IT is generally believed that this celebrated Arabian Romance was composed, in the eighth century, from traditionary tales which had been long current in the East, by El-Asma'ee, a famous philologist and poet at the court of Haroon Er-Rasheed. Other authors and sources (for instance, Johainah and Abu Obeidah) are mentioned in the work, but these, according to Von Hammer, have been inserted by story-tellers in the coffeehouses. Lane, in his admirable work on the Modern Egyptians, remarks that the 'Ulama (learned men) 'in general despise the romance, and ridicule the assertion that El-Asma'ee was its author': their opinion, however, on a question of this kind, is of little value. The complete work is usually bound up in forty-five volumes of various sizes-presenting a mass sufficient to appal the most indefatigable of translators; not to speak of the impossibility of finding European readers who would wade through the translation, if published. An abridged copy of this voluminous work, done by some learned Syrians (and hence called the Shamiyeh, or Syrian Antar, to distinguish it from the original, which was known as the Hijaziyeh, or Arabian Antar), having been obtained by Mr Terrick Hamilton, during his residence at Constantinople, in his capacity of Oriental Secretary to the British Embassy there, he was induced by its comparative brevity to undertake the task of translating it into English.

An in-depth ethnography of Black engineering students at a historically White institution, Black Campus Life examines the intersection of two crises, up close: the limited number of college graduates in science, technology, engineering, and math (STEM) fields, and the state of race relations in higher education. Antar Tichavakunda takes readers across campus, from study groups to parties and beyond as these students work hard, have fun, skip class, fundraise, and, at times, find themselves in tense racialized encounters. By consistently centering their perspectives and demonstrating how different campus communities, or social worlds, shape their experiences, Tichavakunda challenges assumptions about not only Black STEM majors but also Black students and the “racial climate” on college campuses more generally. Most fundamentally, Black Campus Life argues that Black collegians are more than the racism they endure. By studying and appreciating the everyday richness and complexity of their experiences, we all—faculty, administrators, parents, policymakers, and the broader public—might learn how to better support them. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. Learn more at the TOME website, available at: openmonographs.org, and access the book online through the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7009

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A unique and extraordinary collection, Desert Songs of the Night presents some of the finest poetry and prose by Arab writers, from the Arab East to Andalusia, over the last 1,500 years. From the mystical imagery of the Qur'an and the colourful stories of The Thousand and One Nights, to the powerful verses of longing of Mahmoud Darwish and Nazik al-Mala'ika, this captivating collection includes translated excerpts of works by the major authors of the period, as well as by lesser known writers of equal significance. Desert Songs of the Night showcases the vibrant and distinctive literary heritage of the Arabs. Beautifully produced, this is the ideal book for lovers of world literature and for those who seek an acquaintance with gems of Arab thought and expression. 'Desert Songs of the Night is a wonderful introduction to fifteen centuries of a literature still largely unknown in the West, without which much of our civilizations would not have developed as they have, from the rediscovery of Aristotle by Arab commentators to the lyric poetry of Europe, from the magical world of the Arabian Nights to the modern revolutionary poets of Palestine. Absolutely essential reading for our troubled times.' Alberto Manguel 'At a time when the world is obsessing about violence and bloodletting in the Arab world, this remarkable anthology, which spans 1,500 years of Arab literary genius, is a stark reminder of the untold story we keep missing about the region.' Hanan al-Shaykh

The final volume of The Cambridge History of Arabic Literature explores the Arabic literary heritage of the little-known period from the twelfth to the beginning of the nineteenth century. Even though it was during this time that the famous Thousand and One Nights was composed, very little has been written on the literature of the period generally. In this volume Roger Allen and Donald Richards bring together some of the most distinguished scholars in the field to rectify the situation. The volume is divided into parts with the traditions of poetry and prose covered separately within both their 'elite' and 'popular' contexts. The last two sections are devoted to drama and the indigenous tradition of literary criticism. As the only work of its kind in English covering the post-classical period, this book promises to be a unique resource for students and scholars of Arabic literature for many years to come.