Publishers Weekly Best Book * ALA Best Book for Young Adults * ALA Notable Children's Book * ALA Booklist Editors' Choice Moving, honest, and deeply personal, Red Scarf Girl is the incredible true story of one girl’s courage and determination during one of the most terrifying eras of the twentieth century. It's 1966, and twelve-year-old Ji-li Jiang has everything a girl could want: brains, popularity, and a bright future in Communist China. But it's also the year that China's leader, Mao Ze-dong, launches the Cultural Revolution—and Ji-li's world begins to fall apart. Over the next few years, people who were once her friends and neighbors turn on her and her family, forcing them to live in constant terror of arrest. And when Ji-li's father is finally imprisoned, she faces the most difficult dilemma of her life. Written in an accessible and engaging style, this page-turning autobiography will appeal to readers of all ages, and it includes a detailed glossary and a pronunciation guide.

A sweeping novel set in war-torn 1928 China, with a star-crossed love story at its center. In a city full of thieves and Communists, danger and death, spirited young Lydia Ivanova has lived a hard life. Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land. Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife. The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it.

*** THE Sunday Times TOP TEN BESTSELLING AUTHOR *** 'Historical, epic fiction - it doesn't get much better than this' The Bookseller Discover a brilliant story of love, danger, courage and betrayal, from the internationally bestselling author of The Betrayal. ***** Davinsky Labour Camp, Siberia, 1933 Sofia Morozova knows she has to escape. Only two things have sustained her through the bitter cold, aching hunger and hard labour: the prospect of one day walking free; and the stories told by her friend Anna, beguiling tales of a charmed upbringing in Petrograd - and of Anna's fervent love for a passionate revolutionary, Vasily. So when Anna falls gravely ill, Sofia makes a promise to escape the camp and find Vasily: to chase the memory that has for so long spun hope in both their hearts. But Sofia knows that times have changed. Russia, gripped by the iron fist of Communism, is no longer the country of her friend's childhood. Her perilous search takes her from industrial factories to remote villages, where she discovers a web of secrecy and lies, but also bonds of courage and loyalty - and an overwhelming love that threatens her promise to Anna. Further praise for Kate Furnivall: 'Wonderful . . . hugely ambitious and atmospheric' Kate Mosse 'Superb storytelling' Dinah Jefferies 'A thrilling plot ... Fast-paced with a sinister edge' Times 'A thrilling, compelling read. Wonderful!' Lesley Pearse 'Gripping . . . poignant, beautifully written ...will capture the reader to the last' Sun 'Truly captivating' Elle 'Perfect escapist reading' Marie Claire 'An achingly beautiful epic' New Woman 'A rollicking good read' Daily Telegraph

This coming of age story takes place in 1944 in rural Arkansas where a twelve year old boy named, Richard has a simple dream: he just wants to buy a red scarf for Rosalie, the prettiest girl in school.

In a story without words, a taxi driver discovers a customer has left their red scarf in his cab and travels to the circus to return it.

An intensely personal and profoundly moving review of Bonnefoy's childhood memories. In December 2015, six months before his death at the age of 93, Yves Bonnefoy concluded what was to be his last major text in prose, L'écharpe rouge, translated here as The Red Scarf. In this unique book, described by the poet as "an anamnesis"--a formal act of commemoration--Bonnefoy undertakes, at the end of his life, a profoundly moving exegesis of some fragments written in 1964. These fragments lead him back to an unspoken, lifelong anxiety: "My most troubling memory, when I was between ten and twelve years old, concerns my father, and my anxiety about his silence." Bonnefoy offers an anatomy of his father's silence, and of the melancholy that seemed to take hold some years into his marriage to the poet's mother. At the heart of this book is the ballad of Elie and Hélène, the poet's parents. It is the story of their lives together in the Auvergne, and later in Tours, seen through the eyes of their son--the solitary boy's intense but inchoate experience, reviewed through memories of the now elderly man. What makes The Red Scarf indispensable is the intensely personal nature of the material, casting its slant light, a setting sun, on all that has gone before.

The mischievous Monkey King attempts to achieve immortality the easy way, gains god-like powers, and wreaks havoc in heaven.

Growing up in a small town, enjoying family and the outdoors can make you different than others now a days. Annabelle felt no need to be on her cell phone all the time or to go to theme parks. She enjoyed working on the farm, learning the traits of flowers, raising her pet lamb Baa Baa and listening to Granny B and Grampa Homer as they shared family stories. As Annabelle listened she heard more than words about people she had only seen in pictures. She heard the honor and the love than her grandparents had for them. Annabelle learned how to make tinctures, oils and vinegar for wild plants. Then there was the process of taking raw wool to yarn and learning to knit simple patterns. She was growing and changing but in spite of everything she was allowed to feel safe in who she was growing up to be.

After all his female relatives refuse to knit him a scarf as they go on about their business--driving the cows, building a crib--Grandfather learns to knit himself.

Two noir thrillers from the mid-1950s by "one of the best pulpsters around," according to critic Woody Haut.