A portion of a Perceval romance known only in this metrical version which forms part of the so-called Dutch Lancelot.

Excerpt: ...and all had sworn an oath that they would lead Sir Gawain to the cross-roads, at the entering in of their land for the greater shaming of King Arthur's Court. To this had they pledged themselves, that they would there slay him without respite or delay; and were it not that 'twere shame to themselves, and too great dishonour to one who bare the name of knight, they had hung him by the neck, on the border of the two lands, to shame King Arthur; so that all his folk who were of the knightly order, and dwelt at his court, and sought for adventure, should shun their land when they heard the tidings of the vengeance wrought by them upon knights-errant who would prove their fate within those borders. Thus it fell out that they brought Sir Gawain on the horse, sorely wounded and mishandled, within the nearness of half a mile, so that the knight knew he was nigh to the cell of the Hermit of whom at that self-same cross-road he had asked tidings of King Arthur's knights, and of that bad and evil land where many were brought to shame. And they who had brought him thither were of one mind that they should make a wheel, and break the knight upon it at the Cross by the parting of the ways whereof I have told ye afore. Now shall I leave speaking of this matter till I come again thereto, and will forthwith tell ye how it fared with Morien when the three had parted asunder, as I told ye afore (Sir Gawain, Morien, and Sir Lancelot, he was the third), since they would fain make proof of that which the Hermit had told them. Now will I tell ye of Morien ere that I end the tale of Sir Gawain. Now doth the adventure tell that Morien, that bold knight, rode the seaward way, and came safely to the passage of the ford nigh unto the open sea. And all the day he met no man of whom he might ask concerning his father; 'twas labour wasted, for all who saw him fled from him. Little good might his asking do him, since none who might walk or ride would abide his coming. But he saw...

Sinister sorcery. Gallows humor. A queer romance so glorious it could be right out of fae legend itself. Master of One is a fantasy unlike any other. Rags the thief has never met a pocket he couldn’t pick, but when he’s captured by a sorcerer with world-ending plans, he realizes even he is in over his head. Forced to use his finely honed skills to nab pieces of an ancient fae relic, Rags is stunned to discover that those “relics” just happen to be people: A distractingly handsome Fae prince, A too-honorable Queensguard deserter, A scrappy daughter of a disgraced noble family, A deceptively sweet-natured prince, A bona fide member of the Resistance, And him. Rags. They may all be captives in the sorcerer’s terrible scheme, but that won’t stop them from fighting back. And, sure, six unexpected allies against one wicked enemy doesn’t make for generous odds, but lucky for him, Rag’s not generous—he’s smart. And he has a plan that just might get them out of this alive. With the heist and intrigue of Six of Crows and the dark fairy tale feel of The Cruel Prince, this young adult fantasy debut will have readers rooting for a pair of reluctant heroes as they take on a world-ending fae prophecy, a malicious royal plot, and, most dangerously of all, their feelings for each other.

This teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Malory, and more peripheral works, such as the Melech Artus (a 12th-century Hebrew text) and the Dutch Morien (featuring a black knight). Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. The anthology and its accompanying website offer a variety of genres, ranging from visual art to historical chronicles and from romance to drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe, and thus this anthology includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’ Knight of the Cart, Chaucer’s Wife of Bath’s Tale, and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.

The author was among the first to study western occultism as a spiritual tradition rather than as pseudoscience or religion. This 1909 survey of the Holy Grail legend weaves together the history of how a pagan folk-tale became a vital Christian allegory. Waite makes it a point to extensively describe all source texts of the Grail legend--employing readable yet interesting prose.

Foreword by Neil Gaiman The world’s leading Arthurian authority reimagines one of the most beloved and influential legends—the story of King Arthur and his Knights—for a new century in this gorgeous keepsake edition, illustrated with luminous full-color paintings and drawings by internationally acclaimed Tolkien artist John Howe. The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D’Arthur (The Death of Arthur). The Great Book of King Arthur brings these legends into the modern age, using accessible prose for contemporary readers for the first time. In addition to the stories in Morte D’Arthur, John Matthews includes many tales of Arthur and his knights either unknown to Malory or written in other languages, such as the story of Avenable, the girl brought up as a boy who becomes a famous knight; Morien, whose adventures are as fantastic and exciting as any found in Malory’s work; and a retelling of the life of Round Table favorite Gawain, from his strange birth to his upbringing among the poor to his ascension to the highest position—Emperor of Rome. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. The epic hero is represented in such powerful stories as “The Adventures of Eagle-boy” and “The Coming of Merlin,” which is based on the early medieval text Vita Merlini and tells a completely new version of the great enchanter’s story. The Great Book of King Arthur includes 15 full-color paintings and 25 pencil drawings.

"The Classic Collection of Jessie Weston" brings together a captivating assortment of literary works by the renowned scholar and folklorist. This anthology showcases some of Weston's most celebrated writings, including "The Legend of Sir Lancelot du Lac," "Sir Gawain and the Green Knight," "From Ritual to Romance," and more, accompanied by enchanting illustrations. In "The Legend of Sir Lancelot du Lac," readers are immersed in the romantic and chivalrous world of King Arthur's court, exploring the tale of the valiant and tragic knight Lancelot. Weston's storytelling delves into themes of love, honor, and the complexities of human nature. "Sir Gawain and the Green Knight" presents a timeless Arthurian legend, focusing on Gawain's journey of self-discovery and his encounter with the enigmatic Green Knight. Weston's interpretation offers fresh insights into the narrative's symbolism and cultural significance. "From Ritual to Romance" is a scholarly exploration of the connections between ancient rituals and the literary works of the Middle Ages. Weston's meticulous research uncovers the hidden layers of symbolism and ritualistic elements embedded within medieval stories, shedding light on their deeper meanings. Accompanied by evocative illustrations, "The Classic Collection of Jessie Weston" not only presents these iconic legends and analyses but also enhances the reader's engagement with the material. Weston's profound insights into folklore, mythology, and medieval literature are beautifully complemented by the artwork, inviting readers to immerse themselves in a world of knights, quests, and mystical symbolism. This anthology pays homage to Jessie Weston's lasting impact on the study of mythology, literature, and the intersections between them. Whether readers are drawn to the tales of legendary knights or intrigued by the exploration of ritualistic origins in storytelling, this collection offers a multifaceted and enriching reading experience. The Legend of Sir Lancelot du Lac Parzival Sir Gawain and the Green Knight From Ritual to Romance Guingamor, Lanval, Tyolet, Bisclaveret Morien