"Co-founder of Rhino Records label, which he ran with his partner for twenty-four years, charts the course of the company started by two music fans in the back of their record store and has frequently won the award for label of the year. Author profiles many of the label's artists, including the Monkees, Turtles, and Tommy James"--Provided by publisher

"Rare Bird presents Harold Bronson, legendary cofounder of Rhino Records. The inside story on The Yardbirds, The Dave Clark Five, Manfred Mann, Herman's Hermits, The Hollies, The Troggs, The Kinks, The Zombies, and more."--Cover.

The “beautifully written” (The New York Times) autobiography of Michael Nesmith, from his star-making role on The Monkees and his invention of the music video to his critical contributions to movies, comedy, and the world of virtual reality “Reads like the chronicle of a relentless seeker.”—Los Angeles Times Michael Nesmith’s eclectic, electric life spanned his star-making role on The Monkees, his invention of the music video, and his critical contributions to movies, comedy, and the world of virtual reality. But above all, his is a seeker’s story, a pilgrimage in search of a set of principles to live by. That search took Nesmith from a childhood in Dallas to the set of The Monkees in Los Angeles to the heart of swinging London with John Lennon and Jimi Hendrix. This funny, thoughtful, self-aware book is a window into an unexpected life, inflected at every turn by the surprising candor and absurdist humor of an American original.

Everyone thinks Lulu is a bulldog. But she knows that can’t be true! Because Lulu is a rhinoceros! Kids will love this inspiring and funny picture book about a spunky bulldog who has the courage to be herself. “The perfect storyline to talk to kids about so many topics!”—Neuroclastic Lulu knows she is a rhinoceros. She may have soft, fuzzy fur and a little nub that wiggles when she’s happy—but in her heart, she has thick gray skin and a tail that whips and twirls. And more than anything, Lulu would like her very own rhinoceros horn! “If only I had my horn, they would finally see the REAL me!” As Lulu sets out to find her horn, she meets all sorts of dogs and even pigeons who don’t understand her. To them, Lulu does not look like a rhinoceros! But Lulu doesn’t let others stand in her way. Soon, she meets a small friend that makes a big difference in her life. With help from her new friend, Lulu realizes that the courage to be herself was inside her all along ... The first picture book in a new series, Lulu is Rhinoceros takes readers on an adventure through New York City and into Central Park Zoo to fetch and retrieve the most important possession Lulu owns—her identity! With adorable and vibrant artwork by acclaimed illustrator Sophie Corrigan, Lulu is a Rhinoceros conveys gentle messages for young readers about diversity, tolerance, self-expression, radical acceptance, and interdependence.

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

The conservation of the rhinos in southern Africa is described in this account of these fascinating animals, the reasons behind their historical decline, the myths that surround them, and the resurrection of the rhinoceros horn trade. Few animals face as violent, as well organized, and as determined an enemy as the world's rhinos. But across the African continent, they are being slaughtered on a daily basis, and approximately 5,000 black rhinos and 21,000 white rhinos are all that prevent their extinction. This real account of the rhino wars is a harrowing story, underscoring the enormous challenges that lie ahead for conservation in a world where rhino horns sold by the gram raise double the price of gold and are more expensive than cocaine in the end-user Asian markets. Arguing that protecting Africa's rhinos is of utmost importance, it questions the management of natural heritage and implores readers to recognize their role as rhino keepers of the future.

