"This is a Borzoi book published by Alfred A. Knopf"--Title page verso.

A "glorious, humane novel" (The Observer) about the Egyptian revolution, taking us inside the battle raging between those in power and those prepared to lay down their lives in the defense of freedom—this globally-acclaimed narrative from one of the foremost writers in the Arab world is still banned across much of the region. Cairo, 2011. After decades under a repressive regime, tensions are rising in the city streets. No one is out of reach of the revolution. There is General Alwany, a high-ranking member of the government's security agency, a pious man who loves his family yet won't hesitate to torture enemies of the state; Asma, a young teacher who chafes against the brazen corruption at her school; Ashraf, an out-of-work actor who is having an affair with his maid and who gets pulled into Tahrir Square through a chance encounter; Nourhan, a television personality who loyally defends those in power; and many more. As these lives collide, a new generation finds a voice, love blossoms across class divides, and the revolution gains strength. Even the general finds himself at a crossroads as his own daughter joins the protests. Yet the old regime will not give up without a fight. With an unforgettably vivid cast of characters and a heart-pounding narrative banned across much of the region, Alaa Al Aswany gives us a deeply human portrait of the Egyptian Revolution, and an impassioned retelling of his country's turbulent recent history.

From the bestselling author of The Yacoubian Building'Glorious' Observer'Amazing' André Aciman'Masterly' Sunday Times'Blistering' Financial TimesGeneral Alwany is a pious man who loves his family. He also tortures and kills enemies of the state.Under the regime of Hosni Mubarak, Egypt is gripped by cronyism, religious hypocrisy, and the oppressive military. Now, however, the regime faces its greatest crisis. The idealistic young from different backgrounds - engineers, teachers, medical students, and among them the general's daughter - have come together to challenge the status quo.Euphoria mounts as Mubarak is toppled and love blossoms across class divides, but can it last?'Rooted in first-hand experience, this searing account of the short-lived 2011 Egyptian revolution blends knockabout satire with real polemical anger.' Daily Mail'A powerful book in the vein of a great Russian or South American social novel . . . Al Aswany is a writer of great talent, a rare man whose courage is not merely literary.' Le Figaro

The study of dictatorship in the West has acquired an almost exotic dimension. But authoritarian regimes remain a painful reality for billions of people worldwide who still live under them, their freedoms violated and their rights abused. They are subject to arbitrary arrest, torture, corruption, ignorance, and injustice. What is the nature of dictatorship? How does it take hold? In what conditions and circumstances is it permitted to thrive? And how do dictators retain power, even when reviled and mocked by those they govern? In this deeply considered and at times provocative short work, Alaa Al Aswany tells us that, as with any disease, to understand the syndrome of dictatorship we must first consider the circumstances of its emergence, along with the symptoms and complications it causes in both the people and the dictator.

A rollicking, exuberant and powerfully moving story of a family swept up by social unrest in post–World War II Cairo Abd el-Aziz Gaafar, formerly a well-respected landowner now in the grip of penury, moves his family to Cairo and takes on menial work at the Automobile Club—a place of refuge and luxury for its European members, but one where Egyptians may appear only as servants. Alku, the lifelong Nubian servant of Egypt’s corrupt king, runs the show in all but name. The servants, a squabbling, humorous, and deeply human group, live in a perpetual state of fear: beaten for their mistakes, their wages dependent on Alku’s whims. When Abd el-Aziz’s pride gets the better of him and he stands up for himself, his death—as much from shame as from his injuries after Alku has him beaten—leaves his widow further impoverished and two of his sons obliged to work in the Club. As the family is drawn into the turbulent politics of Egypt—public and private—both servants and masters are subsumed by the country’s social upheaval. Soon, the Egyptians of the Automobile Club face a stark choice: to live safely but without dignity as servants, or to fight for their rights and risk everything.

