This book presents two of the most important traditions of the Dakota people, the Red Road and the Holy Dance, as told by Samuel Mniyo and Robert Goodvoice, two Dakota men from the Wahpeton Dakota Nation near Prince Albert, Saskatchewan, Canada. Their accounts of these central spiritual traditions and other aspects of Dakota life and history go back seven generations and help to illuminate the worldview of the Dakota people for the younger generation of Dakotas, also called the Santee Sioux. “The Good Red Road,” an important symbolic concept in the Holy Dance, means the good way of living or the path of goodness. The Holy Dance (also called the Medicine Dance) is a Dakota ceremony of earlier generations. Although it is no longer practiced, it too was a central part of the tradition and likely the most important ceremonial organization of the Dakotas. While some people believe that the Holy Dance is sacred and that the information regarding its subjects should be allowed to die with the last believers, Mniyo believed that these spiritual ceremonies played a key role in maintaining connections with the spirit world and were important aspects of shaping the identity of the Dakota people. In The Red Road and Other Narratives of the Dakota Sioux, Daniel Beveridge brings together Mniyo and Goodvoice’s narratives and biographies, as well as songs of the Holy Dance and the pictographic notebooks of James Black (Jim Sapa), to make this volume indispensable for scholars and members of the Dakota community.

"Time and again our Elders have said that the 12 Steps of AA are just the same as the principles that our ancestors lived by, with only one change. When we place the 12 Steps in a circle then they come into alignment with the circle teachings that we know from many of our tribal ways. When we think of them in a circle and use them a little differently, then the words will be more familiar to us. This book is about a Red Road, Medicine Wheel Journey to Wellbriety--to become sober and well in a Native American cultural way."--Back cover.

This fast-paced YA debut novel has it all: smart, savvy characters making their way through an eerily dystopian society, with all the requisite action, adventure and romance characteristic of the genre vividly and at times, chillingly, portrayed. In a wild and lawless future, where life is cheap and survival is hard, eighteen-year-old Saba lives with her father, her twin brother Lugh, her young sister Emmi and her pet crow Nero. Theirs is a hard and lonely life. The family resides in a secluded shed, their nearest neighbour living many miles away and the lake, their only source of water and main provider of food, gradually dying from the lack of rain. But Saba's father refuses to leave the place where he buried his beloved wife, Allis, nine years ago. Allis died giving birth to Emmi, and Saba has never forgiven her sister for their mother's death. But while she despises Emmi, Saba adores her twin brother Lugh. Golden-haired and blue-eyed, loving and good, he seems the complete opposite to dark-haired Saba, who is full of anger and driven by a ruthless survival instinct. To Saba, Lugh is her light and she is his shadow, he is the day, she is the nighttime, he is beautiful, she is ugly, he is good, she is bad. So Saba's small world is brutally torn apart, when a group of armed riders arrives five day's after the twin's eighteenth birthday snatch Lugh away. Saba's rage is so wild, that she manages to drive the men away, but not before they have captured Lugh and killed their father. And here begins Saba's epic quest to rescue Lugh, during which she is tested by trials she could not have imagined, and one that takes the reader on breathtaking ride full or romance, physical adventure and unforgettably vivid characters, making this a truly sensational YA debut novel.

A Native American elder travels through Indian towns, introducing readers to a vivid cast of characters.

A powerful story of one man's redemption through the Lakota Sun Dance ceremony. • Written by the only white man to be confirmed as a Sundance Chief by traditional Lakota elders. • Includes forewords by prominent Lakota spiritual leaders Leonard Crow Dog, Charles Chipps, Mary Thunder, and Jamie Sams. The Sun Dance is the largest and most important ceremony in the Lakota spiritual tradition, the one that ensures the life of the people for another year. In 1988 Michael Hull was extended an invitation to join in a Sun Dance by Lakota elder Leonard Crow Dog-- a controversial action because Hull is white. This was the beginning of a spiritual journey that increasingly interwove the life of the author with the people, process, and elements of Lakota spirituality. On this journey on the Red Road, Michael Hull confronted firsthand the transformational power of Lakota spiritual practice and the deep ambivalence many Indians had about opening their ceremonies to a white man. Sun Dancing presents a profound look at the elements of traditional Lakota ceremonial practice and the ways in which ceremony is regarded as life-giving by the Lakota. Through his commitment to following the Red Road, Michael Hull gradually won acceptance in a community that has rejected other attempts by white America to absorb its spiritual practices, leading to the extraordinary step of his confirmation as a Sun Dance Chief by Leonard Crow Dog and other Lakota spiritual leaders.

"The Diversity and Inclusion (D&I) Movement in Higher Education and in Corporations, whether well intended or window dressing, is largely unsuccessful because it uses the same dominant worldview that has caused disrespect for D&I. Indigenous Worldview is founded on respect for diversity and is therefore the ultimate source for bringing the authentic goals of D&I initiatives to fruition. This book offers an engaging opportunity to learn why this can work and how to make it happen"--

The practical sequel to Mother Earth Spirituality that applies Native American teachings and ritual to comtemporary living.

The Red Road provides a place you will learn and understand the true real authentic Afro-Indigenous American and Indigenous American traditional ways. The Road will be the bridge to some of your ancestors and a bridge to a world you though you knew. We will focus on the correct wording and meanings of how to properly. Now a days and for many many moons the new agers have taken over and abused our sacred ways. Misinterpret words, how to. Selling off our medicines as their own and making profit off our sacred ways. Teachings may differ from nation to nation but there are majority of similarities. Keeping our sacred traditions alive for all the next seven generations to come. Through dance, songs, stories, spirituality teachings alive and strong. One will benefit from Red Road, as it is a guide to connect you as an Afro-Indigenous American or Indigenous American to the ways of your people. Or simply as a education tool on our culture traditionally. To get a understanding of the four main medicines, full moon cycle, names grandmother moon ceremonies, seven teachings, cleanse, proper use of feathers, water healing. Much more Protecting our sacred ways. Protecting and knowing how to carry our medicines. How to correctly cleanse, heal, give thanks, gratitude, asking for guidance and such. And to never "sell our ancestors down the river". This book is personal to me as I am the voice for all my ancestors keeping their visions, hopes and dreams alive. They prayed for me for us down from sky world to be born. I'll continue their legacy for generations to come. Every step I take I'm honored to know that I carry sacred circle of my ancestors teachings and gifts. Feeling the strength as strength comes from within. Feeling of powerful positive energy of being on cloud nine knowing I helped those in need of healing, clarity and learning the truth about our nation's respectful sacred ways.

In 1975 Kenneth Lincoln went on the road with his small daughter and four students, traveling from Los Angeles through Arizona, New Mexico, Nebraska, and the Dakotas, searching for the essence of the Indian experience in modern America. His gritty but poetic account of this trip explores the challenges facing native peoples. The Good Red Road captures the tension between Indians and whites, reveals the continuing importance of religion among the Lakotas, and depicts the differences among Indians. Finally, the book is a journey of self-discovery by Lincoln and his students, one of them coauthor Al Logan Slagle, a Cherokee Indian and later an advocate for Indian rights.

Spanning the five decades since they were built up out of the cabbage fields, This Road is Red is a novel about the thousands of residents who have lived there. Each of their lives are linked to another by a character, an incident or a place with lives overlapping and connecting in a mixture of drama and domesticity. There is a fire, a suicide, a birth, a marriage, a death and a near-death. A couple of ghosts, several fights, a handful of jellies and an overdose. The book is a record of how the events of the last five decades have impacted on a community.