When Charles Sainte-Beuve, a French journalist, met Victor Hugo, an ambitious young writer, he was swept into a world of grand emotions, a world where words can become swords. But Charles' attraction moves on from Victor, to his wife Adèle. Soon the two lovers are on the edge of a great scandale and a wounded Victor must exact his price for betrayal.Set during the tumultuous reign of Napoleon III, this mesmerising novel draws a rich portrait of old Paris, where duels were fought and cholera-ridden bodies float in the Seine. An atmospheric story of delicacy and emotion, The Reinvention of Love brings together the voices of two women destroyed by Victor Hugo's ferocious ambition, and the unique, acerbic and heart-breaking voice of Charles Sainte-Beuve, first Hugo's friend and then his unlikely competitor in love.

In The Reinvention of Love Anthony Low argues that cultural, economic and political change transformed the way poets from Sidney to Milton thought and wrote about love. Examining the interface between social, political and economic practices and individual psyches, as reflected in literary texts, Professor Low illuminates the connections between material circumstances, perceptions, and ideals. Through detailed readings of the work of Sidney, Donne, Herbert, Crashaw, Carew, and Milton, he shows how from the late sixteenth century poets struggled to replace the older Petrarchan tradition with a form of love in harmony with a changing world, and to reconcile human love and sacred devotion. Donne fled the social world; Carew made new accommodations with it; Milton revised it. For Milton, sacred love, cut off from communal norms, verges on hatred, while married love takes on the burden of assuaging loneliness in a threatening world.

From the author of the Project (Un)Popular series and Too Cool For This School, a funny, authentic story about fitting in, growing up, and making it in middle school! After an unfortunate incident at the hair salon, Bessica is not allowed to see her best friend, Sylvie. That means she's going to start middle school a-l-o-n-e. Bessica feels like such a loser. She wants friends. She's just not sure how to make them. It doesn't help that her beloved grandma is off on some crazy road trip and has zero time to listen to Bessica. Or that Bessica has a ton of homework. Or that gorgeous Noll Beck thinks she's just a kid. Or that there are some serious psycho-bullies in her classes. Bessica doesn't care about being popular. She just wants to survive—and look cute. Is that too much to ask when you're eleven? "Funny, goofy, anxious, and absolutely emotionally authentic." --The Bulletin of the Center for Children's Books, Starred Review "Many a middle school girl will find a piece of herself in Bessica Lefter." --VOYA

Desperation.Not a phenomenon Tempest could typically claim, but certainly the catalyst for where she's landed. Not in peril, or pain, but in dire need of the very normalcy she's often emulated, but never been able to obtain.Now... there's nothing in her way, except all those years of being everything except what she now has to become.Herself.As soon as she figures out who that is.

Lisa's world collapsed the year she turned 58. Her 25-year marriage ended; the only home her children had ever known fell into foreclosure; and her last child left the nest. Her financial lifeline, her career in advertising, had gone stagnant. From under the crushing realities a wild idea popped into her head. What if she went away for 30 days, all alone to New York City and took a crash course to learn the new digital ways of her business? After class she could sneak in a 1-mile walk, each day treating herself to a different neighborhood of Manhattan, the place she'd always dreamed of living. Using the lessons she'd learn, she could share stories and photos from her daily walks, all in hopes of reinventing herself professionally. It seemed like the perfect plan, and it was. However-the real truth she found on the streets of Manhattan never made it to her blog. Only in her personal diary did she share the rawness of what she learned about herself ... and all she needed to do to make the changes she wanted. In her memoir, Twenty Pieces, Lisa Weldon shares what she learned.

A fun and passionate work of non-fiction exploring the modern mother’s path to reinvention, both in the home and in the workplace.

We are conditioned to think love's purpose is to heal wounds, make us happy, and give our lives meaning. When the opposite occurs, and love causes us to feel fractured, disenchanted, and full of existential turmoil, our suffering is compounded by the sense that love has failed us, or that we've failed to experience what so many others effortlessly enjoy.In this eloquently argued, psychologically-informed book, Mari Ruti portrays love as a much more complex, multifaceted phenomenon prompting us to access the depths of human existence. Love's ruptures are as important as its triumph.

