This pictorial autobiography of Scott and Zelda Fitzgerald documents two lives that have become legendary. The book draws almost entirely from the scrapbooks and photograph albums that the Fitzgeralds scrupulously kept as their personal record and provides a wealth of illustrative material not previously available. Minnesota; a photograph of the country club in Montgomery, Alabama, where the two met; reviews of This Side of Paradise; poems to the couple from Ring Lardner; snapshots of their trips abroad; Fitzgerald's careful accounting of his earnings; a photograph of the house on Long Island where The Great Gatsby was conceived; postcards with Fitzgerald's drawings for his daughter. These rare photographs and memorabilia combine into a narrative augmented by selections from Scott's and Zelda's own writings, conveying the spirit of particuular moments in their lives.

This volume reveals Louis Auchincloss as a writer of unusual brilliance. In it he combines a Henry Jamesian knowledge of upper-class New York society with an economy of style, an alertness of eye, an artful disarming modesty reminiscent of the stories of Christopher Isherwood.

Personal snapshots, letters, press clippings, extracts from reviews, and other material from family scrapbooks provide an intimate and definitive autobiography of Scott and Zelda Fitzgerald

This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

Scrapbook compiled by Scottie Fitzgerald Smith comprised mainly of reviews of the illustrated biography of F. Scott and Zelda Fitzgerald, The romantic egoists, published in 1974. Programs from author lunches and other events included. SFS' holograph notes.

“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”

A biography of the woman who struggled to overcome being the daughter of F. Scott Fitzgerald, written by her own daughter.