This book explores possible and impossible word meanings, with a specific focus on the meanings of verbs. It presents a new theory of possible root meanings and their interaction with event templates that produces a new typology of possible verbs, with semantic and grammatical properties determined not just by templates, but also by roots.

This book explores possible and impossible word meanings, with a specific focus on the meanings of verbs. It presents a new theory of possible root meanings and their interaction with event templates that produces a new typology of possible verbs, with semantic and grammatical properties determined not just by templates, but also by roots.

In-depth investigation of Hebrew verb morphology in light of cutting edge theories of morphology and lexical semantics An original theory about the semantic content of roots An account of how roots function in word-formation A wide empirical basis containing a complete corpus of verb-creating roots in Hebrew

Horace G. Danner’s A Thesaurus of English Word Roots is a compendium of the most-used word roots of the English language. As Timothy B. Noone notes in his foreword: “Dr. Danner’s book allows you not only to build up your passive English vocabulary, resulting in word recognition knowledge, but also gives you the rudiments for developing your active English vocabulary, making it possible to infer the meaning of words with which you are not yet acquainted. Your knowledge can now expand and will do so exponentially as your awareness of the roots in English words and your corresponding ability to decode unfamiliar words grows apace. This is the beginning of a fine mental linguistic library: so enjoy!” In A Thesaurus of English Word Roots, all word roots are listed alphabetically, along with the Greek or Latin words from which they derive, together with the roots’ original meanings. If the current meaning of an individual root differs from the original meaning, that is listed in a separate column. In the examples column, the words which contain the root are then listed, starting with their prefixes, for example, dysacousia, hyperacousia. These root-starting terms then are followed by terms where the root falls behind the word, e.g., acouesthesia and acoumeter. These words are followed by words where the root falls in the middle or the end, as in such terms as bradyacusia and odynacusis.. In this manner, A Thesaurus of English Word Roots places the word in as many word families as there are elements in the word. This work will interest linguists and philologists and anyone interested in the etymological aspects of English language.

A User's Guide to Thought and Meaning presents a profound and arresting integration of the faculties of the mind - of how we think, speak, and see the world. Ray Jackendoff starts out by looking at languages and what the meanings of words and sentences actually do. He shows that meanings are more adaptive and complicated than they're commonly given credit for, and he is led to some basic questions: How do we perceive and act in the world? How do we talk about it? And how can the collection of neurons in the brain give rise to conscious experience? As it turns out, the organization of language, thought, and perception does not look much like the way we experience things, and only a small part of what the brain does is conscious. Jackendoff concludes that thought and meaning must be almost completely unconscious. What we experience as rational conscious thought - which we prize as setting us apart from the animals - in fact rides on a foundation of unconscious intuition. Rationality amounts to intuition enhanced by language. Written with an informality that belies both the originality of its insights and the radical nature of its conclusions, A User's Guide to Thought and Meaning is the author's most important book since the groundbreaking Foundations of Language in 2002.

Provides a summary description of the Navajo language and a detailed treatment of the inflectional morphology of its verb system.

This book provides an overview of the dialectic of theory and practice through which SFL positions itself as an appliable linguistics with reference to the theory of Verbal Art. A concise history of the linguistic study of literature tout court is sketched, as well as the roots of specifically SFL approaches to it. A detailed theoretical description is given of the emergence of systemic functional stylistics and, in particular, of the overall architecture of Systemic Socio-Semantic Stylistics (SSS), the central descriptive-analytical model created by Ruqaiya Hasan. Subsequently, the correspondences between Hasan's framework and what Jakobson theorized as the empirical linguistic evidence of his 'poetic function', grammatical parallelism and with what he calls 'pervasive parallelism', are delineated and illustrated via the analysis of one poem by D.H. Lawrence, 'Bei Hennef' (1913). Further, the teaching of the language in literature with the tools of SFL/SSS is addressed, and a case study of the experience of guiding students towards this 'special' register awareness in an undergraduate EFL curriculum in Bologna, Italy is offered. Aiming to provide as wide-ranging a view of systemic functional stylistics studies as possible, the volume also presents a synopsis of stylistics research wedded to multimodal/multisemiotic, corpus and translation approaches, broaching certain of the many theoretical issues intrinsically entailed. With special attention to Hasan's stylistic legacy, in closing the author speaks to the future directions systemic functional stylistic studies might take.

