One of the leading designer bookbinders in Great Britain, Arthur Johnson shares his expertise in this manual addressing the special problems of repairing cloth-covered books. Using more than 80 illustrations, Johnson explains the procedures for repair that he has developed over many decades. His text is aimed at bookbinders, conservationists, and students of binding history.

In-House Bookbinding and Repair is a working document that contains information on setting up both a basic bookbindery and repair lab (i.e. the design, equipment, tools, and supplies needed) and instructions on rebinding and repairing cloth-bound books. Highly illustrated to greater enhance its usefulness, this manual also covers various aspects of book repair and conservation, and contains appendixes on manufacturers and suppliers of materials and products discussed in the text, an extensive Glossary of terms, a separate section on World Wide Web Resources, and a helpful bibliography. This manual has proven valuable to libraries of all sizes and locations. Library managers and administrators will find it a worthwhile resource as they contemplate the utility of an in-house lab. Library staff charged with bookbinding and book repair will find the manual to be a practical reference tool. The volume is also designed to be used as a primer for related courses in Library and Information Science Studies programs and may be of interest to individuals interested in private practice. For this second edition, the 2005 manual has been updated and every chapter significantly revised and/or expanded with a view to greatly increasing the book's practical value. Our revisions reflect decades of bench experience in the workshop. The Bibliography and Internet Resources have been updated. Information on manufacturers, suppliers, and supplies has been revised to reflect changes in the marketplace and successful practices. Conservation bookbinding and repair follows old and well-established traditions. Leaving theory and esoteric debate for others, this revised edition is essential reading if you are ready to roll up your sleeves and get to work.

One of the leading designer bookbinders in Great Britain, Arthur Johnson has used his extensive knowledge of book construction to provide a reference manual for the repair and reconstruction of cloth bindings. Each process is explained in precise detail with clear text in order to give the worker confidence in this exacting skill. Using more than 90 illustrations, drawn by the author himself, Johnson explains his procedures for sound repair that he has developed over many decades. Johnson has written four other manuals on binding that are considered classics and The Repair of Cloth Bindings should be no exception. Included in this work is a brief but comprehensive history of cloth as a binding material from its early use in handwork to complete automation. Johnson has written four other binding manuals that are considered classics; this title joins the rest

DIVExpert, illustrated guide to creating fine books by hand. Materials and equipment, basic procedures, rebinding an old book, more, plus 8 projects: dust jacket, folio, music binding, manuscript binding, 4 others. /div

A guide to hand book-binding.

"A complete guide to the process of fine bookbinding, intended for both novice and experienced bookmakers. Guides the user in creating a fine binding fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Includes close to 300 black-and-white illustrations, four appendices, bibliography and index"--Provided by publisher.

Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.

A time-honored craft, bookbinding protects and enhances written and printed documents. Many of the diverse techniques of the improve a book's functionality and appearance are described in the these thoroughly illustrated pages.

"This celebrated book is a classic on the fine art and craft of restoring leather bookbinding. Middleton is one of Britain's pre-eminent practitioners and scholars on the subject. He writes with the rare insight of long practice and hard-won authority. Nowhere else can a student of this craft find clearer or more detailed explanations of the restorer's lore and science." "This is Middleton's fourth revised and expanded edition. This edition features a new, full-colour, identifying guide for leather and papers most likely found in bookbinding. The section on suppliers has been completely updated along with a comprehensive index." "This definitive work belongs on the shelf of every bibliophile, librarian, conservator, book restorer, and binder interested in this unique art form."--Rabat de la jaquette.