Between 1981 and 2016, thousands of American and Australian Vietnam War veterans returned to Việt Nam. This oral history tells their story and explores the national narratives which shaped those return journeys. It shows how veterans returned in search of resolution, or peace, manifesting in shifting nostalgic visions of 'Vietnam.'

Through the voices of senior officials, teachers, soldiers, journalists, and artists, The Republic of Vietnam, 1955–1975, presents us with an interpretation of "South Vietnam" as a passionately imagined nation in the minds of ordinary Vietnamese, rather than merely as an expeditious political construct of the United States government. The moving and honest memoirs collected, translated, and edited here by Tuong Vu and Sean Fear describe the experiences of war, politics, and everyday life for people from many walks of life during the fraught years of Vietnam's Second Republic, leading up to and encompassing what Americans generally call the "Vietnam War." The voices gift the reader a sense of the authors' experiences in the Republic and their ideas about the nation during that time. The light and careful editing hand of Vu and Fear reveals that far from a Cold War proxy struggle, the conflict in Vietnam featured a true ideological divide between the communist North and the non-communist South.

"Equal parts conjuring, critique, and memorial, the passages in The Return to Viet Nam portray the entrenched hauntings of not only war but also cultural, national, and racial purity, as Hidle inverts shame with an elegiac rawness that holds a truthful mirror to the cultural value of racial purity within Vietnamese societies at home and abroad. By poetically portraying her own multiple transgressions of not belonging both 'here' and 'there, ' Hidle's book reveals lifelong commingling of guilt and pride, deprivation and abundance, sacredness and profanity, loyalty and disobedience, rejection and rootedness." -Julie Thi Underhill, multidisciplinary scholar-artist-activist, author of "Ghosts," "Corner Shore," and "The Gift Horse of War"

CBS reporter Morley Safer brought Vietnam into our living rooms. Twenty-five years later, Safer returns to Vietnam for a compelling look back at the war and the legacy it left in that fateful land. Vivid and powerfully written, Flashbacks is Morley Safer's unique exploration of Vietnam, past and present. It is a seasoned newsman's moving portrait of a time and place none of us can forget.

What path led Americans to Vietnam? Why and how did the United States become involved in this conflict? Drawing on materials from published and unpublished sources in America and Great Britain, historian Andrew Rotter uncovers and analyzes the surprisingly complex reasons for America's fateful decision to provide economic and military aid to the nations of Southeast Asia in May 1950.

The legacy and memory of wartime South Vietnam through the eyes of Vietnamese refugees In 1975, South Vietnam fell to communism, marking a stunning conclusion to the Vietnam War. Although this former ally of the United States has vanished from the world map, Long T. Bui maintains that its memory endures for refugees with a strong attachment to this ghost country. Blending ethnography with oral history, archival research, and cultural analysis, Returns of War considers Returns of War argues that Vietnamization--as Richard Nixon termed it in 1969--and the end of South Vietnam signals more than an example of flawed American military strategy, but a larger allegory of power, providing cover for U.S. imperial losses while denoting the inability of the (South) Vietnamese and other colonized nations to become independent, modern liberal subjects. Bui argues that the collapse of South Vietnam under Vietnamization complicates the already difficult memory of the Vietnam War, pushing for a critical understanding of South Vietnamese agency beyond their status as the war’s ultimate “losers.” Examining the lasting impact of Cold War military policy and culture upon the “Vietnamized” afterlife of war, this book weaves questions of national identity, sovereignty, and self-determination to consider the generative possibilities of theorizing South Vietnam as an incomplete, ongoing search for political and personal freedom.

Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.

When he left war-ravaged Vietnam some thirty years ago, journalist David Lamb averred "I didn't care if I ever saw the wretched country again." But in 1997, he found himself living in Hanoi, in charge of the Los Angeles Times's first peacetime bureau and in the midst of a country on the move, as it progresses toward a free-market economy and divorces itself from the restrictive, isolationist policies established at the end of the war. This was a new country; in Vietnam, Now, David Lamb brings it--and us--forward from its dark, distant past. From the myriad personalities entwined in the dark, distant history of the war to those focused toward the future, Lamb reveals a rich and culturally diverse people as they share their memories of the country's past, and their hopes for a peacetime future. A portrait of a beautiful country and a remarkable, determined people, Vietnam, Now is a personal journey that will change the way we think of Vietnam, and perhaps the war as well.

As a 20-year-old gunboat captain and certified U.S. Navy diver in the Mekong Delta, the author was responsible for both the vessel and the lives of its crew. Ambushes and firefights became the norm, along with numerous dives--almost 300 in 18 months. Forty years after the war, he returned as a tourist. This journal records his contrasting impressions of the Delta--alternately disturbing and enlightening--as seen first from a river patrol boat, then from a luxury cruise ship.

Two wartime correspondents return to Vietnam after twenty years to observe the changes in the country and people.