Captain Jack Vespa, hero of The Riddle of Alabaster Royal, returns in another of Patricia Veryan's delightful Regency tales mixing romance and suspense, in The Riddle of the Lost Lover. Veryan's "Best effort yet" (Publishers Weekly), a spirited Regency mixing romance and mystery

The Riddle of the Deplorable Dandy: A Novel of Georgian England by Patricia Veryan Elspeth Clayton's family has been living in considerably reduced circumstances, and to improve their finances, her brother Vance becomes a soldier of fortune. His assignments take him to France, where he is caught up in political intrigues. Injured in an attempt to escape a troop of dragoons, he is arrested and held in a French gaol for questioning and probable execution. In an effort to save her beloved brother, Elspeth turns first to his best friend and then to her most devoted suitor, but both are prevented from coming to her aid. Meanwhile, she has unintentionally antagonized Gervaise Valerian, a quick-tempered dandy, much admired in Town, but whom she finds far from enchanting. Valerian has devised a daring plan to smuggle his father, a fugitive from justice, out of England. When his accomplice in the scheme is rendered helpless, he blames Elspeth. Despite their mutual antipathy, they are each desperate to aid their loved ones, and with considerable reluctance they eventually decide to work together. Hunted by authorities on both sides of the Channel and pursued by unknown assassins, their efforts are fraught with danger but they persist with their struggle, in the course of which their feelings for each other undergo a marked change.

Mrs. Regina Stansbury, a woman of high fashion and dwindling fortunes, has just trapped London's most courted bachelor into agreeing to marry her daughter Cordelia. Though young Miss Cordelia Stansbury has admired the handsome and dashing Gervaise Valerian for years, she is mortified by the circumstances of their engagement. Duty bound to obtain her father's consent for this match, Miss Stansbury becomes lost at sea while traveling to meet him in Egypt. But Valerian's hopes for a long and carefree bachelorhood are dashed once again when Miss Stansbury reappears after a year spent shipwrecked on a desert island. Ignoring the Code of Honour, Valerian rescinds his offer of matrimony. To restore the family name, Piers Cranford, a distant cousin of Valerian's, is bullied into proposing to the disgraced young lady. His offer is rudely rejected, but under pressure from his great-uncle General Lord Nugent Cranford, Piers is forced to pursue Miss Stansbury or risk losing his family manor. Piers is reluctant to marry a haughty girl he barely knows, especially now that he has just met a delightfully intriguing young lady named Mary Westerman... His worries are compounded when his estate is plagued with a series of disasters. Are these troubles linked to old foes from the Jacobite Rebellion, or could they be the work of a mysterious bidder, intent on bringing down the value of Muse Manor and buying Piers Cranford's beloved family estate?

Lieutenant-Colonel Hastings Adair, best friend of Captain Jack Vespa, the dashing hero of Veryan's last two novels, wakes up in the arms of an unwed lady of Quality, scandalizing all of London, and in attempting to right things, runs straight into a government conspiracy... in The Riddle of the Reluctant Rake.

A few minutes before my wife died, I found myself wishing for time to resolve our two issues, which we hadnt talked about. Falling in the bathroom and breaking her hip was one. She felt I should have run into the bathroom and saved her. I was not prepared to save her psychologically and didnt have time. The other issue was a rape eighteen months before at the city swimming pool in the dressing room. My lady was a young seventy-six years old with Hepatitis C and blind. She had no strength to defend herself from a large and muscular woman, assaulting her because of a failed friendship. I might have hurried to save her from falling, and I did not take her trauma from her with love and through Jesus Christ. I was inhibited and failed her in her fall. I would have no freedom to live on if we hadnt been saved by Christ by the understanding I carried in my face. I sat down near her and prayed for Jesus Christ to come into my sorrow in my face. My lady opened her blind eyes and saw my feelings with Christ of sorrow and smiled instantly, twice, with a huge happiness that Id never seen in her for over forty-five years of marriage. It was a smile of goodness and happiness, that she gave me an image of my wife ten years earlier, when she hadnt experienced rape. I thank my lady and Jesus for giving us this wonderful ending to her life and the resolution of our conflicts.

This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds. In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the different kinds of style, the characters' attitudes toward language, the play's theatrical modes, the frequent metamorphoses, and the debates. The term "debate"—justified by Shakespeare's use of the medieval conflictus—relates to both theme and structure. The author finds that the conflicting theories about the proper relation of language and imagination are resolved stylistically and thematically only in the final Debate between Spring and Winter, where the playwright reasserts the nature and value of good art. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The author reminds us of what it means to be saved by grace, but in this work he is more concerned to explore what it means to live graciously as a result of that salvation. With this emphasis, he breaks new ground in the literature of grace.

The action-packed conclusion to the Lost Rainforest series by award-winning and bestselling author Eliot Schrefer delivers one last thrilling adventure as the shadowwalkers are pushed to the limit to protect Caldera. Perfect for fans of Warriors and Spirit Animals. When the shadowwalkers were victorious in their battle against the Ant Queen, they hoped their work to save Caldera was done. But the rainforest has begun to rumble. Rumi, a scholarly tree frog who can control the wind, must bring his band of animal friends to face the greatest danger they’ve yet encountered—the giant volcano beneath the jungle itself. While the volcano roars, rumors of a mysterious evil blanket Caldera—the Elemental of Darkness has emerged and is building a legion of followers. When the shadowwalkers are forced to divide and conquer, Rumi finds himself an unlikely leader and must grapple with his own secrets before he can unlock the full scope of his magical powers. Can Rumi rally the shadowwalkers to save their rainforest home?

Are we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we’re not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line? Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it’s concerned with the great works, this is a book about life.

Can humanity survive on a new world? The last survivors of the human race escaped a ruined Earth. Their new homeworld--Eos--seemed perfect at first. Warm. Hospitable. Safe from the grid. But everything isn't as it seems. The first colony of settlers--from the Carthage--have disappeared. Their settlement is still there, but everyone is gone. As James digs into the mystery of the lost colony, he discovers a series of spheres, buried on Eos. Are they the key to finding the lost colonists? Or are they responsible for their deaths? Just as James is unravelling the secrets of the spheres, a storm hits Jericho City. Emma, recently elected mayor, struggles to lead her people to safety while James tries to make his way home. In the middle of the chaos, a new danger emerges--a threat no one saw coming. With time running out to save the colonists, James and Emma face their hardest choice yet in the final pulse-pounding instalment in the Long Winter trilogy.