This book traces the complex process by which an area, seen initially as a war-zone, was gradually transformed by the actions of the Romans and the reactions of the indigenous inhabitants into an integral part of the Roman world.

Explores the impact the discovery of the New World had upon Europeans' perceptions of their identity and place in history

This groundbreaking history of Spain in late antiquity sheds new light on the fall of the western Roman empire and the emergence of medieval Europe. Historian Michael Kulikowski draws on the most recent archeological and literary evidence in this fresh an enlightening account of the Iberian Peninsula from A.D. 300 to 600. In so doing, he provides a definitive narrative that integrates late antique Spain into the broader history of the Roman empire. Kulikowski begins with a concise introduction to the early history of Roman Spain, and then turns to the Diocletianic reforms of 293 and their long-term implications for Roman administration and the political ambitions of post-Roman contenders. He goes on to examine the settlement of barbarian peoples in Spain, the end of Roman rule, and the imposition of Gothic power in the fifth and sixth centuries. In parallel to this narrative account, Kulikowski offers a wide-ranging thematic history, focusing on political power, Christianity, and urbanism. Kulikowski’s portrait of late Roman Spain offers some surprising conclusions, finding that the physical and social world of the Roman city continued well into the sixth century despite the decline of Roman power. Winner of an Honorable Mention in the Association of American Publishers’ Professional and Scholarly Publishing Awards in Classics and Archeology

Describes the influence of the Roman Empire on Spain, and looks at society, industry, trade, architecture, and religion in Spain during Rome's rule

In this colorfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.

This book traces the beginnings and the first 140 years of the Roman presence in Spain, showing how what began as a purely military commitment developed in addition into a range of civilian activities including taxation, jurisdiction and the founding of both Roman and native settlements. The author uses literary sources, the results of recent and earlier archaeology, numismatics, and epigraphic material to reveal the way in which patterns of administration were created, especially under the direction of the military commanders sent from Rome to the two Spanish provinciae. This is of major importance for understanding the way in which Roman power spread during this period, not only in Spain, but throughout the Mediterranean world.

Histories of ancient Rome have long emphasized the ways in which the empire assimilated the societies it conquered, bringing civilization to the supposed barbarians. Yet interpretations of this “Romanization” of Western Europe tend to erase local identities and traditions from the historical picture, leaving us with an incomplete understanding of the diverse cultures that flourished in the provinces far from Rome. The Sons of Remus recaptures the experiences, memories, and discourses of the societies that made up the variegated patchwork fabric of the western provinces of the Roman Empire. Focusing on Gaul and Spain, Andrew Johnston explores how the inhabitants of these provinces, though they willingly adopted certain Roman customs and recognized imperial authority, never became exclusively Roman. Their self-representations in literature, inscriptions, and visual art reflect identities rooted in a sense of belonging to indigenous communities. Provincials performed shifting roles for different audiences, rehearsing traditions at home while subverting Roman stereotypes of druids and rustics abroad. Deriving keen insights from ancient sources—travelers’ records, myths and hero cults, timekeeping systems, genealogies, monuments—Johnston shows how the communities of Gaul and Spain balanced their local identities with their status as Roman subjects, as they preserved a cultural memory of their pre-Roman past and wove their own narratives into Roman mythology. The Romans saw themselves as the heirs of Romulus, the legendary founder of the eternal city; from the other brother, the provincials of the west received a complicated inheritance, which shaped the history of the sons of Remus.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

This history of Spain in the period between the end of Roman rule and the time of the Arab conquest challenges many traditional assumptions about the history of this period. Presents original theories about how the Visigothic kingdom was governed, about law in the kingdom, about the Arab conquest, and about the rise of Spain as an intellectual force. Takes account of new documentary evidence, the latest archaeological findings, and the controversies that these have generated. Combines chronological and thematic approaches to the period. A historiographical introduction looks at the current state of research on the history and archaeology of the Visigothic kingdom.

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