How did the Bible's sixty-six books become sacred Scripture? How have they been understood and interpreted over the last two thousand years? What was it that led to our acceptance of the Bible as the true word of God? For two millennia, Christians have accepted the importance of the Bible as sacred Scripture, and for as many years they have struggled to comprehend its meaning. Over the centuries the church has expressed the centrality of Scripture in numerous ways, and Christians have studied and interpreted the Bible in a wide variety of faithful approaches. Understanding that process is critical to our ability--and our willingness--to accept the Bible as sacred and true. To that end, Richard Soulen leads us through the history of how Christian understandings of the Bible have changed and developed throughout history.

What is wrong with Scripture scholarship today? Why is it that the last place one should go to study the Bible is a biblical studies program at virtually any university? Why are so many faithful priests and pastors, and the people in their pews, unaware of the centuries-long effort to turn the sacred Word of God into just another secular text? In The Decline and Fall of Sacred Scripture: How the Bible Became a Secular Book, authors Scott Hahn and Benjamin Wiker trace the various malformations of Scripture scholarship that have led to a devastating loss of trust in the inspired Word of God. From the Reformation to the Enlightenment and beyond, Hahn and Wiker sketch the revolutions and radical figures that led to the emergence of the historical-critical method and the pervasive ill effects that are still being felt today.

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

This will be the fourth in an influential series of volumes on mysticism edited by Steven T. Katz, presenting a basic revaluation of the nature of mysticism. Each presents a collection of solicited papers by noted experts in the study of religion. This new volume will explore how the great mystics and mystical traditions use, interpret, and reconstruct the sacred scriptures of their traditions.

"The author points the way to bridging the gap between the historical context of the Bible and the present-day context of the reader by exploring worldviews, the value-shaping function of words, and the role of the reader. He introduces readers to the methods and tools needed to successfully understand and embody the message of Scripture"--

The American colonists who took up arms against the British fought in defense of the ''sacred cause of liberty.'' But it was not merely their cause but warfare itself that they believed was sacred. In Sacred Scripture, Sacred War, James P. Byrd shows that the Bible was a key text of the American Revolution.

Boyle examines influential readings on the Bible as literature--notably Herder, Schleiermacher, Hegel and Levinas--and then applies them to literary writings.

A rich display of the Christian tradition’s reading of Scripture Though well-known and oft-repeated, the advice to read the Bible “like any other book” fails to acknowledge that different books call for different kinds of reading. The voice of Scripture summons readers to hear and respond to its words as divine address. Not everyone chooses to read the Bible on those terms, but in Reading Sacred Scripture Stephen and Martin Westerholm (father and son) invite their readers to engage seriously with a dozen major Bible interpreters — ranging from the second century to the twentieth — who have been attentive to Scripture’s voice. After expertly setting forth pertinent background context in two initial chapters, the Westerholms devote a separate chapter to each interpreter, exploring how these key Christian thinkers each understood Scripture and how it should be read. Though differing widely in their approaches to the text and its interpretation, these twelve select interpreters all insisted that the Bible is like no other book and should be read accordingly.