*Includes pictures *Includes contemporary accounts *Includes online resources and a bibliography for further reading "Can we ascribe the stability and wisdom of the Venetian government, through so many ages, to any thing but the form of government? And is it not easy to point out those defects in the original constitution, which produced the tumultuous governments of Athens and Rome, and ended at last in the ruin of these two famous republics? And so little dependance has this affair on the humours and education of particular men, that one part of the same republic may be wisely conducted, and another weakly, by the same men, merely on account of the difference of the forms and institutions, by which these parts are regulated. Historians inform us that this was actually the case of Genoa. For while the state was always full of sedition, and tumult, and disorder, the bank of St. George, which had become a considerable part of the people, was conducted, for several ages, with the utmost integrity and wisdom." - David Hume If Venice, Florence, and Rome are the top three, they are often followed by Pisa, Sienna, and Naples, not to mention the islands of Sardinia and Sicily. Indeed, Genoa would come towards the end of a much longer list, and it might be most closely associated with its famous native son, Christopher Columbus, who ultimately sailed for Spain. For avid tourists, Genoa might be the port of call for those wishing to visit the stunning Cinque Terre on the Ligurian coast nearby, and for an expert in world politics, the city of Genoa might recall the memories of the tragic events of the 27th G8 summit in July 2001, when, at the height of the anti-globalization movement, protests turned violent and resulted in the death of a 23-year-old Carlo Giuliani. In today's news, Genoa might represent Italy's crumbling infrastructure and the apparent powerlessness of its government to repair it - on Tuesday, August 14, 2018, one of the main bridges of the city, the Morandi Bridge, collapsed, killing 43 people and leaving 600 homeless. The bridge's demise also destroyed Italy's reputation as an expert in mechanical engineering. Although Genoa cannot compete in the popular imagination with some of Italy's more famous cities, this busy port town perched above the sea once boasted a powerful empire that rivaled that of Venice. It also lasted for roughly the same time period, rising in the early Middle Ages and coming to an end at the hands of Napoleon Bonaparte near the end of the 18th century. Beyond its own success, the city's position at the head of the Mediterranean gave it an important strategic location from which to observe Italian and European history, as well as the world beyond. Today, historians are starting to correct the imbalance that has focused on Venice, Florence and Rome, and new histories are gradually introducing Genoa to the world, even as much remains to be uncovered. The Republic of Genoa: The History of the Italian City that Became Influential across the Mediterranean during the Middle Ages examines the highs and lows of Genoa La Superba ("The Proud"), including its humble origins in the 1st century CE, its felicitous rise after the fall of the Roman Empire, its golden age as a mercantile power during the "Genoese Century," and its demise at the hands of Napoleon Bonaparte in 1797. Along with pictures of important people, places, and events, you will learn about Genoa like never before.

Genoa enjoyed an important and ever-changing role in the early modern Mediterranean world. In medieval times, the city transformed itself from a tumultuous maritime republic into a stable and prosperous one, making it one of the most important financial centers in Europe. When Spanish influence in the Mediterranean world began to decline, Genoa, its prosperity closely linked with Spain's, again had to reinvent itself and its economic stature. In Genoa and the Sea, historian Thomas Allison Kirk reconstructs the early modern Mediterranean world and closely studies Genoa's attempt to evolve in the ever-changing political and economic landscape. He focuses on efforts in the sixteenth and seventeenth centuries to revive shipbuilding and maritime commerce as a counterbalance to the city's volatile financial sector. A key component to the plan was a free port policy that attracted merchants and stimulated trade. Through extensive research and close reading of primary documents, Kirk discusses the underpinnings of this complex early modern republic. Genoa's transformations offer insight into the significant and sweeping changes that were taking place all over Europe.

Tells the story of Genoa's journey from obscurity to its status as a merchant-pirate superpower that helped create the medieval world

A history of Genoa, tracing the city's transformation from an obscure port into the capital of a small but thriving republic with an extensive overseas empire. Covering six centuries, the text interweaves political events, economic trends, social conditions and cultural accomplishments.

Empires of the Sea brings together studies of maritime empires from the Bronze Age to the Eighteenth Century. The volume develops the category of maritime empire as a specific type of empire in both European and 'non-western' history.

Interdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other” The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.

This magisterial study proposes a revised and innovative view of the political history of Renaissance Italy. Drawing on comparative examples from across the peninsula and the kingdoms of Sicily, Sardinia and Corsica, an international team of leading scholars highlights the complexity and variety of the Italian world from the fourteenth to early sixteenth centuries, surveying the mosaic of kingdoms, principalities, signorie and republics against a backdrop of wider political themes common to all types of state in the period. The authors address the contentious problem of the apparent weakness of the Italian Renaissance political system. By repositioning the Renaissance as a political, rather than simply an artistic and cultural phenomenon, they identify the period as a pivotal moment in the history of the state, in which political languages, practices and tools, together with political and governmental institutions, became vital to the evolution of a modern European political identity.

A history of Venice from the earliest times - Crusades - Ships and navigation - Byzantine and Gothics - Humanism - Renaissance - Merchant shipping - Scuole.

Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de’ Fieschi (1524-1547), Schiller’s Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller’s mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller’s lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play’s meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller’ other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight.

Sheds light on settlement patterns in early medieval Spain and demonstrates the local effect of the collapse of Roman Government