This book focuses upon significant aspects of Stalinism as a system in the USSR. It sheds new light on established questions and addresses issues that have never before been raised in the study of Stalinism. Stalinism constitutes one of the most striking and contentious phenomena of the twentieth century. It not only transformed the Soviet Union into a major military-industrial power, but through both the Second World War and the ensuing Cold War, and its effect on the political Left throughout much of the world, it also transformed much of that world. This collection of papers by an international cast of authors investigates a variety of major aspects of Stalinism. Significant new questions – like the role of private enterprise and violence in state-making – as well as some of the more established questions – like the number of Soviet citizens who died in the Second World War, whether agricultural collectivisation was genocidal, nationality policy, the politics of executive power, and the Leningrad affair – are addressed here in innovative and stimulating ways. The chapters in this book were originally published as a special issue of Europe-Asia Studies.

"This biography of the young Stalin is more than the story of how a revolutionary was made: it is the first serious investigation, using the full range of Russian and Georgian archives, to explain Stalin's evolution from a romantic and idealistic youth into a hardened political operative. Suny takes seriously the first half of Stalin's life: his intellectual development, his views on issue of nationalities and nationalism, and his role in the Social Democratic debates of the late nineteenth and early twentieth centuries. This book narrates an almost tragic downfall; we see Stalin transform from a poor provincial seminarian, who wrote romantic nationalist poetry, into a fearsome and brutal ruler. Many biographers of Stalin turn to shallow psychological analysis in seeking to explain his embrace of revolution, focusing on the beatings he suffered at the hands of his father or his hero-worship of Lenins, or sensationalizing Stalin's involvement in violent activity. Suny seeks to show Stalin in the complex context of the oppressive tsarist police-state in which he lived and debates and party politics that animated the revolutionary circles in which he moved. Though working from fragmentary evidence from disparate sources, Suny is able to place Stalin in his intellectual and political context and reveal, not only a different analysis of the man's psychological and intellectual transformation, but a revisionist history of the revolutionary movements themselves before 1917"--

Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

Drawing on research based on access to the recently-opened Soviet archives, this new edition provides a valuable thematic account of the nature of Stalinism. The author surveys the arguments about the origins of the Stalinist phenomenon and discusses the way in which the different faces of Stalinism (economic, social, cultural and political) changed over time. Gill concludes that the dramatic fall of the USSR was connected to the nature of Stalinism.

Tracking the degeneration of the Russian Revolution Red Flag Wounded brings together essays covering the controversies and debates over the fraught history of the Soviet Union from the revolution to its disintegration. Those monumental years were marked not only by violence, mass killing, and the brutal overturning of a peasant society but also by the modernisation and industrialisation of the largest country in the world, the victory over fascism, and the slow recovery of society after the nightmare of Stalinism. Ronald Grigor Suny is one of the most prominent experts on the revolution, the fate of the non-Russian peoples of the Soviet empire, and the twists and turns of Western historiography of the Soviet experience. As a biographer of Stalin and a long-time commentator on Russian and Soviet affairs, he brings novel insights to a history that has been misunderstood and deliberately distorted in the public sphere. For a fresh look at a story that affects our world today, this is the place to begin.

Distinguished historian of the Soviet period Robert V. Daniels offers a penetrating survey of the evolution of the Soviet system and its ideology. In a tightly woven series of analyses written during his career-long inquiry into the Soviet Union, Daniels explores the Soviet experience from Karl Marx to Boris Yeltsin and shows how key ideological notions were altered as Soviet history unfolded. The book exposes a long history of American misunderstanding of the Soviet Union, leading up to the "grand surprise" of its collapse in 1991. Daniels's perspective is always original, and his assessments, some worked out years ago, are strikingly prescient in the light of post-1991 archival revelations. Soviet Communism evolved and decayed over the decades, Daniels argues, through a prolonged revolutionary process, combined with the challenges of modernization and the personal struggles between ideologues and power-grabbers.

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.