A “revelatory” (The Boston Globe), “exhilarating” (The New York Times Book Review) collection of twelve stories that “[redraw] the boundaries between fiction and memoir” (O: The Oprah Magazine), from Nobel Prize–winning author Alice Munro “Munro really does know magic: how to summon the spirits and the emotions that animate our lives.”—The Washington Post Book World A BEST BOOK OF THE YEAR: The Washington Post, Slate, Rocky Mountain News, New York, The Kanas City Star A young boy, taken to Edinburgh’s Castle Rock to look across the sea to America, catches a glimpse of his father’s dream. Scottish immigrants experience love and loss on a journey that leads them to rural Ontario. Wives, mothers, fathers, and children move through uncertainty, ambivalence, and contemplation in these stories of hopes, adversity, and wonder. The View from Castle Rock reveals what is most essential in Munro’s art: her compassionate understanding of ordinary lives.

Poetry. Winner of the Barrow Street Press Poetry Prize. 'I was born with a gift for gall and grit, ' Rochelle Hurt writes--a line that echoes through every poem in this collection. She spares nothing and bares all that needs baring about family, place, and relationships--how they reflect each other, blurred in tarnished mirrors. With a Sylvia Plath-like abandon and urgency, every single word feels completely necessary; words spoken with a vigor and honesty that are felt in the gut; words that remain lodged in the back of the throat. --Richard Blanco

"Petrie has a preternatural talent for ratcheting up suspense."--New York Times Book Review When Peter Ash rescues a stranded woman, he finds she’s in far deeper trouble than he could ever imagine in the powerful new thriller in this bestselling and award-winning series. War veteran Peter Ash is driving through northern Nebraska when he encounters a young pregnant woman alone on a gravel road, her car dead. Peter offers her a lift, but what begins as an act of kindness soon turns into a deadly cat-and-mouse chase across the lonely highways with the woman’s vicious ex-cop husband hot on their trail. The pregnant woman has seen something she was never meant to see . . . but protecting her might prove to be more than Peter can handle. In order to save the woman and himself, Peter must use everything he has learned during his time as a Marine, including his knowledge of human nature, in order to escape a ruthless killer with instincts and skills that match—and perhaps exceed—Peter’s own.

A little bunny keeps runningaway from his mother in an imaginative and imaginary game of verbal hide-and-seek; children will be profoundly comforted by this lovingly steadfast mother who finds her child every time. The Runaway Bunny, first published in 1942 and never out of print, has indeed become a classic. Generations of readers have fallen in love with the gentle magic of its reassuring words and loving pictures.

How do you sell British humour to a French audience? Could piracy actually be good for the film business? Why are The Hobbit's revolutionary technologies not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film academics and leading industry professionals to chart the evolution of modern film marketing. The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era.