The renowned French philosopher’s “ode to love’s power to unite in the face of eternity, and its optimism in the face of pain” (Publishers Weekly). In a world rife with consumerism, where online dating promises risk-free romance and love is all too often seen as a mere variant of desire and hedonism, Alain Badiou believes that love is under threat. Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love is an existential project, a constantly unfolding quest for truth. This quest begins with the chance encounter, an event that forever changes two individuals, challenging them “to see the world from the point of view of two rather than one.” This, Badiou believes, is love’s most essential transforming power. Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity. Moving, zealous, and wise, Badiou’s “paean to the anticapitalist, antiessentialist, unifying power of love” urges us not to fear it but to see it as a magnificent undertaking that compels us to explore others and to move away from an obsession with ourselves (Publishers Weekly). “Finally, the cure for the pornographic, utilitarian exchange of favors to which love has been reduced in America. Alain Badiou is our philosopher of love.” —Simon Critchley, author of The Faith of the Faithless

What would happen if we could stroll through the revolutionary history of the 20th century and, without any fear of the possible responses, ask the main protagonists - from Lenin to Che Guevara, from Alexandra Kollontai to Ulrike Meinhof - seemingly naïve questions about love? Although all important political and social changes of the 20th century included heated debates on the role of love, it seems that in the 21st century of new technologies of the self (Grindr, Tinder, online dating, etc.) we are faced with a hyperinflation of sex, not love. By going back to the sexual revolution of the October Revolution and its subsequent repression, to Che's dilemma between love and revolutionary commitment and to the period of '68 (from communes to terrorism) and its commodification in late capitalism, the Croatian philosopher Srecko Horvat gives a possible answer to the question of why it is that the most radical revolutionaries like Lenin or Che were scared of the radicality of love. What is so radical about a seemingly conservative notion of love and why is it anything but conservative? This short book is a modest contribution to the current upheavals around the world - from Tahrir to Taksim, from Occupy Wall Street to Hong Kong, from Athens to Sarajevo - in which the question of love is curiously, surprisingly, absent.

“A funny, seasoned take on dashed illusions.”—O Magazine “I love everything Meredith Maran writes. She is insightful, funny, and human, and the things she writes about matter to me deeply. Her memoir, The New Old Me, is a book I don’t just want to read—I need to read it. So does everyone else who’s getting older and wants to live fully, with immediacy and enjoyment, which is to say, everyone.”—Anne Lamott, author of Hallelujah Anyway For readers of Anne Lamott, Abigail Thomas, and Ayelet Waldman comes one woman's lusty, kickass, post-divorce memoir of starting over at 60 in youth-obsessed, beauty-obsessed Hollywood. After the death of her best friend, the loss of her life’s savings, and the collapse of her once-happy marriage, Meredith Maran leaves her San Francisco freelance writer’s life for a 9-to-5 job in Los Angeles. Determined to rebuild not only her savings but also herself while relishing the joys of life in La-La land, Maran writes “a poignant story, a funny story, a moving story, and above all an American story of what it means to be a woman of a certain age in our time” (Christina Baker Kline, number-one New York Times–bestselling author of Orphan Train). Praise for The New Old Me: “High time we had a book that celebrates becoming an elder! Meredith Maran writes of the difficulties of loss and change and aging, but makes it clear that getting on can be more interesting, more fun, and a lot more exciting than youth.”—Abigail Thomas, author of the New York Times bestseller What Comes Next and How to Like It “By turns poignant and funny, the book not only shows how one feisty woman coped with a ‘Plan B life’ she didn't want or expect with a little help from her friends. It also celebrates how she transformed uncertainty into a glorious opportunity for continued late-life personal growth. A spirited and moving memoir about how ‘it's never too late to try something new.’”—Kirkus