Welcome to Rupa s carnival of terror, where Ruskin Bond s compilation of grisly tales will give you nightmares. As he takes you to the depths of the Sargasso Sea and William Hope Hodgson s telling of a ship caught in a treacherous world. Also included here are stories from Jerome .K. Jerome, A .E. Coppard, Margery Allingham and one from Bond himself

The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.

First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.

A poignant sequence of poems traces the evolution of a divorce while exploring themes of love, sex, sorrow, memory and freedom as reflected by everyday familiarities and the poignancy of former lovers parting, in a collection by the National Book Critics Circle Award-winning author of The Dead and the Living.

Aims to produce a new understanding of the world significance of South Asian culture in multi-racist societies. It focuses on the role that contemporary South Asian dance music has played in the formation of a new urban cultural politics.

This collection started as a whisper, a quiet mouth asking questions. Over the years it became a coherent voice that kept getting louder. Now it is a song, sprung from a yearning to fill in the missing parts, to understand my mother's story. Perhaps it's something that goes beyond what is experiential and real and moves into memory and imagination. Perhaps it is a book of magic, of synchronicity and colliding moments in time, too strange to be logical, too concise to be chance. Ultimately, it's a way of shedding light, in order to change the direction of a past. Sometimes, I think it has been formed by my imagined daughter, clearing the way ahead before her own birth. Or by whole generations of women, celebrating a future, formed from the heart of us.

Great Stories for Children is a collection of some of Ruskin Bond's most delightful children's stories. It stars Toto, the monkey, who takes a fancy to the narrator's aunt, much to her dismay, a python besotted by his own appearance, a mischievous ghost who enjoys stirring up the house when things get dull, three young children stranded in a storm on the Haunted Hilland Ruskin Bond himself, who happens to make the acquaintance of a ghost at a resort late one night.

‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

This book offers a translation of the seven thousand verses of the second book of the medieval Hindu text, the Ganesa Purana, one of two Puranas dedicated to the important elephant-headed god. In this book the reader is given many narratives about Ganesas ascent to earth in order to kill demonic figures who threaten to overthrow the correct world order. In addition, these narratives contain myths about Ganesa's birth and family as well as some extended and quite humorous myths about ideal devotees of the god.The translation is preceded by a long introduction offering a geographical and historical context for the GanesaPurana. Following the translation are very extensive notes which bring our points of philological interest, but focus mainly on the literary structure of the text and the methods used to present the many myths and narratives in a coherent and fully integrated manner.