Briefly reviews the contemporary Irish writer's thematic concerns and discuss such works as Forms of Exile and A Chosen Light.

John Montague's The Rough Field is one of the most important books in modern Irish literature. First published in 1972, this extended meditation on Ulster and its Troubles is 'a rich and complex work by the best Irish poet of his generation' (Derek Mahon). The historical and the personal, autobiographical and mythological come together in a magnificent exploration of his own and his people's inheritance.

Back to the Rough Ground is a philosophical investigation of practical knowledge, with major import for professional practice and the ethical life in modern society. Its purpose is to clarify the kind of knowledge that informs good practice in a range of disciplines such as education, psychotherapy, medicine, management, and law. Through reflection on key modern thinkers who have revived cardinal insights of Aristotle, and a sustained engagement with the Philosopher himself, it presents a radical challenge to the scientistic assumptions that have dominated how these professional domains have been conceived, practiced, and institutionalized.

The sixth edition of this major modern poetic sequence concludes with a revised and expanded section of notes by Thomas Dillon Redshaw. Since its publication in 1972, The Rough Field has been praised as the most significant attempt in poetry to understand Northern Ireland's troubled history.

“The more narrowly we examine language, the sharper becomes the con?ict - tween it and our requirement. (For the crystalline purity of logic was, of course, not a result of investigation; it was a requirement. ) The con?ict becomes intolerable; the requirement is now in danger of becoming empty. —We have got onto slippery ice where there is no friction and so in a certain sense the conditions are ideal, but also, just because of that, we are unable to walk. We want to walk; so we need 1 friction. Back to the rough ground!” —Ludwig Wittgenstein This manuscript consists of four related parts: a brief overview of Wittgenstein’s p- losophy of language and its relevance to information systems; a detailed explanation of Wittgenstein’s late philosophy of language and mind; an extended discussion of the re- vance of his philosophy to understanding some of the problems inherent in information systems, especially those systems which rely on retrieval based on some representation of the intellectual content of that information. And, fourthly, a series of detailed footnotes which cite the sources of the numerous quotations and provide some discussion of the related issues that the text inspires. The ?rst three of these parts can each be read by itself with some pro?t, although they are related and do form a conceptual whole.

The Rough Mechanical : The Man Who Could A plane crash shatters the rural calm of an English air force base during World War Two, and a brave young airman rushes through the smoke and fire to pull a body from the wreckage. The air force base is occupied by Allied airman who play cards and cricket by day, but by night they have a deadlier goal in their "devil's machines" they bring death and destruction to the cities of Germany. The quiet and unassuming rescuer is called Adam, a young navigator, something of a technical wizard who can turn his hand to anything. That is, until he meets May, an attractive young radio operator, and for the first time in his life, he finds himself floundering over what to do. A bombing mission goes badly wrong, and Adam's plane is shot down over Poland. The crew is interned in a prisoner of war camp. Life is tough there, and it only gets worse when they find themselves on the receiving end of Allied bombing. His friends are mainly interested in football, but Adam does not let the barbed wire fence in his mind. The camp is the education he never had, and some of it is dangerous stuff. The war drags to a noisy close; Adam and friends are liberated. On their return home they find themselves in the battered city of Berlin, where they see the destruction that they helped wrought. Adam helps hunt Nazi sympathisers, runs into threatening Soviets, and has a strange encounter in a seedy nightclub with another victim of war. Or maybe she is not such a victim after all. Adam and his friends return to London, trying to get their lives together again, looking to rebuild after all the destruction. It should be a time of hope and optimism. But post-war London is grey and cold, food is rationed, and there are more crises to come. As American money for Britain runs out, a financial crisis is brewing. In Whitehall there is talk of a depression, riots and hunger. May and Adam start going out together, and romance is in the air. But it is not easy war has left them apart. Adam is keen, but even when they are out dating, May suspects that Adam's fertile mind is not always thinking about her. He has enrolled at university and it is proving a hot bed of radical new ideas. He starts to form an intriguing new plan. Despite all the distractions, romance grows. Overcoming the obstacles of rationing, unhelpful friends, mad landladies and May's rabble-rousing Communist father, Adam and May get married. But May wants more than that, and Adam finds his domestic life starting to get more complicated than he had expected. The clouds of war are threatening again. The Russians are blockading Germany, and Adam is drafted in to help with the Berlin airlift. The planes that once brought misery from the skies are now bringing coal, food and hope to that beleaguered city. Against a backdrop of spies and bootleggers, Adam stumbles back into contact with Eva, an old flame, who turns leaves him politically and sexually very confused. Back in Britain, things are looking up: a family is on the way. As May is pregnant with their daughter, Adam has another baby to look after: a revolutionary new machine that he has designed, a Heath Robinson structure of pipes, valves and flowing water, a computer which promises to make the world a better place. But ironically, Britain is now pursuing the most devilish machine of all, the Atom Bomb. Short of money, and with a young family to support, Adam is pressured to take a job helping develop the bomb. He has to make a hard choice, and finds himself caught up in a real life Cold War spy drama. The Rough Mechanical has a fascinating plot where real world dramas of the 1940s and 50s are interwoven with a story of struggle and inspiration. It is meticulously researched most of the background events did take place, and actual persons populate the cast of characters. Adam is

Full-colour throughout, The Rough Guide to San Francisco and the Bay Area is the ultimate travel guide to the colourful Californian capital and its stunning surroundings. With 30 years experience and our trademark 'tell it like it is' writing style, Rough Guides cover all the basics with practical, on-the-ground details, as well as unmissable alternatives to the usual must-see sights. At the top of your to-pack list, and guaranteed to get you value for money, each guide also reviews the best accommodation and restaurants in all price brackets. We know there are times for saving, and times for splashing out. In The Rough Guide to San Francisco and the Bay Area: - Over 50 colour-coded maps featuring every listing - Area-by-area chapter highlights - Top 5 boxes - Things not to miss section Make the most of your trip with The Rough Guide to San Francisco and the Bay Area.

Poetics of the Local considers contemporary Irish poetry in light of transnational forces of globalization and financialization, showing how these conditions have shaped poetic innovation in Ireland from the 1960s to the present. The book is organized around different sites caught in the growing pains of a rapidly globalizing Ireland—from the "ghost estates," or housing projects abandoned after the economic boom of the 1990s, to the urban "regeneration" of Belfast after the Troubles, to the transformation of Dublin into a hub for creative economy programs like the UNESCO City of Literature. In readings of works by Thomas Kinsella, Paula Meehan, Seamus Heaney, John Montague, Ciaran Carson, Leontia Flynn, Alan Gillis, Sinéad Morrissey, and Paul Muldoon, Shirley Lau Wong argues that the enduring centrality of place in Irish poetry should be seen not as a hangover of nostalgic nationalism but rather as an exploration of the material and emplaced effects of the seemingly faraway processes of global capitalism.

Contains 14 essays dealing with the poetry that has come out of Ireland since the mid-1960s. The first half of the book is devoted to general issues and themes, and takes account of the interrelationships of contemporary Irish poetry. The second half concentrates on the work of individual poets.