"Very short, highly anecdotal memoir of a machine gun officer's WWI adventures in France, the Balkans, and finally with Allenby across Arabia. Many of the anecdotes are entertaining, even moving. This book does a decent job reminding us that Allenby's army did most of the heavy lifting, while the threat of Lawrence's band on the flanks or cutting down a column on the move made the Turks quick to retreat rather than get boxed in at the end of the campaign. One is left wondering how many men from Gilbert's unit survived the whole war, first in the trenches of France, a few months of combat near Salonika, and finally enduring the very harsh conditions and lack of supply in the Middle East." --

Don Juan of Austria, one of history’s most triumphant and inspiring heroes, is reborn in this opulent novel by Louis de Wohl. Because of the circumstances of his birth, this last son of Emperor Charles the Fifth spent his childhood in a Spanish peasant’s hut. Acknowledged by King Philip as his half-brother, the attractive youth quickly became a central figure in a Court where intrigues and romances abounded. Don Juan’s intelligence, kindness and devout attachment to the Church enabled him to live in an environment of unscathed luxury, violence and treachery. De Wohl paints in brilliant color scenes at the Court of King Philip, Juan’s campaign against barbaric Moriscos in Andalusia and the climatic victory at Lepanto where he saved the Christian world from Islamic dominance. The Last Crusader abounds in vivid scenes and characters. Who can forget the sadisitic nature of the Prince of Asturias, the spirituality of Fray Juan de Calahorra, the scheming of beautiful Princess Ana of Eboli, the barbaric siege of Malta, or Emperor Charles the Fifth waiting for death, in his stygian throne room? Here is a novel of high adventure which brings to life the turbulence of the sixteenth century with its extremities of the wickedness and piety, its sins of pride and conquest, its seething heresies. With his strong talent for exciting historical narrative, Louis de Wohl adds another great dynamic novel to his already lustrous career.

An Introduction to the Crusades, part of the Companions to Medieval Studies series, is an accessible guide to studying the complex history of the Crusades. The book begins by defining the Crusades, giving the political and social context of Byzantium, Western Europe, the Islamic States, and Jewish communities to set the scene for crusading from the eleventh century to the end of the medieval period. It then immerses the reader in the logistics of crusading and the day-to-day life of a crusader, explaining arms and armor, strategy and tactics, and siege warfare. Topics explored in depth include women on crusade, pilgrimage, the Mongols, crusade charters, and the use of crusader rhetoric throughout history. A case study chapter on the negotiations for Jerusalem between Saladin and Richard I provides insight into the process of historical inquiry and methods for engaging with primary sources. The book is pedagogically grounded through the inclusion of questions for reflection, sixteen images, four maps, a detailed chronology, a glossary, a "Who's Who" of the crusading world, and a bibliography.

