From the award-winning author of Always Running comes a brilliant collection of short stories about life in East Los Angeles. Whether hilariously capturing the voice of a philosophizing limo driver whose dream is to make the most of his rap-metal garage band in "My Ride, My Revolution," or the monologue-styled rant of a tes-ti-fy-ing! tent revivalist named Ysela in "Oiga," Rodriguez squeezes humor from the lives of people who are not ready to sacrifice their dreams due to circumstance. In these stories, Luis J. Rodriguez gives eloquent voice to the neighborhood where he spent many years as a resident, a father, an organizer, and, finally, a writer: a neighborhood that offers more to the world than its appearance allows.

From the award-winning author of Always Running comes a brilliant collection of short stories about life in East Los Angeles. It is a life brimming with hope and vitality, the depiction of which reaffirms Luis J. Rodriguez as not only one of America's keenest urbanists but as a writer with a perfect blend of humanist empathy and poetic soul. Behind this famed enclave's notorious gang violence its well-documented and stereotyped poverty rates, and the supposed desperation of those who live in East L.A. without any hope of escape, lies one resounding element: real people, with real strength, in very real predicaments. Whether hilariously capturing the voice of a philosophizing limo driver in his late twenties whose dream is to make the most of his rap-metal garage band in "My Ride, My Revolution," or the monologue-styled rant of a tes-ti-fy-ing! tent revivalist named Ysela in "Oiga," Rodriguez squeezes humor from the lives of people who are not ready to sacrifice their dreams due to circumstance. In so doing, he allows readers to enter into the hidden and hope-filled chambers of an individual's spirit, only to artfully balance this with the more serious intonations of life's grimmer realities. In "Finger Dance," Rodriguez pays tribute to the slow death of a violent and harsh father who, in his last days, is rendered physically and mentally helpless. In "Pigeons," we are shown a world where Mexican-Americans ironically and hypocritically distrust Mexicans, while in "Sometimes You Dance with a Watermelon," we meet a mother who finds momentary relief from her life with a good mambo, a hot sun, and a juicy piece of fruit. In these stories, Luis J. Rodriguez gives eloquent voice to the neighborhood where he spent many years as a resident, a father, an organizer, and, finally, a writer: a neighborhood that offers more to the world than its appearance allows. The Republic of East L.A. is unforgettable fiction from a true talent.

Shares the author's story of his brushes with the law and addictions to heroin and alcohol, tracing his complicated journey toward a recovery marked by a run for political office and his rise to an internationally respected gang interventionist.

A knock-out bestseller on its hardcover release just a year ago, East Side Stories has earned stellar praise from The New York Times Book Review, the Los Angeles Times, the Village Voice, The Source, Paper, & has appeared in the pages of Life, Geo, & Revu, as well as many other international publications. East Side Stories has been the subject of solo exhibitions in New York, Mexico City, & Stockholm.

Hearts and Hands deals with many of the difficult issues addressed in Luis Rodríguez’s memoir of gang life, Always Running, but with a focus on healing through community building. Empowered by his experiences as a peacemaker with gangs in Los Angeles and Chicago, Rodríguez offers a unique book of change. He makes concrete suggestions, shows how we can create nonviolent opportunities for youth today, and redirects kids into productive and satisfying lives. And he warns that we sacrifice community values for material gain when we incarcerate or marginalize people already on the edge of society. His interest in dissolving gang influence on black and latino kids is personal as well as societal; his son, to whom he dedicates Hearts and Hands, is currently serving a prison sentence for gang-related activity. With anecdotes, interviews, and time-tested guidelines, Hearts and Hands makes a powerful argument for building and supporting community life.

Luis J. Rodriguez writes about race, culture, identity, and belonging and what these all mean and should mean (but often fail to) in the volatile climate of our nation. His passion and wisdom inspire us with the message that we must come together if we are to move forward. As he writes in the preface, “Like millions of Americans, I’m demanding a new vision, a qualitatively different direction, for this country. One for the shared well-being of everyone. One with beauty, healing, poetry, imagination, and truth.” The pieces in From Our Land to Our Land capture that same fantastic energy and wisdom and will spark conversation and inspiration.

NEW YORK TIMES BESTSELLER • The third book of the suspense-filled, enduringly popular Gentleman Bastard Sequence about a roguish group of conmen, which George R. R. Martin has called “fresh, original, and engrossing . . . gorgeously realized.” “Fast paced, fun, and impossible to put down . . . Locke and company remain among the most engaging protagonists in fantasy.”—Publishers Weekly (starred review) ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE With the greatest heist of their career gone spectacularly sour, con artist extraordinaire Locke Lamora and his trusted partner, Jean, have barely escaped with their lives. Or at least Jean has. Locke is slowly succumbing to a lethal poison that no alchemist can cure. With the end nearing, Locke’s only hope is to accept a mysterious Bondsmage’s offer: act as a political pawn in the Magi elections, and in exchange be healed. But the lifesaving sorcery promises to rival even the most excruciating death, and Locke refuses. Until the Bondsmage invokes the name of Sabetha, the love of Locke’s life, his equal in skill and wit . . . and now his greatest rival. From his first glimpse of Sabetha as a fellow orphan and thief-in-training, Locke was smitten. But after a tumultuous courtship, she broke away. Now they will reunite in another clash of wills. Faced with his only equal in both love and trickery, Locke must choose whether to fight Sabetha—or woo her. It is a decision on which both of their lives may depend. Don’t miss any of Scott Lynch’s epic fantasy Gentleman Bastard Sequence: THE LIES OF LOCKE LAMORA • RED SEAS UNDER RED SKIES • THE REPUBLIC OF THIEVES

DIVDIVA mesmerizing collection of poems of urban pain and immigrant alienation, humming with a current of genuine beauty and the pulse of life/divDIV/divDIVThe Concrete River’s poems are dispatches from city corners that CNN viewers never see, that few dare visit, and that fewer still manage to escape. Rodríguez sings corridos of barrios and busted Chicanos trying to make it in L.A. and Chicago, from ballads of Watts’s broken glass to blues played alongside a tequila bottle under an elevated train. But the music also captures moments of true beauty amid the hard urban surfaces, where the cries of the ’hood “deliver sacrifices / of sound and flesh, / as a mother’s milk flows,” while love and community offer renewed hope./divDIV /divDIVThis ebook features an illustrated biography of Luis J. Rodríguez including rare images from the author’s personal collection./divDIV /div/div

The award-winning memoir of life in an LA street gang from the acclaimed Chicano author and former Los Angeles Poet Laureate: “Fierce, and fearless” (The New York Times). Luis J. Rodríguez joined his first gang at age eleven. As a teenager, he witnessed the rise of some of the most notorious cliques in Southern California. He grew up knowing only a life of violence—one that revolved around drugs, gang wars, and police brutality. But unlike most of those around him, Rodríguez found a way out when art, writing, and political activism gave him a new path—and an escape from self-destruction. Always Running spares no detail in its vivid, brutally honest portrayal of street life and violence, and it stands as a powerful and unforgettable testimonial of gang life by one of the most acclaimed Chicano writers of his generation. This ebook features an illustrated biography of Luis J. Rodríguez including rare images from the author’s personal collection.

The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.