This mesmerizing literary novel is written with all the emotional precision and intimacy that have won Hisham Matar tremendous international recognition. In a voice that is delicately wrought and beautifully tender, he asks: When a loved one disappears, how does that absence shape the lives of those who are left? “A haunting novel, exquisitely written and psychologically rich.”—The Washington Post Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness her death leaves behind in the Cairo apartment he shares with his father—until they meet Mona, sitting in her yellow swimsuit by the pool of the Magda Marina hotel. As soon as Nuri sees Mona, the rest of the world vanishes. But it is Nuri’s father with whom Mona falls in love and whom she eventually marries. Their happiness consumes Nuri to the point where he wishes his father would disappear. Nuri will, however, soon regret what he’s wished for. When his father, a dissident in exile from his homeland, is abducted under mysterious circumstances, the world that Nuri and his stepmother share is shattered. And soon they begin to realize how little they knew about the man they both loved. “At once a probing mystery of a father’s disappearance and a vivid coming-of-age story . . . This novel is compulsively readable.”—The Plain Dealer “Studded with little jewels of perception, deft metaphors and details that illuminate character or set a scene.”—The New York Times “One of the most moving works based on a boy’s view of the world.”—Newsweek “Elegiac . . . [Hisham Matar] writes of a son’s longing for a lost father with heartbreaking acuity.”—Newsday Don’t miss the conversation between Hisham Matar and Hari Kunzru at the back of the book. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE Chicago Tribune • The Daily Beast • The Independent • The Guardian • The Daily Telegraph • Toronto Sun • The Irish Times Look for special features inside. Join the Circle for author chats and more. BONUS: This edition contains an excerpt from Hisham Matar's In the Country of Men.

A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is “a smart, funny and compelling case for going after your heart's desires, no matter your age” (Essence). Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school––in her sixties––to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived. How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference? Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement––bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).

The Yacoubian Building holds all that Egypt was and has become over the 75 years since its namesake was built on one of downtown Cairo's main boulevards. From the pious son of the building's doorkeeper and the raucous, impoverished squatters on its roof, via the tattered aristocrat and the gay intellectual in its apartments, to the ruthless businessman whose stores occupy its ground floor, each sharply etched character embodies a facet of modern Egypt -- where political corruption, ill-gotten wealth, and religious hypocrisy are natural allies, where the arrogance and defensiveness of the powerful find expression in the exploitation of the weak, where youthful idealism can turn quickly to extremism, and where an older, less violent vision of society may yet prevail. Alaa Al Aswany's novel caused an unprecedented stir when it was first published in 2002 and has remained the world's best selling novel in the Arabic language since.

Preference falsification, according to the economist Timur Kuran, is the act of misrepresenting one's wants under perceived social pressures. It happens frequently in everyday life, such as when we tell the host of a dinner party that we are enjoying the food when we actually find it bland. In Private Truths, Public Lies Kuran argues convincingly that the phenomenon not only is ubiquitous but has huge social and political consequences. Drawing on diverse intellectual traditions, including those rooted in economics, psychology, sociology, and political science, Kuran provides a unified theory of how preference falsification shapes collective decisions, orients structural change, sustains social stability, distorts human knowledge, and conceals political possibilities. A common effect of preference falsification is the preservation of widely disliked structures. Another is the conferment of an aura of stability on structures vulnerable to sudden collapse. When the support of a policy, tradition, or regime is largely contrived, a minor event may activate a bandwagon that generates massive yet unanticipated change. In distorting public opinion, preference falsification also corrupts public discourse and, hence, human knowledge. So structures held in place by preference falsification may, if the condition lasts long enough, achieve increasingly genuine acceptance. The book demonstrates how human knowledge and social structures co-evolve in complex and imperfectly predictable ways, without any guarantee of social efficiency. Private Truths, Public Lies uses its theoretical argument to illuminate an array of puzzling social phenomena. They include the unexpected fall of communism, the paucity, until recently, of open opposition to affirmative action in the United States, and the durability of the beliefs that have sustained India's caste system.

The Essential Guide to Rolling Back the Progressive Assault and Putting America Back on Course Many Americans are concerned, frightened, angry. The country, it seems, is on the wrong track. But what is the right course for America? Knowing what we stand against is not the same as knowing what we stand for. Just in time, Matthew Spalding provides the plan for translating angst into proper action in this bestselling book. We Still Hold These Truths offers a bracing analysis of how and why we have lost our bearings as a nation and lays out the strategy to rescue our future from arbitrary and unlimited government.