of the extraordinary historical characters that have defined the unique spiritual landscape of New Orleans. New Orleans has long been America’s most magical city, inhabited by a fascinating visible and invisible world, full of mysteries, known for its decadence and haunted by its spirits. If Salem, Massachusetts, is famous for its persecution of witches, New Orleans is celebrated for its embrace of the magical, mystical, and paranormal. New Orleans is acclaimed for its witches, ghosts, and vampires. Because of its unique history, New Orleans is the historical stronghold of traditional African religions and spirituality in the US. No other city worldwide is as associated with Vodou as New Orleans. In her new book, author and scholar Denise Alvarado takes us on a magical tour of New Orleans. There is a mysterious spiritual underbelly hiding in plain sight in New Orleans, and in this book Alvarado shows us where it is and who the characters are. She tells where they come from and how they persist and manifest today. Witch Queens, Voodoo Spirits, and Hoodoo Saints shines a light on notable spirits and folk saints such as Papa Legba, Annie Christmas, Black Hawk, African-American culture hero Jean St. Malo, St. Expedite, plague saint Roch, and, of course, the mother and father of New Orleans Voudou, Marie Laveau and Doctor John Montenée. Witch Queens, Voodoo Spirits, and Hoodoo Saints serves as a secret history of New Orleans, revealing details even locals may not know.

In these insightful essays, Barbara Cawthorne Crafton reflects on a broad range of experiences ministering among merchant seafarers, the homeless, the bereaved, AIDS patients, and others in need of personal and spiritual help. She shares honestly her own emotions as she grapples with the harsh realities of the world, while delighting in the humor and joy found in everyday living. Crafton compassionately recounts the unique stories of the men, women, and children she worked with during her service as a port chaplain in New York and New Jersey and as a minister at Trinity Church on Wall Street. In doing so, she weaves together threads of the mundane and the traumatic, the lovely and the ugly, and the down to earth and the holy, creating an original tapestry of the richness of life.

Saints can seem remote and distant, close to God but far from people. But theyre more like us than we give them credit for. Their lives were like ours, full of dilemmas and struggles, with bad choices as well as good. But their goodness won out in the end, as ours can. Interest in angels is quite popular at the moment, but it is the saints who are really like us in both their strengths and frailties. Youll find their stories here, told simply and briefly, with cartoons throughout. Theres a saint for every week of the year, and a list of patrons , find out why Clare is the patron saint of television or how Andrew came to be patron saint of Scotland. Who knows , you may even find your own personal saint to pray to!

Once a promising young concert pianist, Camille Childs retreated to her mother’s Santa Barbara estate after an injury to her hand destroyed her hopes for a musical career. She now leads a solitary life teaching piano, and she has a star student: Graciela, the daughter of her mother’s Mexican housekeeper. Camille has been grooming the young Graciela for the career that she herself lost out on, and now Graciela, newly turned eighteen, has just won the grand prize in a piano competition, which means she gets to perform with the LA Philharmonic. Camille is ecstatic; if she can’t play herself, at least as Graciela’s teacher, she will finally get the recognition she deserves. But there are only two weeks left before the concert, and Graciela has disappeared—gone back to her family’s village in the mountains of Oaxaca, Mexico. Desperate to bring Graciela back in time for the concert, Camille goes after her, but on the way there, a bus accident leaves her without any of her possessions. Alone and unable to speak the language, Camille is befriended by Alejandro, a Zapotec man who lives in LA but is from the same village as Graciela. Despite a contentious first meeting, Alejandro helps Camille navigate the rugged terrain and unfamiliar culture of Oaxaca, allowing her the opportunity to view the world in a different light—and perhaps find love in the process.

The future of the world’s ice is at a critical juncture marked by international debate about climate change and almost daily reports about glaciers and ice shelves breaking, oceans rising, and temperatures spiking across the globe. These changing landscapes and the public discourse surrounding them are changing fast. It is science wrought with mystery, and for Beth Peterson it became personal. A few months after Peterson moved to a tiny village on the edge of Europe’s largest glacier, things began to disappear. The glacier was melting at breakneck pace, and people she knew vanished: her professor went missing while summiting a volcano in Japan, and a friend wandered off a mountain trail in Norway. Finally, Peterson took a harrowing forty-foot fall while ice climbing. Peterson’s effort to make sense of these losses led to travels across Scandinavia, Italy, England and back to the United States. She visited a cryonics institute, an ice core lab, a wunderkammer, Wittgenstein’s cabin, and other museums and libraries. She spoke with historians, guides, and scientists in search of answers. Her search for a noted glacier museum in Norway led to news that the renowned building had set on fire in the middle of the night before and burned to the ground. Dispatches from the End of Ice is part science, part lyric essay, and part research reportage—all structured around a series of found artifacts (a map, a museum, an inventory, a book) in an attempt to understand the idea of disappearance. It is a brilliant synthesis of science, storytelling, and research in the spirit of essayists like Robert Macfarlane, John McPhee, and Joni Tevis. Peterson’s work veers into numerous terrains, orbiting the idea of vanishing and the taxonomies of loss both in an unstable world and in our individual lives.

There is no greater authority on the saints than Alban Butler, and his enormous research has been the standard reference on the subject for the last two and a half centuries. This new adaptation of Butler's multi-volume Lives of the Saints presents a modernized text for today's reader and provides an illuminating guide to these historic, symbolic, and foundational Christian men and women. Butler's daily readings from the lives and works of the saints offer readers of all backgrounds the opportunity to engage directly with these great figures. Butler's distinctive contribution to stories about saints was to turn attention away from the superhuman, miraculous themes that are prevalent in earlier works. He gives us saints who are examples of Christian living, who provide inspiration for our own lives, in every time and circumstance. As Butler writes: "They were once what we are now, travelers on earth. They had the same weaknesses we have. We have difficulties; so had the saints." Important features of this version include mention of recently canonized saints as well as those whose path to official sainthood is still in progress. Also included in the daily readings are more obscure saints whose lives and contributions to Christianity should not be forgotten.

The loss of a loved one can be overwhelming. How do we endure grief? Can we simply forget, or "get over it?" This book explains the science behind bereavement, from emotion to the persistence of memory, and shows readers how to understand and adapt to death as a part of life. Responses to loss are typically associated with negative emotions, traumatic memories, or separation distress, but we grieve because we care. This book demonstrates how negative emotional responses experienced in grief often follow experiences with positive emotional memories. Dr. Lamia emphasizes an understanding and acceptance of post-loss emotions. Grief Isn't Something to Get Over aims to expand our understanding of bereavement, placing it in alignment with how emotions work. Using numerous case examples and personal vignettes, this book helps readers recognize the ways in which emotions are connected to memories and influence our experiences of loss.