NEW YORK TIMES BESTSELLER • In this “ambitious and challenging” (The New York Review of Books) work, the bestselling author of Monsoon and Balkan Ghosts offers a revelatory prism through which to view global upheavals and to understand what lies ahead for continents and countries around the world. In The Revenge of Geography, Robert D. Kaplan builds on the insights, discoveries, and theories of great geographers and geopolitical thinkers of the near and distant past to look back at critical pivots in history and then to look forward at the evolving global scene. Kaplan traces the history of the world’s hot spots by examining their climates, topographies, and proximities to other embattled lands. The Russian steppe’s pitiless climate and limited vegetation bred hard and cruel men bent on destruction, for example, while Nazi geopoliticians distorted geopolitics entirely, calculating that space on the globe used by the British Empire and the Soviet Union could be swallowed by a greater German homeland. Kaplan then applies the lessons learned to the present crises in Europe, Russia, China, the Indian subcontinent, Turkey, Iran, and the Arab Middle East. The result is a holistic interpretation of the next cycle of conflict throughout Eurasia. Remarkably, the future can be understood in the context of temperature, land allotment, and other physical certainties: China, able to feed only 23 percent of its people from land that is only 7 percent arable, has sought energy, minerals, and metals from such brutal regimes as Burma, Iran, and Zimbabwe, putting it in moral conflict with the United States. Afghanistan’s porous borders will keep it the principal invasion route into India, and a vital rear base for Pakistan, India’s main enemy. Iran will exploit the advantage of being the only country that straddles both energy-producing areas of the Persian Gulf and the Caspian Sea. Finally, Kaplan posits that the United States might rue engaging in far-flung conflicts with Iraq and Afghanistan rather than tending to its direct neighbor Mexico, which is on the verge of becoming a semifailed state due to drug cartel carnage. A brilliant rebuttal to thinkers who suggest that globalism will trump geography, this indispensable work shows how timeless truths and natural facts can help prevent this century’s looming cataclysms.

What if, on September 11, 1814, the United States had lost the close-run battle that Winston Churchill called the "most decisive" of the War of 1812? With a victory at Plattsburgh, would the British have eventually been able to regain control of their former colonies? Only one fleeting moment on Lake Champlain might have been needed to forever alter the young country's history and return it to the grip of King George III. Redcoats' Revenge brings the most successful field commander in history, the Duke of Wellington, to North America in 1814. A coalition of eight European countries has recently defeated Napoleon. With the emperor's threat to England eradicated, Wellington releases the most powerful military juggernaut for service in the Western Hemisphere. His audacious plan sends him and his avenging veteran redcoats plunging straight south from Lake Champlain toward New York City. In Washington, the streets crackle with tension at the news of British ships on the Chesapeake. The White House is promptly evacuated and the capital left undefended when a diversionary force approaches the city and chokes off Baltimore. President James Madison must now decide which of his generals is capable of successfully facing off with the Iron Duke. No friend of the tyrannical Maj. Gen. Andrew Jackson, Madison finally agrees that he may be the only commander with any hope of matching Wellington. Redcoats' Revenge is a vivid montage of the personalities and battles--real and quite possible--of the War of 1812. With its clever and compelling premise, this exciting alternate history will enthrall readers and reveal just how close the United States was to becoming a British colony once again.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

An original, provocative and compelling reading of the subcontinent’s history In this remarkable study, well-known biographer Rajmohan Gandhi, underscoring the prominence in the Mahabharata of the revenge impulse, follows its trajectory in South Asian history. Side by side, he traces the role played by reconcilers up to present times, like the Buddha, Mahavira and Asoka. Encompassing myth and historical fact, the author moves from the circumstances of Drona’s death and Parasurama’s slaying of the Kshatriyas to the burst of Islam in India and Akbar’s success in gaining acceptance for it, the executions of Guru Arjan Dev and Guru Tegh Bahadur, and Shivaji’s achievement of self-rule. His explanation of the 1947 division of India identifies the role of the 1857 Rebellion in shaping Gandhi’s thinking and strategy, and reflects on the wounds of Partition. The survey of post-Independence India, Pakistan, Bangladesh and Sri Lanka also touches upon the tragic bereavements of six of their women leaders. Incisive and finely argued, Revenge and Reconciliation compels us to confront historical and contemporary realities of intolerance, while pointing to possible strategies of mutual accommodation in India and the rest of South Asia at the threshold of the twenty-first century.

When Charles I was executed, his son Charles II made it his role to search out retribution, producing the biggest manhunt Britain had ever seen, one that would span Europe and America and would last for thirty years. Men who had once been among the most powerful figures in England ended up on the scaffold, on the run, or in fear of the assassin's bullet. History has painted the regicides and their supporters as fanatical Puritans, but among them were remarkable men, including John Milton and Oliver Cromwell. Don Jordan and Michael Walsh bring these remarkable figures and this astonishing story vividly to life an engrossing, bloody tale of plots, spies, betrayal, fear and ambition.

This timely work shows how and why the dramatic collapse of the Soviet Union was caused in large part by nationalism. Unified in their hostility to the Kremlin's authority, the fifteen constituent Union Republics, including the Russian Republic, declared their sovereignty and began to build state institutions of their own. The book has a dual purpose. The first is to explore the formation of nations within the Soviet Union, the policies of the Soviet Union toward non-Russian peoples, and the ultimate contradictions between those policies and the development of nations. The second, more general, purpose is to show how nations have grown in the twentieth century. The principle of nationality that buried the Soviet Union and destroyed its empire in Eastern Europe continues to shape and reshape the configuration of states and political movements among the new independent countries of the vast East European-Eurasian region.

Racial hatred is one of the ugliest of human emotions. And the United States not only once condoned it, it also mandated it?wove it right into the fabric of American jurisprudence. Federal and state governments legally suspended the free will of blacks for 150 years and then denied blacks equal protection of the law for another 150. How did such crimes happen in America? How were the laws of the land, even the Constitution itself, twisted into repressive and oppressive legislation that denied people their inalienable rights? Taking the Dred Scott case of 1957 as his shocking center, Judge Andrew P. Napolitano tells the story of how it happened and, through it, builds a damning case against American statesmen from Lincoln to Wilson, from FDR to JFK. Born a slave in Virginia, Dred Scott sued for freedom based on the fact that he had lived in states and territories where slavery was illegal. The U.S. Supreme Court ruled against Scott, denied citizenship to blacks, and spawned more than a century of government-sponsored maltreatment that destroyed lives, suppressed freedom, and scarred our culture. Dred Scott's Revenge is the story of America's long struggle to provide a new context?one in which "All men are created equal," and government really treats them so.

American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.

From 9/11 to the Arab uprisings and beyond—encompassing the economic crisis, war on terror, rise of China and tide of change in Latin America—The Revenge of History turns the orthodoxies of the past generation on their head. In this coruscating account of the first decade of the twenty-first century, Seumas Milne presents a powerful indictment of a US global and corporate empire in—and its British and European camp followers. Milne traces the breakdown of a failed ‘free market’ system, exposes the power and resource grab driving western military interventions, explains the dynamo behind a roaring Chinese economy and highlights the social alternatives being developed in Latin America. Brilliant, bold and always incisive, The Revenge of History is essential reading for anyone wanting to understand what has gone wrong—and grasp the possibilities of an emerging future.

We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.