Preliminary Material /M. M. BRAVMANN -- PREFACE /M. M. BRAVMANN -- PHONOLOGICAL AND MORPHOLOGICAL STUDIES /M. M. BRAVMANN -- THE VOWEL I AS AN AUXILIARY VOWEL /M. M. BRAVMANN -- A PHONETIC LAW IN THE JUDEO-ARABIC DIALECT OF BAGHDAD /M. M. BRAVMANN -- SOME ASPECTS OF THE DEVELOPMENT OF SEMITIC DIPHTHONGS /M. M. BRAVMANN -- BI-CONSONANTAL NOUNS OF ROOTS III W ('AB, 'AḪ, ḤAM) /M. M. BRAVMANN -- A CASE OF QUANTITATIVE ABLAUT IN SEMITIC /M. M. BRAVMANN -- ON TWO CASES OF CONSONANT CHANGE IN MODERN ARABIC DIALECTS /M. M. BRAVMANN -- HEBREW ŠTAYIM ('TWO'), SYRIAC ŠTĀ ('SIX') AND A TURKIC ANALOGUE /M. M. BRAVMANN -- CONCERNING THE BORDER-LINE BETWEEN CONSONANT AND VOWEL /M. M. BRAVMANN -- THE HEBREW PERFECT FORMS: QĀṬELĀ, QĀṬELŪ /M. M. BRAVMANN -- THE 3RD PERS. SING. FEM. OF THE PERFECT OF ROOTS III Y/W IN ARABIC /M. M. BRAVMANN -- THE ARAMAIC NOMEN AGENTIS QĀTŌL AND SOME SIMILAR PHENOMENA OF ARABIC /M. M. BRAVMANN -- THE PLURAL ENDING -ŪT- OF MASCULINE ATTRIBUTIVE ADJECTIVES IN AKKADIAN /M. M. BRAVMANN -- THE ORIGIN OF SOME ARABIC PRONOUNS /M. M. BRAVMANN -- THE FORMS OF THE IMPERATIVE (AND JUSSIVE) IN THE SEMITIC LANGUAGES /M. M. BRAVMANN -- THE SEMITIC CAUSATIVE-PREFIX Š/SA /M. M. BRAVMANN -- SYNTACTIC AND SEMANTIC STUDIES /M. M. BRAVMANN -- GENETIC ASPECTS OF THE GENITIVE IN THE SEMITIC LANGUAGES /M. M. BRAVMANN -- THE SYNTACTIC BACKGROUND OF SEMITIC NOUNS WITH PREFIX MA- AND OF PARTICIPLES WITH PREFIX MU- /M. M. BRAVMANN -- THE INFINITIVE IN THE FUNCTION OF “PSYCHOLOGICAL PREDICATE” IN SYRIAC /M. M. BRAVMANN -- THE EXPRESSION OF INSTANTANEOUSNESS IN ARABIC /M. M. BRAVMANN -- SOME SPECIFIC FORMS OF HYPOTAXIS IN ANCIENT ARABIC /M. M. BRAVMANN -- SYRIAC DALMĀ “LEST”, “PERHAPS” AND SOME RELATED ARABIC PHENOMENA /M. M. BRAVMANN -- ARABIC LĀKIN(NA) AND RELATED EXPRESSIONS /M. M. BRAVMANN -- THE ORIGIN OF ARABIC BA'DA “AFTER” /M. M. BRAVMANN -- AN ARABIC SENTENCE-TYPE EXPRESSING “INNER COMPULSION” /M. M. BRAVMANN -- THE IDEA OF “POSSESSION” IN LINGUISTIC EXPRESSION /M. M. BRAVMANN -- ARABIC PARALLELS TO THE ENGLISH PHRASE /M. M. BRAVMANN -- EXPRESSIONS BASED ON THE NOUN YAWM- “DAY” /M. M. BRAVMANN -- ARABIC ASLAMA (ISLĀM) AND RELATED TERMS /M. M. BRAVMANN -- THE ORIGIN OF THE PRINCIPLE OF 'IṢMAH: MUḤAMMAD'S “IMMUNITY FROM SIN” /M. M. BRAVMANN -- THE “COMPLETION” OR “IMPROVEMENT” OF A LAUDABLE DEED: AN ANCIENT ARAB ETHICAL MOTIF /M. M. BRAVMANN -- SEMITIC INSTANCES OF “LINGUISTIC TABOO” /M. M. BRAVMANN -- THE ONOMATOPOETIC ORIGIN OF SOME TERMS FOR THE CONCEPT “SUDDEN” /M. M. BRAVMANN -- “SATISFYING” AND “RESTRAINING”: ARABIC KAFĀ (KFY) > KAFFA /M. M. BRAVMANN -- ARABIC MA'TAM “MOURNING ASSEMBLY” AND RELATED ETYMA /M. M. BRAVMANN -- AKKADIAN KIPRU( M), PL. KIPRĀTU( M) AND ETHIOPIC KANFAR /M. M. BRAVMANN -- ARAMAIC MESAR, NEO-HEBRAIC MĀSAR “TO SURRENDER (SOMEONE) ” /M. M. BRAVMANN -- AN ARABIC PARALLEL TO BENEDICERE /M. M. BRAVMANN -- NORTH-SEMITIC ḤAYYĪM/N “LIFE” IN THE LIGHT OF ARABIC /M. M. BRAVMANN -- THE BIBLICAL CONCEPT “THE TREASURE OF LIFE” AND ITS SURVIVAL IN MANDAEAN AND CHRISTIAN DOCTRINES /M. M. BRAVMANN -- THE ROOT HWY “TO BE”, A PROTO-SEMITIC VERB /M. M. BRAVMANN.

Shakespeare’s Verbal Art is a profoundly important study of the newly rediscovered anagrams that lie hidden below the surface of all Shakespearean texts. It explains the essential role played by these concealed figures in Classical and Renaissance poetry, demonstrating the revelatory function of anagram by reference to the close analysis of a wide range of examples. Special attention is given to Shakespeare’s use of these sub-textual devices to clarify meaning and intention. The focus is first on Shake-speares Sonnets of 1609, and secondly on Hamlet, Othello and Twelfth Night, all of which are found to be composed around the concealed anagrams that render these works self-interpreting. A new kind of language use is revealed, in terms of which pre-Enlightenment text is envisaged as existing in two distinct dimensions – the overt and the covert – both of which must be read if any particular poem or play is to be fully understood. In effect, a wholly new set of Shakespearean texts is made available to the reader, who will find Shakespeare’s Verbal Art an essential guide to the new discoveries. The book will also be indispensable in the fields of Classical and Renaissance literature, linguistics, poetics, rhetoric, and literary history, and in relation to the pre-Enlightenment text in general, and will interest both the specialist and the general reader.