People who take up a life of rock and roll either make music, collect it, write about it, sell it or get into the record business. Harold Bronson has done all of those things. In Time Has Come Today: Rock and Roll Diaries 1967 – 2007, he recounts the fascinating adventure of his musical life. Before he co-founded Rhino Records – America’s leading reissue label -- and put decades of rock and roll history back into musical circulation, Bronson was just another devoted fan growing up in Southern California in the 1960s. But with boundless enthusiasm, a discerning ear and a near-photographic memory, he channeled his passion into writing for the UCLA Daily Bruin and then Rolling Stone and other magazines. After meeting and interviewing many of the era’s greats, he launched the Rhino label from the back room of the Los Angeles record store he managed. His new role put him behind the scenes with many of those same artists, working to bring their old – and sometimes new -- music to the public. Completing a trilogy that began with The Rhino Records Story (2013) and My British Invasion (2017), Time Has Come Today is a 40-year memoir in diary form that documents Bronson’s progress from student musician and journalist to label executive, where his fandom, wit and creative imagination augmented and altered the course of many great careers. Time Has Come Today contains concert accounts, historical events and meetings with many noted hitmakers with fascinating details that have never before been made public. This unique, behind-the-scenes document is packed with dates and details and loaded with many boldface names. · Lunches with Peter Noone, Terri Nunn, Wally Amos and Henny Youngman · A limo ride and platinum-record award ceremony with all four Monkees · In the studio with Black Sabbath · Home visits with George Carlin, Howard Kaylan of the Turtles, Mike Nesmith of the Monkees, Stephen Bishop and others · Bail Arthur Lee of Love out of jail · Parties with Gene Simmons, Alice Cooper and many other celebs · Conversations with the Bee Gees, the Doors, the Knack, George Clinton, ELO, Mickie Most, Hunter S. Thompson, John Sebastian, Rod Argent, Bon Scott of AC/DC, Janis Ian, Edgar Winter, the Chambers Brothers, Suzi Quatro, Sha Na Na, Nicky Hopkins, Badfinger, Rodney Bingenheimer and members of Steppenwolf, Iron Butterfly, Left Banke, Procol Harum and Focus · Business meetings with Ben & Jerry and the editors of Mad magazine · A wild in-store appearance by Kim Fowley

Hey! Hey! Its the untold story of The Monkees "Wool-hat" Michael Nesmith with the behind the scenes scoop about touring with Jimi Hendrix, filmmaking with Jack Nicholson and so much more. Also detailed is his invention of MTV and his mother Bette who invented Liquid Paper. This 2005 Revised edition features two updated chapters and additional photos (176 total photos). 300 pages.

The black rhino is nature's tank, feared by all animals. Even lions will break off a hunt to detour around one. And yet the black rhino is on the edge of extinction, its numbers dwindling from 100,000 at the turn of the century, to less than 2,500 today. The reason is that in places like Yemen, China, Korea, Taiwan, and Thailand, the rhino's horn is more valuable than gold, so valuable that people will risk their lives to harvest it. To deter rhino poachers, African governments have spent millions--on helicopters, paramilitary operations, fences and guard dogs, even relocation to protected areas. Finally, Namibia decided to de-horn its rhino population, in a last ditch effort to stop the slaughter. In 1991, Carol Cunningham and Joel Berger, and their eighteen-month-old daughter Sonja, went to Namibia to weigh the effects of de-horning on rhinos. In Horn of Darkness, they tell the story of three years in the Namib Desert, studying Africa's last sizable population of free-roaming black rhinos. This is the closest most readers will come to experiencing life in the remaining wilds of Africa. Cunningham and Berger, writing nate chapters, capture what it is like to leave the comforts of civilization, to camp for months at a time in a land filled with deadly predators, to study an animal that is reclusive, unpredictable, and highly dangerous. The authors describe staking out water holes in the dead of the night, creeping to within twenty-seven meters of rhinos to photograph them, all the while keeping a lookout for hyenas, elephants, and lions. They recount many heart-pounding escapes--one rhino forces Carol Cunningham up a tree, an unseen lion in hot pursuit of hyenas races right past a frozen Joel Berger--and capture the adrenaline rush of inching closer to a rhino that might flee--or charge--at any moment. They also give readers a clear sense of the careful, patient work involved in studying animals, the frustration of long days without finding rhinos or seeing other people, coping with heat and thirst (the Namib desert is one of the driest on Earth), with dirt and insects, driving hundreds of kilometers in a Land Rover packed to capacity, slowing amassing records on one hundred individual rhinos over the course of several years. And perhaps most important, the authors reveal that the data they collected suggests that the de-horning project might backfire--that in the four years after de-horning began, calf survival was down (the evidence suggests that hyenas might be preying on calves and the horn less mothers couldn't defend their offspring). They also describe the dark side of scientific work, from the petty jealousy of other scientists--outside researchers were often seen as ecological imperialists--to the controversy that erupted after the authors published their findings, as furious officials of the Namibian conservation program denounced their findings and through delays and other tactics effectively withheld a permit to allow the couple to continue their study. Weaving together the historical accounts of other naturalists, a vividly detailed look at life in the wild, and a behind-the-scenes glimpse of scientific work and the dark side of the conservation movement, Horn of Darkness is destined to be a classic work on the natural world.