A novel on the 1920s trial and execution of suspected anarchists Sacco and Vansetti. Of all the books that have appeared over the years concerning the case, the most complete and convincing was first published in 1928, only a year after the execution of Sacco and Vanzetti. That book is Upton Sinclair's Boston. In his "documentary novel" the celebrated author of The Jungle combined a firm grasp of the facts of the case with an engrossing fictional framework to produce a remarkably accurate and comprehensive report of the events that spanned the years 1919 to 1927 which ultimately focused the attention of the whole world on a drama played out in the drawing rooms, courts, and streets of the city of Boston. In Boston, Sinclair described the xenophobia and paranoia that led the upper crust of Boston society to see these two illiterate immigrants as a threat to their way of life, and led to their conviction on the flimsiest of evidence. Sinclair used his considerable skills to arouse the reader to a state of outrage as the protagonists' inevitable fate approaches.

A wealthy dowager confronts the brutality of the class system and fights for justice in this dramatic account of the Sacco and Vanzetti case With the publication of The Jungle in 1906, Upton Sinclair became the literary conscience of America. Two decades later, he brought his singular artistry and steadfast commitment to the cause of social equality to bear on the case of Nicola Sacco and Bartolomeo Vanzetti, two Italian anarchists accused of armed robbery and murder. Boston, a “documentary novel” published one year after Sacco and Vanzetti were executed, brilliantly combines fact and fiction to expose the toxic atmosphere of paranoia, prejudice, and greed in which the two men were tried. Recently widowed sixty-year-old Cornelia Thornwell abandons her Boston Brahmin family to take a factory job in Plymouth, Massachusetts. She witnesses the crushing poverty and heartless bigotry endured by immigrant laborers, and befriends the charismatic fishmonger Bartolomeo Vanzetti, a committed anarchist and atheist. When Vanzetti and his fellow countryman Nicola Sacco are arrested and charged with murder, Cornelia’s belief in the fairness of the American judicial system is shattered. Joining the public outcry heard from Boston to Buenos Aires, she demands a fair trial—but it is too late. As Sacco knew all too well: “They got us, they will kill us.” This ebook has been authorized by the estate of Upton Sinclair.

Winner of the Pulitzer Prize in 1943, Upton Sinclair was a prolific American novelist and polemicist for socialism, health, temperance, free speech and worker rights. His classic muckraking novel ‘The Jungle’ is regarded as a landmark naturalistic proletarian work, praised by Jack London as “the ‘Uncle Tom’s Cabin’ of wage slavery.” Sinclair also reached a wide audience with his Lanny Budd series of contemporary historical novels, concerning the adventures of an antifascist hero, who witnesses key events surrounding the two World Wars. This comprehensive eBook presents Sinclair’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sinclair’s life and works * Concise introductions to the major novels * 43 novels, with individual contents tables * The Complete Lanny Budd Series; all eleven novels * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes a selection of Sinclair’s plays and non-fiction * Features two autobiographies – discover Sinclair’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Lanny Budd Series World’s End (1940) Between Two Worlds (1941) Dragon’s Teeth (1942) Wide Is the Gate (1943) Presidential Agent (1944) Dragon Harvest (1945) A World to Win (1946) A Presidential Mission (1947) One Clear Call (1948) O Shepherd, Speak! (1949) The Return of Lanny Budd (1953) Other Novels A Prisoner of Morro (1898) Springtime and Harvest (1901) The Journal of Arthur Stirling (1903) On Guard (1903) The West Point Rivals (1903) A West Point Treasure (1903) A Cadet’s Honor (1903) The Cruise of the Training Ship (1903) Manassas (1904) A Captain of Industry (1906) The Jungle (1906) The Overman (1907) The Metropolis (1908) The Moneychangers (1908) Samuel the Seeker (1910) Love’s Pilgrimage (1911) Damaged Goods (1913) Sylvia (1913) Sylvia’s Marriage (1914) King Coal (1917) Jimmie Higgins (1919) 100%: The Story of a Patriot (1920) They Call Me Carpenter (1922) The Millennium (1924) The Spokesman’s Secretary (1926) Oil! (1927) Boston (1928) The Gnomobile (1936) The Flivver King (1937) What Didymus Did (1954) Affectionately Eve (1961) The Plays Plays of Protest (1912) The Pot Boiler (1913) The Non-Fiction The Industrial Republic (1907) Good Health and How We Won It (1909) The Fasting Cure (1911) The Profits of Religion (1917) The Brass Check (1919) The Goose-Step (1923) The Goslings (1924) Mammonart (1925) Letters to Judd, an American Workingman (1925) Mental Radio (1930) The Book of Love (1934) The Autobiographies American Outpost (1932) The Autobiography of Upton Sinclair (1962)

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A history of America in World War II is told through the lives of an ethnically diverse group of ordinary Americans struggling for equality at home and fighting for freedom overseas. Takaki's revealing book shows that there were more struggles--and more victories--during WWII than most people ever imagined. 37 photos.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

An aid to solving crosswords. It contains over 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names and technical terms, euphemisms and compound expressions, as well as abbreviations.