This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.

In many ways, this is the story of the birth of the American style in classical music. George Whitefield Chadwick (1854-1931) was one of the most significant and influential American composers at the turn of the twentieth century and a leading light of the Boston cultural scene. Bill F. Faucett offers a detailed exploration of Chadwick's life and art utilizing archival material only recently made available. These crucial primary sources, including letters, diaries, and memoirs, enable a deeper and more nuanced understanding of Chadwick's music and aesthetic perspective, and provide a clearer lens through which to view his life, career, and times. The book traces Chadwick's story from his earliest musical education to his surging career in Boston's nascent musical culture of the 1880s, to his fruitful middle years, and finally to his later life and towering legacy. In addition to bringing newfound appreciation of Chadwick's life, Faucett's book offers penetrating examinations of his major compositions and a vivid re-creation of Boston's rich and influential musical and cultural scene.

Includes a catalog of each artist's work, a discography of Beach's music, photographs of sculptures, and numerous musical examples.