1920. The Great War has been over for two years, and it has left a very different world from the Edwardian certainties of 1914. Following the death of his wife and baby and his experiences on the Western Front, Laurence Bartram has become something of a recluse. Yet death and the aftermath of the conflict continue to cast a pall over peacetime England, and when a young woman he once knew persuades him to look into events that apparently led her brother, John Emmett, to kill himself, Laurence is forced to revisit the darkest parts of the war. As Laurence unravels the connections between Captain Emmett's suicide, a group of war poets, a bitter regimental feud and a hidden love affair, more disquieting deaths are exposed. Even at the moment Laurence begins to live again, it dawns on him that nothing is as it seems, and that even those closest to him have their secrets . . .

Struggling with trauma in the years following World War I, veteran Lawrence Bartram arrives in the village of Easton Deadall and is embroiled in a dangerous case involving a murdered woman who may be linked to the disappearance of a child years earlier.

One of the greatest - and most enigmatic - Roman emperors, Hadrian stabilized the imperial borders, established peace throughout the empire, patronized the arts, and built an architectural legacy that lasts to this day: the great villa at Tivoli, the domed wonder of the Pantheon, and the eponymous wall that stretches across Britain. Yet the story of his reign is also a tale of intrigue, domestic discord, and murder. In Following Hadrian, Elizabeth Speller illuminates the fascinating life of Hadrian, rule of the most powerful empire on earth at the peak of its glory. Speller displays a superb gift for narrative as she traces the intrigue of Hadrian's rise, making brilliant use of her sources and vividly depicting Hadrian's bouts of melancholy, his intellectual passions, his love for a beautiful boy (whose death sent him into a spiral), and the paradox of his general policies of peace and religious tolerance even as he conducted a bitter, three-year war with Judea. Most important, the author captures the emperor as both a builder and an inveterate traveler, guiding readers on a grand tour of the Roman Empire at the moment of its greatest extent and accomplishment.

On July 1st, 1913, four very different men are leading four very different lives. Exactly three years later, it is just after seven in the morning, and there are a few seconds of peace as the guns on the Somme fall silent and larks soar across the battlefield, singing as they fly over the trenches. What follows is a day of catastrophe in which Allied casualties number almost one hundred thousand. A horror that would have been unimaginable in pre-war Europe and England becomes a day of reckoning, where their lives will change forever, for Frank, Benedict, Jean-Batiste, and Harry. Elizabeth Speller once again sublimely captures the dangerously romantic atmosphere of war-torn Europe in her latest novel that will leave critics and readers astounded.

A NEW YORK TIMES NOTABLE BOOK The long-awaited autobiography from Georgetown University’s legendary coach, whose life on and off the basketball court threw America’s unresolved struggle with racial justice into sharp relief. John Thompson was never just a basketball coach and I Came As A Shadow is categorically not just a basketball autobiography. After five decades at the center of race and sports in America, Thompson—the iconic NCAA champion, Black activist, and educator—was ready to make the private public at last, and he completed this autobiography shortly before his death in the historically tumultuous summer of 2020. Chockful of stories and moving beyond mere stats (three Final Fours, four-time national coach of the year, seven Big East championships, 97 percent graduation rate), Thompson’s book drives us through his childhood under Jim Crow segregation to our current moment of racial reckoning. We experience riding shotgun with Celtics icon Red Auerbach and coaching NBA Hall of Famers like Patrick Ewing and Allen Iverson. What were the origins of the the phrase “Hoya Paranoia”? You’ll see. And parting his veil of secrecy, Thompson brings us into his negotiation with a D.C. drug kingpin in his players’ orbit in the 1980s, as well as behind the scenes of his years on the Nike board. Thompson’s mother was a teacher who had to clean houses because of racism in the nation's capital. His father could not read or write. Their son grew up to be a man with his own larger-than-life statue in a building that bears his family’s name on a campus once kept afloat by the selling of 272 enslaved Black people. This is a great American story, and John Thompson’s experience sheds light on many of the issues roiling our nation. In these pages, he proves himself to be the elder statesman whose final words college basketball and the country need to hear. I Came As A Shadow is not a swan song, but a bullhorn blast from one of America’s most prominent sons.

