In this engaging and deeply informed book, Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. Illustrations.

Last year, Americans donated $150 billion to charity, an amount larger than the U.S. defense budget. Giving has never been more popular, possible, or, for many, more confusing. There are oceans of need, mountains of requests -- and often little time to examine our preconceptions about money (earned, inherited, bequeathed, saved, spent) and make the best decisions on how to give effectively.

Robin Hood, whether riding through the glen, robbing the rich to pay the poor or giving the Sheriff of Nottingham his come-uppance, is one of the most captivating and controversial legendary figures. Was there a historical figure behind the legends? Did Robin and his Merry Men rampage through Sherwood Forest? Or did he spend most of his time in Barnsdale Wood in Yorkshire? And is the story of the freedom-loving Saxons refusing to be put under the Norman yoke, as portrayed in the Errol Flynn films, true?

Who was Robin Hood? Throughout history the figures of the hooded man of Sherwood forest and his band of outlaws have transfixed readers and viewers; but where does the myth come from? The story appeared out of the legend of the Green man but found its location during the reign of Richard II, the Lionheart, who was away from England fighting in the crusades. In his absence his brother John lay waste to the country. But does this tell the full story? Was Robin a bandit prince ahead of a troop of brigands? Who was the Sherrif and was he in fact the legitimate law in the land fighting vigilantes?

This handbook provides a comprehensive overview and holistic analysis of the intersection between tourism and popular culture. It examines current debates, questions and controversies of tourism in the wake of popular culture phenomena and explores the relationships between popular culture, globalization, tourism and mobility. In addition, it offers a cross-disciplinary, cutting edge review of the character of popular cultural production and consumption trends, analyzing their consequences for tourism, spatial strategies and destination competitiveness. The scope of the volume encompasses various expressions of popular culture such as cinema, TV shows, music, literature, sports and heritage. Featuring a mix of theoretical and empirical chapters, the handbook problematizes and conceptualizes the ties and clusters of popular cultural actors, thereby positioning tourism within the wider context of creative economies, cultural planning and multimodal technologies. Written by an international team of academics with expertise in a range of disciplines, this timely book will be of interest to researchers from a variety of subjects including tourism, events, geography, cultural studies, fandom research, political economy, business, media studies and technology.

A life-long fascination with the Robin Hood legend is explored in this entertaining and readable exploration of both myth and fact.

The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.

"How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--