The Sacred Fount came immediately before what is considered the period of Henry James' greatest achievement as a writer. In spite of this, The Sacred Fount is one of James' least admired works. Critics at the time lambasted it and that early criticism has not helped its reputation in the over a hundred and ten years since its publication. The novel was published in 1901, by Scribner's in New York and by Methuen in London. It is the only one of James' novels to be narrated in the first person. The narrator is never named.

This is the first fully annotated, academic edition of the Book of Mormon in its 200-year history. Modelled after the Oxford line of annotated Bibles, it provides readers with the information they need to understand this classic text of American religious history. This edition reformats the complete scriptural text in the manner of modern Bible translations with paragraphs, quotation marks, poetic stanzas, and section headings, all of which clarify the book's complicated narrative structure. As a result, readers experience a more accessible and readable presentation than the standard version. Annotations explain the meaning and context of specific passages, delineate extended arguments, identify rhetorical patterns, explore theological implications, highlight ancient and modern parallels, and point out intertextual connections, particularly with the Bible. The Book of Mormon is subdivided into internal books; in this edition, each book is preceded by an introduction that discusses its key themes and literary features, at the same time offering a quick overview of major figures, events, and sermons. The three primary narrators--Nephi, Mormon, and Moroni--receive special attention. In addition to the annotations, which focus on the text itself, there are twelve general essays that introduce readers to various ongoing conversations about the text. There are also several maps and charts, as well as a comprehensive list of biblical quotations and allusions. The editorial material is informed by contemporary biblical and historical scholarship; while it deals forthrightly with both the strengths and weaknesses of the narrative, it nevertheless treats the Book of Mormon as a sacred text, worthy of careful study and respect.

The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 109 photographs and illustrations - some color. Free of charge in digital PDF format.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies

In Religion and the Arts: History and Method, Diane Apostolos-Cappadona presents an overview of the 19th century origins of this discrete field of study and its methodological journey to the present-day through issues of repatriation, museum exhibitions, and globalization. Apostolos-Cappadona suggests that the fluidity and flexibility of the study of religion and the arts has expanded like an umbrella since the 1970s - and the understanding that art was simply a visual exegesis of texts - to now support the study of material, popular, and visual culture, as well as gender. She also delivers a careful analysis of the evolution of thought from traditional iconographies to the transformations once scholars were influenced by response theory and challenged by globalization and technology. Religion and the Arts: History and Method offers an indispensable introduction to the questions and perspectives essential to the study of this field.