"The Sacred Writings Of ..." provides you with the essential works among the Christian writings. The volumes cover the beginning of Christianity until medieval times. This volume is accurately annotated, including * an extensive biography of the author and his life The present volume of St. Anselm’s most important philosophical and theological writings contains: (1) The Proslogium (2) the Monologium, (3) the Cur Deus Homo, and (4) by way of historical complement, an Appendix to the Monologium entitled In Behalf of the Fool by Gaunilon, a monk of Marmoutiers.

"The Sacred Writings Of ..." provides you with the essential works among the Christian writings. The volumes cover the beginning of Christianity until medieval times. This volume is accurately annotated, including * an extensive biography of the author and his life This book contains St Francis' admonitions, rules, prayers, letters and more.

Anselm of Canterbury (1033-1109) was the outstanding philosopher-theologian of the Latin West between Augustine and the thirteenth century. As a public figure, especially as Archbishop of Canterbury, he corresponded with kings and nobles, popes and bishops, in letters that reveal a fascinating personality and flesh out the practical dimensions of his theoretical philosophy. He wrote at a time when a renewed interest in logic encouraged careful and rigorous argumentation, but before the recovery of Aristotle filled the philosophical discourse with difficult technical jargon, making for writing that is unrivalled for its lucidity and accessibility. He offers the first clear account of what we now call a libertarian view of free will, according to which free choices cannot be determined by the agent's internal states or by external influences. His famous 'ontological argument' for the existence of God continues to generate discussion, debate, and puzzlement. His understanding of God is rightly regarded as one of the definitive expressions of classical theism or perfect-being theology, which remains influential in philosophy of religion and analytic theology. His account of the Atonement is one that every theologian to this day still grapples with. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

Thomas Williams' edition offers an Introduction well suited for use in an introductory philosophy course, as well as his own preeminent translation of the text.

In the third published volume of Canadian literary critic Frye's (1912-91) 77 holograph notebooks, the material is mostly from the 1970s, when he was writing the first of his books on the Bible, The Great Code. However, it begins with Notebook Three from the late 1940s in which he writes primarily on religious themes. It concludes with Notebook 23 from the middle 1980s, written between his first and second book on the Bible; and one from the 1960s devoted largely to his reading of Dante's Purgatorio and the first ten cantos of the Paradiso. Altogether the volume contains 11 notebooks, three sets of typed notes, and a transcription of 24 lectures on The Mythological Framework of Western Culture in 1981-82. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).