Arthur Prescott finds respite from the drudgery of his professorship in the Barchester Cathedral Library, where he researches the Holy Grail and his long-delayed guidebook for the medieval cathedral. His tranquility is shattered by Bethany Davis, a young American academic who has come to digitise the library’s ancient manuscripts. But hostility turns to affection when Arthur discovers Bethany is a kindred spirit, a Grail fanatic. They begin a quest for the lost Book of Ewolda, which could reveal secrets about the cathedral and the Grail, and their connections to King Arthur and the Knights of the Round Table. As Arthur and Bethany delve into the past, the secret history of England—from the Norman invasion to the Civil War, the Industrial Revolution and the Blitz—is revealed. A thrilling adventure for history lovers, The Lost Book of the Grail is also an ode to the joys of reading. Charlie Lovett is a writer, teacher and playwright whose books include the New York Times bestseller The Bookman’s Tale and First Impressions. He is a bibliophile and a former antiquarian bookseller. He and his wife split their time between North Carolina and the Cotswolds. ‘In his latest literary mystery, Lovett supplements his trademark meld of books, romance, and adventure with an element of (fairly English) humor and some nods in the direction of P.G. Wodehouse...There's lots of research too...but it's underpinned by a pleasing treasure hunt mixed with the romantic involvement of two genially mismatched figures. A solidly built, innocently bookish diversion with a distinct Masterpiece Theater flavor.’ Kirkus Reviews ‘Former antiquarian bookseller Lovett here does what he did so well in his debut, The Bookman’s Tale.’ Library Journal ‘The Lost Book of the Grail is for every book addict. Full of suspense, delightful twists and turns, this is a tale about friendship, love, and the purpose of life.’ Nina George, New York Times bestselling author of The Little Paris Bookshop ‘Vivid, engaging...A love story and a detective story filled with wonderful historic detail.’ Kate Alcott ‘A mystery, a history, a pleasure—and a treasure.’ Gregory Maguire ‘Lovett considers topics both contemporary and timeless: the relevance and future of physical libraries; the advantages and drawbacks of electronic documents; love, devotion and friendship; recollection and truth; setting priorities for life; and faith and belief...Lovett’s expertise in, respect for and love of old books is apparent on every page...Not only bibliophiles will be charmed by this thoroughly enjoyable tale.’ BookMooch ‘Merging medievalist erudition, literary sleuthing and romantic comedy, Charlie Lovett’s The Lost Book of the Grail is an entertaining romp the well-read will enjoy.’ Age ‘Lovett explores the nature of faith and doubt while unravelling the long history of the cathedral and its treasures...For bibliophiles, Grail enthusiasts and anyone who loves a good quest, Arthur’s story is a rich, erudite and entertaining adventure.’ Shelf Awareness ‘Charlie Lovett’s charming novel combines Arthurian legend, Christian beliefs, history and a love of books to produce a grown-up’s version of Dan Brown’s The Da Vinci Code...An engaging concoction of mystery, ancient manuscripts, secret codes, literary sleuthing, the real meaning of faith and mild romance. It will enthral those readers who love books and history.’ Canberra Weekly ‘What a fascinating book by Charlie Lovett, author of The Bookman’s Tale. Its denouement sends tingles through the body...The plot meanders through a then-and-now of glorious old books and manuscripts, the thrills of discovery and agony of obstacles. It is eminently engaging.’ SA Weekend

On the publication of Orthodoxy in 1908, Wilfrid Ward hailed G. K. Chesterton as a prophetic figure whose thought was to be classed with that Burke, Butler, Coleridge, and John Henry Newman. When Chesterton died in 1936, T. S. Eliot pronounced that 'Chesterton's social and economic ideas were the ideas for his time that were fundamentally Christian and Catholic'. But how did he come by these ideas? Eliot noted that he attached 'significance also to his development, to his beginnings as well as to his ends, and to the movement from one to the other'. It is on that development that this book is focused. Chesterton and the Romance of Orthodoxy is an exploration of G.K. Chesterton's imaginative and spiritual development, from his early childhood in the 1870s to his intellectual maturity in the first decade of the twentieth century. William Oddie draws extensively on Chesterton's unpublished letters and notebooks, his journalism, and his early classic writings, to reveal the writer in his own words. In the first major study of Chesterton to draw on this source material, Oddie charts the progression of Chesterton's ideas from his first story (composed at the age of three and dictated to his aunt Rose) to his apologetic masterpiece Orthodoxy, in which he openly established the intellectual foundations on which the prolific writing of his last three decades would build. Part One explores the years of Chesterton's obscurity; his childhood, his adolescence, his years as a student and a young adult. Part Two examines Chesterton's emergence on to the public stage, his success as one of the leading journalists of his day, and his growing renown as a man of letters. Written to engage all with an interest in Chesterton's life and times, Oddie's accessible style ably conveys the warmth and subtlety of thought that delighted the first readership of the enigmatic GKC.

When Emperor Constantine triggered the rise of a Christian state, he opened a new chapter in the history of Constantinople and Jerusalem. In the centuries that followed, the two cities were formed and transformed into powerful symbols of Empire and Church. For the first time, this book investigates the increasingly dense and complex net of reciprocal dependencies between the imperial center and the navel of the Christian world. Imperial influence, initiatives by the Church, and projects of individuals turned Constantinople and Jerusalem into important realms of identification and spaces of representation. Distinguished international scholars investigate this fascinating development, focusing on aspects of art, ceremony, religion, ideology, and imperial rule. In enriching our understanding of the entangled history of Constantinople and Jerusalem in Late Antiquity, City of Caesar, City of God illuminates the transition between Antiquity, Byzantium, and the Middle Ages.

The first full-length study of the experience and memory of British and Dominion soldiers in the Middle East and Macedonia during WWI.