A man investigates the deaths of his fellow veterans in this “haunting and beautifully written” novel of post–World War I England (C. S. Harris, author of the Sebastian St. Cyr Mysteries). London, 1920. In the aftermath of the Great War and a devastating family tragedy, Laurence Bartram has turned his back on the world. But with a well-timed letter, an old flame manages to draw him back in. Mary Emmett’s brother, John—like Laurence, an officer during the war—has apparently killed himself while in the care of a remote veterans’ hospital, and Mary needs to know why. Aided by his friend—a dauntless gentleman with detective skills cadged from mystery novels—Laurence begins asking difficult questions. What connects a group of war poets, a bitter feud within John’s regiment, and a hidden love affair? Was his friend’s death really a suicide, or the missing piece in a puzzling series of murders? As veterans tied to John continue to turn up dead, and Laurence is forced to face the darkest corners of his own war experiences, his own survival may depend on uncovering the truth. At once a compelling mystery and an elegant literary debut, The Return of Captain John Emmett blends psychological depth with suspenseful storytelling that calls to mind the golden age of British crime fiction, “full of jolting revelations and quiet insights” (The Wall Street Journal). “A captivating wartime whodunit.” —The Boston Globe

In the summer of 1913, the world seems full of possibility for four very different young men. Young Jean-Baptiste dreams of the day he'll leave his Picardy home and row down-river to the sea. Earnest and hard-working Frank has come to London to take up an apprenticeship in Regent Street. His ambitions are self-improvement, a wife and, above all, a bicycle. Organ scholar Benedict is anxious yet enthralled by the sensations of his synaesthesia. He is uncertain both about God and the nature of his friendship with the brilliant and mercurial Theo. Harry has turned his back on his wealthy English family, has a thriving business in New York and a beautiful American wife. But his nationality is still British. Three years later, on the first of July 1916, their lives have been taken in entirely unexpected directions. Now in uniform they are waiting for dawn on the battlefield of the Somme. The generals tell them that victory will soon be theirs but the men are accompanied by regrets, fears and secrets as they move towards the line.

The Regeneration Trilogy is Pat Barker's sweeping masterpiece of British historical fiction. 1917, Scotland. At Craiglockhart War Hospital in Scotland, army psychiatrist William Rivers treats shell-shocked soldiers before sending them back to the front. In his care are poets Siegfried Sassoon and Wilfred Owen, and Billy Prior, who is only able to communicate by means of pencil and paper. . . Regeneration, The Eye in the Door and The Ghost Road follow the stories of these men until the last months of the war. Widely acclaimed and admired, Pat Barker's Regeneration trilogy paints with moving detail the far-reaching consequences of a conflict which decimated a generation. 'Harrowing, original, delicate and unforgettable' Independent 'A new vision of what the First World War did to human beings, male and female, soldiers and civilians. Constantly surprising and formally superb' A. S. Byatt, Daily Telegraph 'One of the few real masterpieces of late twentieth-century British fiction' Jonathan Coe Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration (1991); which was made into a film of the same name; The Eye in the Door (1993), which won the Guardian Fiction Prize; and The Ghost Road (1995), which won the Booker Prize, as well as the more recent novels Another World, Border Crossing, Double Vision, Life Class and Toby's Room. She lives in Durham.

Narrated by over twenty distinct voices and full of dangerous humour, English Passengers combines wit, adventure and historical detail in a mesmerizing display of storytelling. When Captain Illiam Quillian Kewley and his band of smugglers have their contraband confiscated they are forced to put their ship, Sincerity, up for charter. The only takers are two Englishmen, the Reverend Geoffrey Wilson, who believes that the Garden of Eden was on the island of Tasmania, and Dr. Thomas Potter who is developing his sinister thesis concerning the races of man. Meanwhile an aboriginal in Tasmania, Peevay, recounts his people's struggles against the invading British. As the English passengers haplessly approach his land, their bizarre notions ever more painfully at odds with reality, we know a mighty collision is looming.

Emmet, the dog, was considered a neighborhood nuisance until his alert and brave action made him a neighborhood hero in old Los Angeles.