An important contribution to the growing interdisciplinary field of monster studies

The political aspects of Augustan poetry have attracted much academic interest. The aim of this study is to take account of the effects of Augustan propaganda not only on the work of contemporary Roman writers, but also on the critical tradition itself. The six essays presented in this volume explore the political themes in the work of major poets such as Virgil, Ovid, Horace and Propertius. Using traditional as well as post-structuralist approaches, the essays examine the controversies of the Civil Wars, the emerging issues of treason and free speech and changing representations of Cleopatra and female power.

Identifies and explores Roman modes of poetry as received by twentieth- and twenty-first-century Anglo-American, German, and French poets.

In this book seventeen leading scholars examine the interaction between historiography and poetry in the Augustan age: how poets drew on — or reacted against — historians’ presentation of the world, and how, conversely, historians transformed poetic themes for their own ends.

The establishment of the Augustan regime presents itself as the assertion of order and rationality in the political, ideological, and artistic spheres, after the disorder and madness of the civil wars of the late Republic. But the classical, Apollonian poetry of the Augustan period is fascinated by the irrational in both the public and private spheres. There is a vivid memory of the political and military furor that destroyed the Republic, and also an anxiety that furor may resurface, that the repressed may return. Epic and elegy are both obsessed with erotic madness: Dido experiences in her very public role the disabling effects of love that are both lamented and celebrated by the love elegists. Didactic (especially the Georgics) and the related Horatian exercises in satire and epistle, offer programmes for constructing rational order in the natural, political, and psychological worlds, but at best contain uneasily an ever-present threat of confusion and backsliding, and for the most part fall short of the austere standards of rational exposition set by Lucretius. Dionysus and the Dionysiac enjoy a prominence in Augustan poetry and art that goes well beyond the merely ornamental. The person of the emperor Augustus himself tests the limits of rational categorization. Augustan Poetry and the Irrational contains contributions by some of the leading experts of the Augustan period as well as a number of younger scholars. An introduction which surveys the field as a whole is followed by chapters that examine the manifestations of the irrational in a range of Augustan poets, including Virgil, Horace, Ovid, and the love elegists, and also explore elements of post-classical reception.

Explores the dynamic interactions among Latin poets, artists, and audiences in constructing and critiquing imperial power in Augustan Rome.

A comprehensive treatment of the reflections by Augustan poets on Apollo as an imperial icon.

An anthology containing fresh and rhythmic translations of the great poets from the Augustan period, Golden Verses covers a broad range of verse with introduction, maps, chronology, glossary, bibliography and notes. Alessi's text is designed specifically for the college market, providing students with access to the thought and context at the roots of our culture. Designed to be read in conjunction with major works of the Augustan Age—Ovid's Metamorphosis and Vergil's Aeneid.