Storytracking is a work of theory and application. It is both a study of history and culture and the academic issues accompanying the interpretation and observation of other peoples. Sam Gill writes about Central Australia, but, more importantly, he writes about the business of trying to live responsibly and decisively in a postmodern world faced with irreconcilable diversity and complexity, with undeniable ambiguity and uncertainty. Storytracking includes engaging accounts of many of the colorful figures involved in the nineteenth-century development of Central Australia, and it is an argument for a multiperspectival theory of history. It presents descriptions of an important aboriginal culture--the Arrernte--and it critically examines ethnography. It exposes the colonialist underbelly of all modern academic culture study, yet it embraces the situation as one of creative potential outlining an interactivist epistemology with which to negotiate the classical alternatives of objectivism and subjectivism. Gill presents an examination of the emergent academic study of religion focused on two exemplary scholars--Mircea Eliade and Jonathan Smith--offering a play theory of religion as the basis for innovative critical discussions of text, comparison, interpretation, the definition of religion, academic writing style, and the role of "the other." Based on painstakingly detailed research, Gill exposes disturbing and confounding dimensions of the modern world, particularly academia. Yet, beyond the pessimism that often characterizes postmodernity, he charts an optimistic and creative course framed in the terms of play.

This work tells the story of the Great Sphinx of Giza as egyptology has uncovered it. The author details the Sphinx's impact on the ancient world, on Arab writers, on Renaissance travellers, on the pioneers of Egyptology and on modern scholarship. He tells the story of the Sphinx's many bouts of excavation and restoration and above all, puts the Sphinx in the context of all that is known about ancient Egyptian history and religion.

The Curious History of the Riddle investigates the fascinating origin and history of the riddle, from the very first riddle (the Riddle of the Sphinx) to the twenty-first century, with riddles found in pop culture, including movies (Us), television shows (Game of Thrones) video games, and escape rooms. Riddles are ageless, timeless, and so common that we hardly ever reflect upon what they are and how they originated. Most importantly, their invention helped in the development of lateral thinking, the form of thinking that is the foundation of all kinds of discoveries, from mathematics to science and beyond. In The Curious History of the Riddle, puzzle expert Marcel Danesi delves deep into the riddle's origin and history and covers these fascinating topics: 1. The Riddle of the Sphinx: Origins, Legends, Patterns What creature walks on all fours at dawn, two at midday, and three at twilight? (answer: man) 2. The Greek Anthology and the Exeter Book: Medieval Views and Uses of Riddles This chapter looks at the spread of the riddle in recreational and educational contexts. 3. The Merry Book of Riddles: Riddles in the Renaissance By the late Renaissance, riddles were being tailored more and more to produce humorous or whimsical effects. 4. Enigmas, Charades, and Conundrums: Riddles from the 1600s to the Twentieth Century After the Renaissance, riddles had become virtually every literate European person’s favorite form of recreation, and were included as regular features of many newspapers and periodicals 5. The Twentieth Century: Riddles as Children’s Literature In the twentieth century, riddles became specialized for children, spreading throughout children’s literature and educational manuals. 6. The Twentieth and Twenty-First Centuries: Riddles Go to the Movies and Online In this chapter, the focus is on riddles in various entertainment media, from best-selling novels such as Harry Potter, to movies, such as the Batman series. 7. Connections: Riddles and Rebuses This chapter explores the structure of rebuses as visual riddles, connecting them historically. Part history book, part puzzle book, The Curious History of the Riddle is fully illustrated with over 200 riddles interspersed throughout the text for solving.

From a daring escape from revolutionary Iran, to the glittering night clubs of Paris; from the Caspian Sea to Wimbledon, from the halls of Princeton University to an exiled princess's palatial New York apartment, the story takes us on a dramatic journey in an epic and psychological novel of self-discovery, sexual obsession, exile and destiny.

The issue of the other has always been an urgent one, especially since 1980’s, when the political debates over race, gender, class, culture, ethnicity, and post-colonialism took the central stage. The Riddling between Oedipus and the Sphinx, Ontology, Hauntology, and Heterologies of the Grotesque probes the polemic status of the other and the dubious nature of the subject from a heterodox perspective of an emblematic grotesque figure, the Sphinx—the mystical trickster and the guardian of sacred knowledge in Egyptian culture. In Greek mythology, Oedipus, the epitome of Western logos, solved the Sphinx’s riddle with a single word, “Man.” This evocation for the phantom of a solipsistic subject discloses, in effect, Oedipus’ latent grotesque disparity. The book explores the encounter of this unlikely pair to inquire the riddling relationship between the singular subject and the grotesque other in the context of modern discourses of the subject and postmodern theories of the other.