Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.

Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.

Examines the departure from meter and rhyme in modern poetry and the increased use of free verse

The story of Eliot Ness, the legendary lawman who led the Untouchables, took on Al Capone, and saved a city’s soul As leader of an unprecedented crime-busting squad, twenty-eight-year-old Eliot Ness won fame for taking on notorious mobster Al Capone. But the Untouchables’ daring raids were only the beginning of Ness’s unlikely story. This new biography grapples with the charismatic lawman’s complicated, largely forgotten legacy. Perry chronicles Ness’s days in Chicago as well as his spectacular second act in Cleveland, where he achieved his greatest success: purging the profoundly corrupt city and forging new practices that changed police work across the country. He also faced one of his greatest challenges: a mysterious serial killer known as the Torso Murderer. Capturing the first complete portrait of the real Eliot Ness, Perry brings to life an unorthodox man who believed in the integrity of law and the power of American justice.

What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.

The Last Good Time is a richly layered epic that brings to life a fascinating place, its politics, people, and culture, through the portrait of one of Atlantic City's most famous families--the powerful, flamboyant, and ultimately tragic D'Amatos. Paul "Skinny" D'Amato created and presided over the 500 Club, the celebrated supper club that entertained thousands of Americans and helped guide the careers of the great Rat Pack performers--Dean Martin, Sammy Davis Jr., and Frank Sinatra. Skinny was at the center of it all, hovering behind the scenes during the zenith of one of the world's most notorious playgrounds. Veteran magazine writer Jonathan Van Meter captures the volatile history of twentieth-century Atlantic City--from the days of Prohibition and smoky speakeasies to the city's heyday of imported Hollywood glamour and glitz after World War II; from the near demise of the resort in the 1970s to the city's current era of legal "gaming" and dazzling high-tech hotel/casinos. Skinny D'Amato avoided the public eye whenever possible, though he was perhaps the most important person in the history of Atlantic City, where his nightclub served as the ultimate backroom for the big players of entertainment, politics, sports, and the Mob. Skinny is rarely acknowledged as part of the Rat Pack, but he was at the center of its creation, its mentor. It was Skinny who taught Sinatra how to hold a cigarette, tip big, be cool. He paired Jerry Lewis and Dean Martin for the first time at his 500 Club, and on any given night back in the 1950s and 1960s, you'd find Elizabeth Taylor, Toots Shor, the Gabor sisters, Joe DiMaggio, Milton Berle, Liberace, Grace Kelly, Nat King Cole, and just about every big player in the underworld hanging out by the bar or in the back rooms. Skinny was a link between politicians--including John F. Kennedy--entertainers, and the Mob and was the subject of constant surveillance by the FBI and tax investigators. Whether he was in the Mob or not, Skinny was the ultimate connected guy, a gentleman's gentleman, a passionate gambler who had a special touch that brought bigpeople together so that they could have a good time. As Van Meter evokes the ever-evolving landscape of Atlantic City, he shows us how the D'Amato family, like other larger-than-life American families during the last century, experienced a changing wheel of fortune, seeing great moments of wealth, power, and personal attainment, as well as all manner of human tragedy. In the space of a few years, Skinny's beloved wife, Bettyjane, died of a brain aneurysm at a relatively young age; the 500 Club burned to the ground; and, perhaps most devastating of all, his son, Angelo, was convicted of brutally murdering two people. With the last of the good times behind him, Skinny retreated to his Ventnor, New Jersey, mansion, taking his card game with him, emerging to see his Rat Pack friends, and, in the process, becoming a living symbol of how cool it all was once upon a time in America. Van Meter expertly renders one of the great untold tales of modern America, a character portrait of both an extraordinary time and place, and the Zelig-like man who hovered over it all. The Last Good Time is a classic tale of the whiskey-soaked dark side of America's mid-century popular culture. From the Hardcover edition.

The intriguing tale of why the United States has never adopted the metric system, and what that says about us. The American standard system of measurement is a unique and odd thing to behold with its esoteric, inconsistent standards: twelve inches in a foot, three feet in a yard, sixteen ounces in a pound, one hundred pennies to the dollar. For something as elemental as counting and estimating the world around us, it seems like a confusing tool to use. So how did we end up with it? Most of the rest of the world is on the metric system, and for a time in the 1970s America appeared ready to make the switch. Yet it never happened, and the reasons for that get to the root of who we think we are, just as the measurements are woven into the ways we think. John Marciano chronicles the origins of measurement systems, the kaleidoscopic array of standards throughout Europe and the thirteen American colonies, the combination of intellect and circumstance that resulted in the metric system's creation in France in the wake of the French Revolution, and America's stubborn adherence to the hybrid United States Customary System ever since. As much as it is a tale of quarters and tenths, it is a human drama, replete with great inventors, visionary presidents, obsessive activists, and science-loving technocrats. Anyone who reads this inquisitive, engaging story will never read Robert Frost's line “miles to go before I sleep” or eat a foot-long sub again without wondering, Whatever happened to the metric system?

Mixing remains one of the most illusive arts of recording practice and can take a life time to master. Looking at practices, concepts, tools and mixing instruments the author provides a comprehensive insight to the art and science of mixing. Whether a hobbyist of professional this book covers basic concepts to advanced techniques as well as tips and tricks and is a vital read for anyone wanting to succeed in the field of mixing.