The exhibition is held in Shimla Art Gallery of the Lalit Kala Academi (National Academy of Art, New Delhi) and in the International Roerich Memorial Trust (the Roerichs’ Estate in Naggar) within the framework of the international exhibition project by the International Centre of the Roerichs and the International Roerichs’ Heritage Preservation Committee, initiated on April 2, 2012 at the UNESCO Headquarters in Paris with the support of the Ministry of Foreign Affairs of the Russian Federation.Выставка проходит в Галерее искусств в Шимле при Национальной академии изящных искусств (Академии Лалит Кала, Нью-Дели) и в Международном Мемориальном Тресте Рерихов (имение Рерихов в Наггаре) в рамках международного выставочного проекта Международного Центра Рерихов и Международного Комитета по сохранению наследия Рерихов при поддержке Министерства иностранных дел Российской Федерации, начатого 2 апреля 2012 года в штаб -квартире ЮНЕСКО в Париже

Nicholas Roerich's classic 1929 mystic travel book is back in print! He kept a diary of his travels by yak and camel through a remote region still largely unknown today. An intellectual as well as an adventurer, he chronicles his expedition through Sinkiang, Altai-Mongolia and Tibet from 1924 to 1928 in twelve exciting chapters detailing his encounters along the parched byways of Central Asia. With a special interest in geographical mysteries and arcane and mystical arts, he searches for the hidden cities of Shambala and Agartha. Roerich's original drawings, as well as reproductions of his inspiring paintings illustrate this unique travel book.

While the question of the return of cultural objects is by no means a new one, it has become the subject of increasingly intense debate in recent years. This important book explores the removal and the return of cultural objects from occupied communities during the last two centuries and analyses the concurrent evolution of international cultural heritage law. The book focuses on the significant influence exerted by British, U.S. and Australian governments and museums on international law and museum policy in response to restitution claims. It shows that these claims, far from heralding the long-feared dissolution of museums and their collections, provide museums with a vital, new role in the process of self-determination and cultural identity. Compelling and thought-provoking throughout, this book is essential reading for archaeologists, international lawyers and all those involved in cultural resource management.

Standard-setting represents one of the main constitutional functions of UNESCO and an important tool for realizing the goals for which the Organization was created. In addition to conventions and recommendations, the declarations adopted by the General Conference promulgate principles and norms intended to inspire the action of Member States in specific fields of activity. This first of a two-volume work on Standard-setting in UNESCO contains the essays presented at a symposium held on the occasion of its sixtieth anniversary. Topics addressed in Normative Action in Education, Science and Culture include methods of elaboration and implementation; constitutional objectives and legal commitments; international collaboration; and impact. CO-PUBLICATION WITH: UNESCO

Archaeological research has long focused on studying tangible artifacts to build a picture of the cultures it examines. Equally important to understanding a culture, however, are the intangible elements that become part of its heritage. In 2003, UNESCO adopted a convention specifically to protect intangible heritage, including the following: oral traditions and expressions, including language; performing arts (such as traditional music, dance, and theater); social practices, rituals, and festive events; knowledge and practices concerning nature and the universe; and traditional craftsmanship. Since this convention was adopted, scholars and preservationists have struggled with how to best approach intangible heritage. This volume specifically focuses on embodied intangible heritage, or the human body as a vehicle for memory, movement, and sound. The contributors to this work examine ritual and artistic movement, theater, music, oral literature, as well as the role of the internet in cultural transmission. Globalization and particularly the internet, has a complex effect on the transmission of intangible heritage: while music, dance, and other expressions are now shared easily, the performances often lack context and may be shared with a group that does not fully understand what they are seeing or hearing. This volume draws on case studies from around the world to examine the problems and possibilities of implementing the new UNESCO convention. The findings in this volume will be vital to both professionals and academics in anthropology, archaeology, history, museum studies, architecture, and anyone else who deals with issues of cultural heritage and preservation.

Tibet is a land of mysteries. It is not only about religion and occultism: its history remains largely hidden. This book disproves some of the erroneous views on the history and religion of the Tibetans. Tibet has never been a part of China. At the time when China was an inalienable part of the Mongolian Yuan Empire and Manchu Qing Empire, Tibet was a separate country dependent on the Mongol and Manchu emperors, but never lost its statehood. A widespread view that Tibet was an integral part of neighboring empires is related to an ancient Chinese concept of the emperor's universal power. Chinese claims to the "legacy" of the Mongol and Manchu empires are unfounded. Incorporating the name of the state into the "dynasty of China" concept ties sovereign states of other nations to Chinese dynastic history. The inclusion of Tibet into the People's Republic of China was not legitimate. Tibet is an occupied country. This book traces the history of Tibetan statehood from ancient times to our days, describes the life of the Tibetans at the times of Feudalism and Socialism, the coercive inclusion of Tibet into People's Republic of China, the suppression of the national liberation movement, the Cultural Revolution, and subsequent reforms. Many pictures and data concerning these events are being published for the first time. The book has garnered much interest in Russia, particularly in academic and political science circles.

This thoroughly researched book provides the first comprehensive history of how a UNESCO World Heritage site on the Central China Plain, Longmen’s caves and the Buddhist statuary of Luoyang, was rediscovered in the twentieth and twenty-first centuries. Drawing on original research and archival sources in Chinese, English, French, German, Japanese, and Swedish, as well as extensive fieldwork, Dong Wang traces the ties between cultural heritage and modernity, detailing how this historical monument has been understood from antiquity to the present. She highlights the manifold traffic and expanded contact between China and other countries as these nations were reorienting themselves in order to adapt their own cultural traditions to newly industrialized and industrializing societies. Unknown to much of the world, Longmen and its mesmerizing modern history takes readers to the heartland of China, known as “Chinese Babylon” a century ago. With remarkable depth and breadth, this book unravels both a bygone and a continuing human pursuit of artefacts—shared, spiritual, modern, and above all beautiful that have linked so many lives, Chinese and foreign.

Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.